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Firecracker Gets Her One Shot | The Boys Season 5 Ep 5 & Daredevil Born Again S2 E3-4 Review
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In this thought-provoking episode of Scene N Nerd, Sarah and Will tackle the latest developments in the world of superhero television, starting with the bittersweet news of the cancellation of Gen V. They discuss the implications of this decision for the future of The Boys universe and reflect on how it affects the characters' trajectories. As they dive into the viewership drop for Daredevil: Born Again, they analyze the factors contributing to the decline and share their thoughts on the show's evolving narrative and character dynamics.

The dynamic duo then shifts gears to review The Boys Season 5, Episode 5, "One Shots." They break down the episode's unique storytelling format, exploring the one-shots of various characters, including Firecracker, Black Noir, and Sister Sage. With a mix of humor and insightful commentary, they discuss the moral complexities faced by these characters and how their relationships with power and loyalty are portrayed. The episode culminates in a deeper understanding of the characters' motivations and the consequences of their choices, all while maintaining the show's signature style.

Wrapping up, Sarah and Will transition to Daredevil: Born Again, discussing Episodes 3 and 4. They reflect on the series' pacing, the courtroom drama, and the impact of Vanessa's fate on Fisk's character. As they analyze the juxtaposition of power dynamics and personal relationships, they ponder the show's direction and what lies ahead for the characters. With a blend of humor and critical analysis, this episode is a must-listen for fans of both series.

0:00 - Welcome & News Roundup: Gen V Cancellation & Daredevil Viewership Drop

12:55 - The Boys Season 5, Episode 5 "One Shots" Review

54:00 - Daredevil: Born Again Season 2, Episodes 3-4 Discussion

1:10:00 - Outro

Want to keep the conversation going? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram @scene_n_nerd, and Threads @scene_n_nerd. Don't forget to check out our website at www.scenennerdpodcast.com. If you enjoyed this episode, drop us a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix!

Transcript

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Will: Foreign.

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Sarah : Nerds. This is seen in Nerd. I'm your host, Sarah

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Belmont, and with me, as always, is there Mr.

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Producer, Will Polk How are you doing tonight,

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Will.

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Will: Doing very well, Sarah How you doing this evening?

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Sarah : I'm doing good. Happy last day of April.

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Will: Yes, it is April 30th. here we are. May. This year

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is like zipping by it. I don't know if it's

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because we have more content. It's just. Or it's

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just life itself is just, you know, speeding up.

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But yeah, we are here. May.

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Sarah : I also think that this year we've managed to

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record on either the last day or the, like, the

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second to last day of each month.

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Will: I think we have. You are, you are correct.

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Sarah : Yeah, yeah, we've just. That's how the calendar

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has fallen with our switches between twos or

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Mondays, Tuesdays and Thursdays. So. And I think

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we even had a Wednesday in there. So.

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Will: We did have a Wednesday in there. Yeah.

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Sarah : Yeah, we're, we're definitely in 2026. Clos in the

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month with a episode. and we'll see if that

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continues. So to kick things off before we get

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into the shows, we have news to talk about. Each

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show. The first news is adjacent news. and it's.

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They came out with the fact that they did go

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through with the cancellation of Gen V, which, not

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surprised, but also kind of more like, did you

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just show your hand for The Boys Season 5 finale?

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Did you just show your hand? so that's, that's

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where my, my thoughts are because I made a

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prediction a few weeks ago that they were not

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going to announce that until after the fact just

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because of stakes, but that got thrown out the

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window.

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Will: Yeah, I, I, As soon as I saw the news, I

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immediately thought about our conversation with

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respect to, to that and, and at first I was

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disappointed because of our conversation about

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would that show the hand. But then of course, as

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part of the announcement that they were canceling

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the show, the showrunners didn't note that, these

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characters will, will show up in not only season

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five of the Boys, but also in the other vcu,

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projects, the Boys universe projects moving

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forward. Because I know there's Vault Rising

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that's coming up and then there's the Boys Mexico.

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So, so, we, we are going to get these characters

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moving forward. And it's also thought about it

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too, and thinking about this how, like I think you

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used the word adjacent whenever you were setting

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things up. Genv M has been in many ways very

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adjacent to the Boys obviously for the obvious

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reasons because it is set in universe. But there

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is thinking back now and as we see with this virus

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there is a lot of overlap between the stories.

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Yes, genv has his own standalone story, the boy

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has his own standalone story but where they

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overset intersect and. And it's also spoiler alert

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if you haven't seen the season two of Gen V how

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that's how where things are left with those

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characters, they can't go back to the university.

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So.

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Sarah : No, no, the university is played out within those

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two seasons.

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Will: Right.

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Sarah : I. I just think that Gen V is arguably one of the

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most perfect spin offs that we've seen on

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television because it didn't. It felt very in

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universe yet also separate story. And also it. Yes

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there was crossover and the story things that

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occurred in at The university affected the boys

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universe the following season and vice versa

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however. So. So that's where I think the. Well

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that's not surprising that their cancel of the

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cancellation because. Because I think in the

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trajectory that we're headed I don't think that

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there is a. With those characters a continuation

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of the story that they started because they

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started a story in this universe that arguably is

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coming to an end in one way or another.

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Will: Yes.

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Sarah : So now that you've brought up the fact that they

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will be in the other spin offs and the other

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prequel or stories that are being told in this

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universe down the line, it makes sense because

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then it's like yeah, we'll see them but this

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world, it'll be like chapter two for everyone. So.

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Will: Exactly.

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Sarah : yeah, so it's. It's bittersweet news. But I also

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just Crypt or Yeah, Kripke is very good with

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bringing characters back which we see in the

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episode tonight. So.

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Will: Yeah, we definitely did see that. Yeah. Yeah. And

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also too. Just one last point too. I mean at first

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I thought it was m. Maybe all you know related to

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the ratings too because I know Crypt did note

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season three hinged on how. What the viewership

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numbers look like for season two. but I think to

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your point it probably is more They. They've

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carried this story as far as it can with. With in

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the construct that in this universe. And yeah. And

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it just makes sense to just bring it to a close

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and. And they show up in other places.

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Sarah : Right. And speaking about viewership, you're going

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to tell me about a drop in the season to daredevil

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viewership.

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Will: Y. Yeah. So this was a story that dropped earlier

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this week. it was in ComicBook.com and appeared in

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other places. But of course these streamers are

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very opaque when it comes to their, their

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viewership numbers. But what we do know from a

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company that called Luminate Data and I put a

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little screenshot here up for the folks who are

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watching us on, on video YouTube and I'll read it

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out for our audio listeners. But Daredevil Born

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Again has basically accumulated over about

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4,000,515,000 season views. 10 thousand 86 hours

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watched. 10,086,000 867,000 hours watched and 65,

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6,652 million minutes watched. Season one and

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basically season and this is tracking the first

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five weeks of the show. season one tracked across

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the same five week window had around 808,357,000

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season views, 24 million hours watched and gosh,

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1,440,000,000 minutes watched. so the, the article

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notes that between season two and season one

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represented a decline of approximately 4046 in

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total view the views where it was declined and

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over 8054 in total hours watched. So bottom line

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is about half of the audience is coming back to

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watch season two after, after season one. So what

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are your thoughts as far as why that's happening?

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Sarah : there's so many different factors at play but I

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think arguably the biggest reason is the same

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reason why it took us a few weeks before we could

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get around to Daredevil and Spoiler alert or, or

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just a bit behind the scenes for our listeners.

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Originally we were not going to talk about

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Daredevil right now. We were going to talk about

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Invincible and watch that. But then it came out,

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the announcement with the the Punisher special

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presentation and given the knowing Frank's gonna

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be in the new Spider man movie, we just were like

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no, we need to get this out of the way in

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preparation for the new Spider M Man movie in

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July. So it made more sense. But I think a lot of

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people had it before that Spider man and based on

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everything you just read, even after are still

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sour about the way season one ended. Season one

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finale is not good. It's just not, it is not a

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good finale. it's very awkward and, and it's

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interesting because season one as we were talking

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about it last week starts off strong. But then

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slowly it just, it gets, it takes on arguably

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almost more than it can chew and it just becomes a

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bit played out and, and it loses moment momentum

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overall and it just. The, it just is clumsy when

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the, when the bad guy gets everything he wants and

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you're like, okay. so, yeah, I'm, I'm not

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surprised that they're seeing a drop off in season

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two. I didn't know what they were expecting, but

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I, I, I wonder though, how many people who are now

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looking at this as, ah, preparation for Spider

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Man. So I wonder if in, if it would have been a

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bigger drop off had, had there like been no

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overlap with Spider Man. Because I think, the

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people who are watching now or who started when it

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first was started airing again, I think a lot of

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them are on the. More like, well, this is just

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prep work for the big event that is Spider Man.

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Will: Yeah, I think, I think that's a big factor. also,

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I mean this, we, there's the overlap because as we

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were just talking about earlier, with, with the

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amount of content that's coming out here in, in

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the spring of. We have. March was packed. We had

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the boys, we had Daredevil, and we had Invincible.

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And it just seems that of the three, I mean, I

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know we're talking about Daredevil and the boys

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tonight, but even though I haven't been like

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watching, watching Invincible, just my social

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media feed has just been. And it seems like the

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biggest buzz among the three has been with

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Invincible this spring. And so, so, but I think

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there's that, but also I think you're right. I

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think that the fact that season one basically was

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like almost two different shows because it was, it

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was cobbled together from, things that were shot

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with one creative crew. Disney went back, redid

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everything, brought another creative crew in, but

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they still had all that footage. So they, they

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made a Frankenstein of a season one. And we've

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talked about that, you know, whenever we reviewed

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it, before. So I think that definitely did leave a

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bad taste in people's mouth, you know. And then

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also I think, I think the shadow of the Netflix

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show also hovers over it. And so

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Sarah : I almost want to put a pin in this and save it for

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when we get into Daredevil.

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Will: Yeah, we can. Yeah, we can.

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Sarah : just because, everything you just said ties into

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some of my reactions to, the, the episodes that we

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watched.

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Will: we can do that.

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Sarah : So, so we're gonna put a pin into the Daredevil

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for right now and continue our discussion about

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the boys. Season 5, episode 5 One Shots. Tonight

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at 9, 8 Central, a Vought new special report.

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Treason and Tinseltown. Find out which of your

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favorite Hollywood stars are rumored to be

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starlighters. So we're gonna take this one, one

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shot at a time and kick things off with, of

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course, fire. Firecracker. Who. Hi. You know, her

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one shot. Here's what stood out to me the most

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about it was it. And I think I had this kind of,

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I, I said something in a previous discussion about

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not really knowing. Getting much death out of who

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she is. Right. And then we learn about her and

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her, religious background and, and it makes so

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much sense because we do understand she's country,

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she's Southern, she's from the Bible Belt, she,

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so, so this whole thing. But I also really

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appreciated because for the five seasons, anyone

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working for Vaughn, anyone not working for Vaught

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is terrified of Homelander. Very understood about

226
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that. But the way this conflict got presented with

227
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her in the idea that this was her idea, she, she

228
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has to do this and follow through with this. He is

229
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God.

230
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Will: Yeah.

231
00:14:10,560 --> 00:14:13,440
Sarah : even though she tried to get him to say he is

232
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prophet and, and, and inadvertently destroy a

233
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church who practically raised her.

234
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Will: Yeah.

235
00:14:26,280 --> 00:14:31,430
Sarah : And, and I just, I thought the moral conflict was

236
00:14:31,670 --> 00:14:36,020
so good and, just so well realized, especially at

237
00:14:36,020 --> 00:14:38,820
that climactic moment when she's giving that

238
00:14:38,820 --> 00:14:44,410
report. And, you. And I think they did her makeup

239
00:14:44,410 --> 00:14:48,050
differently. That is something else that stood out

240
00:14:48,050 --> 00:14:53,610
to me because I started for a lot of this. It's

241
00:14:53,610 --> 00:14:56,860
very evident that the Soups are in makeup and

242
00:14:56,860 --> 00:15:01,140
costume. Right, right. But nothing felt more

243
00:15:01,140 --> 00:15:05,500
evident than when I was watching it last night and

244
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I was just like, I can see her wrinkles.

245
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Will: Yeah.

246
00:15:09,980 --> 00:15:12,300
Sarah : Like, I don't, I don't know if I should be able

247
00:15:12,300 --> 00:15:15,980
to. Like, it's almost as if it was done on purpose

248
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so that, like, the makeup was noticeable because

249
00:15:19,900 --> 00:15:25,170
you are seeing cracks in, in her, her, allegiance

250
00:15:25,170 --> 00:15:26,330
to Homelander.

251
00:15:26,570 --> 00:15:29,130
Will: Yeah, yeah, that's a good point. That's a very

252
00:15:29,130 --> 00:15:34,130
good point. That, that, that visually they, they,

253
00:15:34,130 --> 00:15:36,050
they, they did that change with the makeup

254
00:15:36,050 --> 00:15:39,970
because, you know, especially one. What to your

255
00:15:39,970 --> 00:15:41,610
point, it was just so stark whenever she was

256
00:15:41,610 --> 00:15:43,770
having the pre, the conversation with the reverend

257
00:15:44,570 --> 00:15:46,650
and seeing her out of costume. But then even

258
00:15:46,650 --> 00:15:49,920
whenever, whenever she had that moment on, on the

259
00:15:49,920 --> 00:15:54,600
show. and, and, and her, her makeup job did look

260
00:15:54,600 --> 00:15:57,770
different and the strain and, and all, it really.

261
00:15:58,250 --> 00:15:59,450
That's a very good point.

262
00:16:03,370 --> 00:16:05,450
Sarah : And, and what are some of your thoughts about

263
00:16:05,530 --> 00:16:06,810
firecrackers?

264
00:16:07,290 --> 00:16:10,490
Will: Yeah, yeah, I mean, yeah, the, yeah, the, the

265
00:16:10,570 --> 00:16:13,770
definition, the conflict that she was having

266
00:16:13,770 --> 00:16:18,130
internally as far as her religious upbringing and

267
00:16:19,170 --> 00:16:22,880
what, what she's dealing with there at, Vaught and

268
00:16:22,880 --> 00:16:25,400
the story as far as, like, you Said trying to get

269
00:16:25,400 --> 00:16:27,680
Homelander like, well, let's walk back this God

270
00:16:27,680 --> 00:16:30,880
thing a bit. But no, no, he's definitely not doing

271
00:16:30,880 --> 00:16:33,560
so. But also something that I touched on about

272
00:16:33,560 --> 00:16:35,480
Firecracker earlier, from earlier in the season

273
00:16:35,480 --> 00:16:38,880
two came back. And also just all of these

274
00:16:38,880 --> 00:16:40,520
characters, I know we're going to take each one

275
00:16:40,520 --> 00:16:44,720
shot one at a time, but with, with, with those

276
00:16:44,720 --> 00:16:48,480
people, with the seven that's, and, and, And Vault

277
00:16:48,480 --> 00:16:51,760
employees who are directly in, let's just say in

278
00:16:51,760 --> 00:16:56,840
the suite, the executive suite with Homer. All,

279
00:16:58,120 --> 00:17:02,080
all of them have a, like, everyone has a story as

280
00:17:02,080 --> 00:17:05,800
far as what their, what they're compromising or

281
00:17:05,800 --> 00:17:08,480
what they're giving up of themselves to like, have

282
00:17:08,480 --> 00:17:12,480
this proximity to power. And it talked about

283
00:17:13,040 --> 00:17:21,080
Firecracker before. And even though I think she's

284
00:17:21,080 --> 00:17:23,680
not dumb, you know, people, you know, because she

285
00:17:23,680 --> 00:17:28,600
is Southern and people, she, she has. She isn't

286
00:17:28,600 --> 00:17:30,680
intelligent at sister stage. No. But at the same

287
00:17:30,680 --> 00:17:33,300
time, she definitely has some, some country

288
00:17:33,300 --> 00:17:35,340
smarts, whatever you want to call it.

289
00:17:35,660 --> 00:17:38,260
Sarah : I don't think most people are as intelligent in

290
00:17:38,260 --> 00:17:39,980
this universe as Sister Sage.

291
00:17:41,660 --> 00:17:43,940
Will: Yeah, true, true. But, you know, but you get where

292
00:17:43,940 --> 00:17:44,900
I'm, you get what I'm saying?

293
00:17:44,900 --> 00:17:46,300
Sarah : Yeah, yeah, yeah.

294
00:17:48,700 --> 00:17:51,420
Will: She knows what she wants. She knows that, you

295
00:17:51,420 --> 00:17:53,500
know, she definitely wants power. She is, you

296
00:17:53,500 --> 00:17:55,740
know, she will do the things that she needs to do

297
00:17:55,900 --> 00:17:59,540
to, like, get it. But what was so fascinating to

298
00:17:59,540 --> 00:18:02,840
me, and I'm trying, I'm gonna try not my best not

299
00:18:02,840 --> 00:18:07,520
to like, do analogs to the real world, but, but,

300
00:18:07,680 --> 00:18:10,390
but you kind of can't help but do it, because this

301
00:18:10,390 --> 00:18:15,870
is so, it's just, this is so there. But, but

302
00:18:16,030 --> 00:18:23,070
seeing how, when her usefulness ended and, and how

303
00:18:23,070 --> 00:18:25,790
Homelander just basically just, you know,

304
00:18:27,000 --> 00:18:30,720
whenever, whenever she, Whenever he, Whenever he

305
00:18:30,720 --> 00:18:36,320
sensed the doubt and ah, with her and that, you

306
00:18:36,320 --> 00:18:39,850
know, he basically, you know, we all saw it

307
00:18:39,850 --> 00:18:42,410
coming. He just like, bas. He used her up and he

308
00:18:42,410 --> 00:18:44,490
just basically impelled her because, you know, he

309
00:18:44,490 --> 00:18:46,410
literally killed her because she's, she's not of

310
00:18:46,410 --> 00:18:49,170
no use to him. And we see that with people in

311
00:18:49,170 --> 00:18:52,250
power. A lot of times everyone, you know, it's all

312
00:18:52,250 --> 00:18:54,720
about that, that, that, that that person in power,

313
00:18:55,120 --> 00:18:57,640
everything else around them is expendable and once

314
00:18:57,640 --> 00:18:59,720
their usefulness is gone, they'll just toss them

315
00:18:59,720 --> 00:19:01,120
away. And that's what happened to her.

316
00:19:02,240 --> 00:19:08,470
Sarah : So I disagree, I disagree, on the sense that her

317
00:19:08,470 --> 00:19:14,030
usefulness. Because at the start of this season, I

318
00:19:14,030 --> 00:19:16,680
think there's a scene, where, where we're told

319
00:19:16,680 --> 00:19:22,480
that her milks run dry. Okay. There's no more,

320
00:19:23,050 --> 00:19:26,250
there's no more suckling, right? And so there's

321
00:19:26,250 --> 00:19:32,330
already tension there. But then fast forward like

322
00:19:32,330 --> 00:19:34,970
an episode and a half maybe. And then she's given

323
00:19:34,970 --> 00:19:38,930
this new mission where to build this marketing

324
00:19:38,930 --> 00:19:42,730
campaign and to be the spokesman. I mean, he, he

325
00:19:42,730 --> 00:19:49,000
didn't, he didn't kill her then, or push her out

326
00:19:49,000 --> 00:19:53,160
to past her then because like I, I can no longer

327
00:19:53,320 --> 00:19:58,260
use your titties. or you are no longer that mother

328
00:19:58,260 --> 00:20:03,460
figure I am missing in my life. So, so then we're

329
00:20:03,460 --> 00:20:07,260
down this, this new channel where she's, she has

330
00:20:07,260 --> 00:20:10,660
this new usefulness. Like this is all her. She.

331
00:20:10,660 --> 00:20:13,260
She did this, she created the campaign and

332
00:20:13,260 --> 00:20:16,460
everything. And you see it at the beginning of the

333
00:20:16,460 --> 00:20:19,150
episode and that we see time and time again

334
00:20:19,150 --> 00:20:24,860
throughout the episode that she, she convinces him

335
00:20:25,580 --> 00:20:30,780
that this is the way. And there, There's a. Almost

336
00:20:31,100 --> 00:20:36,700
a. I am back in my rightful place with you. And

337
00:20:37,040 --> 00:20:43,200
and then what I did not see coming was the pillow

338
00:20:43,200 --> 00:20:49,280
talk between coming back to haunt her and she

339
00:20:49,280 --> 00:20:52,560
didn't either. And, and I thought that was really

340
00:20:52,640 --> 00:20:57,280
interesting and really clever with the writers to

341
00:20:57,540 --> 00:20:59,710
Because we've seen them have that kind of

342
00:20:59,710 --> 00:21:04,830
conversation before, but we've never seen soldier

343
00:21:04,830 --> 00:21:08,270
boy actually have a father son moment, if you call

344
00:21:08,270 --> 00:21:08,830
it that,

345
00:21:11,060 --> 00:21:11,300
Will: where,

346
00:21:11,540 --> 00:21:16,060
Sarah : which, which leads into him understanding, like

347
00:21:16,060 --> 00:21:20,740
him getting insight into how she really views him.

348
00:21:21,460 --> 00:21:25,470
And and then, even then he wasn't gonna kill her.

349
00:21:26,190 --> 00:21:29,230
Like he actually just said, pack your things and

350
00:21:29,230 --> 00:21:33,950
go. It was when she tried to weasel her way back.

351
00:21:34,910 --> 00:21:38,030
That's when it went too far for him and then he

352
00:21:38,030 --> 00:21:41,930
killed her. So I, that's where I disagree because

353
00:21:41,930 --> 00:21:46,370
his first instinct wasn't to kill her. It. It was

354
00:21:46,370 --> 00:21:48,930
just to send her away and be like, I'm done with

355
00:21:48,930 --> 00:21:51,980
you. Bye. Bye. and. And I thought it was really

356
00:21:52,060 --> 00:21:58,700
interesting that her convincing. Because she uses,

357
00:21:59,180 --> 00:22:03,070
she uses the the same vernacular that she does

358
00:22:03,070 --> 00:22:07,350
almost during the news report to persuade him.

359
00:22:07,990 --> 00:22:11,830
And, and then he just, he's just like, nope. And

360
00:22:11,830 --> 00:22:19,110
it's, It's a very, It's a very interesting death

361
00:22:19,430 --> 00:22:25,270
because we have not had nearly as much time as

362
00:22:25,430 --> 00:22:29,270
with her as we did with a train. And she, it's not

363
00:22:29,270 --> 00:22:32,840
like she was suddenly on the good time, but

364
00:22:32,840 --> 00:22:37,160
because for. For a good hunk of the episode we saw

365
00:22:37,160 --> 00:22:40,200
that there's actually humanity in her and we

366
00:22:40,200 --> 00:22:43,320
understood where she was coming from and we

367
00:22:43,320 --> 00:22:46,960
started to see the turn. I think her death was

368
00:22:46,960 --> 00:22:52,290
more empathetic for viewers than if, if we didn't

369
00:22:52,290 --> 00:22:54,650
have that it would have just been like, okay,

370
00:22:54,650 --> 00:22:57,130
you've just, you've killed another one of your

371
00:22:57,130 --> 00:22:57,610
minions.

372
00:22:58,660 --> 00:23:01,300
Will: Yeah, see, I don't see. I don't think she was

373
00:23:01,380 --> 00:23:04,860
turning. I mean, I think it was, I think it was, I

374
00:23:04,860 --> 00:23:06,700
think to your point, I'm glad you brought up the

375
00:23:06,700 --> 00:23:10,300
fact that she was trying to grovel and do all the,

376
00:23:10,300 --> 00:23:14,059
do all the things that. To try to get back into

377
00:23:14,059 --> 00:23:14,820
his good graces.

378
00:23:15,460 --> 00:23:18,580
Sarah : And that is when I say turning, I mean doubt.

379
00:23:19,380 --> 00:23:24,540
Yeah, yeah, it's. Whatever. This very similar. I

380
00:23:24,540 --> 00:23:28,070
think a similar thing that we saw Annie go through

381
00:23:28,070 --> 00:23:31,990
in season one was starting to happen with her,

382
00:23:32,390 --> 00:23:36,550
where suddenly you realize the person you've been

383
00:23:36,550 --> 00:23:42,550
quote, unquote, worshiping, who you idolize, like

384
00:23:42,710 --> 00:23:46,670
you. And then you are like you're suddenly a

385
00:23:46,670 --> 00:23:50,230
threat or they're a threat to you or the people

386
00:23:50,230 --> 00:23:50,870
you love.

387
00:23:52,210 --> 00:23:54,650
Will: Yeah, see, I don't see, I don't see Firecracker

388
00:23:54,650 --> 00:23:56,530
that way though, as that's, that's the difference,

389
00:23:56,530 --> 00:23:58,370
I think, between her and Annie. And I think, you

390
00:23:58,370 --> 00:24:00,850
know, they did sort of set that up whenever they

391
00:24:00,850 --> 00:24:02,690
first introduced these characters and they had the

392
00:24:02,690 --> 00:24:04,450
whole back, you know, the whole backstory with

393
00:24:04,450 --> 00:24:08,670
them with the, competitions and stuff. So I think

394
00:24:09,230 --> 00:24:11,190
at the end of the day. Yeah, and you're right. I

395
00:24:11,190 --> 00:24:17,260
mean, it was fear. And and, and, and so I think

396
00:24:17,260 --> 00:24:20,830
Firecracker was really just groveling there,

397
00:24:21,020 --> 00:24:23,740
trying to like. Because, you know, because she,

398
00:24:23,740 --> 00:24:28,970
she does fear Homelander. and, and, and, and you

399
00:24:28,970 --> 00:24:31,690
know, and in, you know, because she, she

400
00:24:31,690 --> 00:24:34,250
Sarah : arguably doesn't have anywhere else to go.

401
00:24:34,410 --> 00:24:36,250
Will: She has nowhere else to go. Exactly.

402
00:24:37,610 --> 00:24:41,170
Sarah : Yeah. Yeah, she, she doesn't have any. It's made

403
00:24:41,170 --> 00:24:46,010
very clear like she's not. And I think that's what

404
00:24:46,010 --> 00:24:49,370
a lot of the people who end up at Vought at the

405
00:24:49,370 --> 00:24:52,170
end of the day, they don't have family. So Vought

406
00:24:52,170 --> 00:24:54,810
becomes their family. And then you realize there's

407
00:24:54,810 --> 00:24:59,130
a maniac in charge of your family who, who could

408
00:24:59,130 --> 00:25:02,050
either love you or kill you at the flip of a coin.

409
00:25:02,290 --> 00:25:04,890
Will: Yeah, yeah. And, and you will. Yeah. And she's

410
00:25:04,890 --> 00:25:06,730
completely. To your point, I mean, she's

411
00:25:06,730 --> 00:25:09,690
completely lost herself where she, you know, I

412
00:25:09,690 --> 00:25:11,650
think that's what I think that is the parallels

413
00:25:12,240 --> 00:25:15,240
where Annie, Annie never completely lost herself.

414
00:25:15,240 --> 00:25:18,560
She still had enough. And you know, she held on to

415
00:25:18,560 --> 00:25:22,760
whatever core value that she has or whatever that

416
00:25:22,760 --> 00:25:25,400
she was able to make that break, whereas

417
00:25:25,400 --> 00:25:27,839
Firecracker didn't have anything left or nothing.

418
00:25:27,839 --> 00:25:32,080
They didn't know where to go. So she, she was just

419
00:25:32,080 --> 00:25:34,170
like, well, again, I'm just going to throw myself

420
00:25:34,170 --> 00:25:37,530
on the proverbial sword here and do whatever I

421
00:25:37,530 --> 00:25:39,690
need to do to keep, hold on to my little, little

422
00:25:39,690 --> 00:25:41,970
bit of power that I have and because that's all at

423
00:25:41,970 --> 00:25:42,930
the end of the day, that's all.

424
00:25:44,350 --> 00:25:48,590
Sarah : I just think in terms of the lead up to the death,

425
00:25:48,990 --> 00:25:52,070
to the killing sequence, if she had just walked

426
00:25:52,070 --> 00:25:55,310
out the door though there were plenty of seeds

427
00:25:55,470 --> 00:26:00,590
where suddenly she would find like starlighters or

428
00:26:00,590 --> 00:26:05,350
she would, she would be anti Vought. Like, she

429
00:26:05,350 --> 00:26:08,670
would be very much like the Marathon Man. So I

430
00:26:08,670 --> 00:26:14,600
don't think. Yeah, so, so I, I just, I don't, I

431
00:26:14,600 --> 00:26:17,270
see. She, would be like a train. I, I think that

432
00:26:17,430 --> 00:26:21,070
we just didn't have enough time because it starts

433
00:26:21,070 --> 00:26:24,270
with doubt. And maybe that's at the end of the

434
00:26:24,270 --> 00:26:28,230
day. Exactly why he's just like, well, I, I know

435
00:26:28,230 --> 00:26:30,910
what you're saying, but I can't fully trust you

436
00:26:30,910 --> 00:26:33,870
and there's no going back now, so I might as well

437
00:26:33,870 --> 00:26:34,550
just kill you.

438
00:26:34,550 --> 00:26:38,680
Will: So, so, yeah, yeah, to me, the moment that, see if

439
00:26:39,320 --> 00:26:42,080
the Rubicon for me was that, that moment in the

440
00:26:42,080 --> 00:26:47,480
broadcast that she, whenever she sold out her, her

441
00:26:47,480 --> 00:26:51,280
tr. What basically was her family, she, to me,

442
00:26:51,280 --> 00:26:55,080
that was like she has, that she's, she's crossed

443
00:26:55,080 --> 00:26:55,800
the point in a return.

444
00:26:57,240 --> 00:26:57,680
Sarah : Yeah.

445
00:26:57,680 --> 00:26:58,040
Will: Me.

446
00:26:58,200 --> 00:27:04,280
Sarah : Yeah, yeah, yeah. black noir. I was not expecting

447
00:27:04,520 --> 00:27:07,320
to have a one shot with black noir this second.

448
00:27:07,950 --> 00:27:11,070
but it was great. It was a great one shot with him

449
00:27:11,550 --> 00:27:16,630
so happy to go into acting class or to be a part

450
00:27:16,630 --> 00:27:20,430
of this play. And then he's talking to the

451
00:27:20,430 --> 00:27:24,270
director who just so happens to have been the

452
00:27:24,430 --> 00:27:28,460
director of the dawn of the Seven movie. and then

453
00:27:28,460 --> 00:27:32,920
they even share. Well, unknowingly they both,

454
00:27:33,030 --> 00:27:36,910
commiserate about their opinions on the deep and

455
00:27:36,910 --> 00:27:41,430
their dynamics with the deep. And then in the boys

456
00:27:41,590 --> 00:27:45,860
fashion, the boys fashion, we get, the director

457
00:27:46,020 --> 00:27:51,620
does end up getting an eel straight up the ass.

458
00:27:52,680 --> 00:27:56,900
what, what was the line? I swear. you sent an eel

459
00:27:56,900 --> 00:27:58,620
to ass murder, Adam.

460
00:27:59,020 --> 00:27:59,660
Will: Yep.

461
00:28:01,180 --> 00:28:05,380
Sarah : Literally that's what happened. And it was like.

462
00:28:05,380 --> 00:28:09,420
Yeah, it wouldn't, it wouldn't have been quite the

463
00:28:09,420 --> 00:28:14,680
same without that death. But, Yeah, yeah, I, I, I

464
00:28:14,680 --> 00:28:18,200
liked how we get. We had such a, like a serious

465
00:28:18,440 --> 00:28:23,220
one shot and a very dramatic, one shot with

466
00:28:23,700 --> 00:28:27,180
Firecracker. And then we're just walking down the

467
00:28:27,180 --> 00:28:32,060
street with, with Justin and we're just seeing his

468
00:28:32,060 --> 00:28:35,870
life outside of Vought, which is so happy. I'm

469
00:28:35,870 --> 00:28:38,910
surprised they didn't play like Music from the

470
00:28:38,910 --> 00:28:42,990
Truman show during that sequence because it just,

471
00:28:42,990 --> 00:28:48,320
it felt so, so different and so much lighter. And

472
00:28:48,320 --> 00:28:52,070
then even. Even with the Deep, because he's always

473
00:28:52,310 --> 00:28:57,670
been that character to bring humor, especially in

474
00:28:57,670 --> 00:29:02,860
terms of the seven. and, And I, I have like the.

475
00:29:04,220 --> 00:29:06,500
With everything else going on and all the

476
00:29:06,500 --> 00:29:09,020
McGuffins, every now and then we check in with

477
00:29:09,020 --> 00:29:14,270
these two and who are at odds right now, over what

478
00:29:14,270 --> 00:29:17,620
happened with Stan Edgar, and that betrayal of

479
00:29:17,620 --> 00:29:21,540
friendship. Like, I'm like, you know, I didn't

480
00:29:21,540 --> 00:29:25,460
want. I didn't expect a bromance, but I like it.

481
00:29:25,460 --> 00:29:27,660
Even though they're kind of like sleeping in

482
00:29:27,660 --> 00:29:30,140
different beds. Who knows, who knows what will

483
00:29:30,140 --> 00:29:31,380
happen by the end of the season?

484
00:29:32,420 --> 00:29:38,300
Will: Yeah, yeah, yeah. So to me, this, the, The Black

485
00:29:38,300 --> 00:29:41,770
Noir Deep relationship is all like the palace

486
00:29:41,770 --> 00:29:45,410
intrigue because both of them, for different

487
00:29:45,410 --> 00:29:49,770
motivations, are trying to, you know, get into the

488
00:29:49,770 --> 00:29:52,720
graces, you know, keeping the good graces of

489
00:29:52,720 --> 00:29:55,439
Homelander. So, of course, Deep, you know, black

490
00:29:55,439 --> 00:30:00,200
noir, whenever you capture Stan Edgar and, you

491
00:30:00,200 --> 00:30:03,240
know, and Deep takes. Takes the take, takes the

492
00:30:03,240 --> 00:30:06,190
credit for knock, knocks him out, takes him to.

493
00:30:06,190 --> 00:30:09,510
To. To Homelander. Because again, you know, Deep.

494
00:30:09,590 --> 00:30:15,110
Deep just wants to be the guy, you know, and so to

495
00:30:15,110 --> 00:30:17,990
me it's, you know, that, that dynamic, at least I

496
00:30:17,990 --> 00:30:20,510
don't know if Noir is playing all the games of the

497
00:30:20,510 --> 00:30:23,750
palace entry. He just wants to just. He just wants

498
00:30:23,750 --> 00:30:27,830
to be an actor. And, and, and really, you know, he

499
00:30:28,070 --> 00:30:30,270
really, Whenever he had those conversations with

500
00:30:30,270 --> 00:30:32,310
Adam, he felt like he was really have. Was going

501
00:30:32,310 --> 00:30:34,230
to have this big break and everything was going to

502
00:30:34,230 --> 00:30:38,440
work out and, and all. But, you know, Deep again,

503
00:30:38,440 --> 00:30:41,800
wants to be that, Be the guy for, For Homelander.

504
00:30:41,800 --> 00:30:44,120
And, and so he, you know, he does all these things

505
00:30:44,200 --> 00:30:49,210
that whenever, he, you know, he can't. He will. He

506
00:30:49,530 --> 00:30:51,730
is the guy in the office who will stab you in the

507
00:30:51,730 --> 00:30:53,610
back just to, like, climb the corporate ladder.

508
00:30:55,050 --> 00:30:58,410
Sarah : Yep, yep. Yeah, that is, that is exactly what

509
00:30:58,410 --> 00:31:00,610
he'll. No, he won't stab a person in the back.

510
00:31:00,610 --> 00:31:02,490
He'll send an eel to go up. Yes.

511
00:31:02,750 --> 00:31:04,430
Will: Yeah, he'll still. Yeah, exactly.

512
00:31:05,310 --> 00:31:07,390
Sarah : We'll do something with clams, you know.

513
00:31:07,630 --> 00:31:08,590
Will: Yeah. Yeah.

514
00:31:09,470 --> 00:31:17,710
Sarah : So, the next one is Terror, which this brings up a

515
00:31:17,710 --> 00:31:20,880
point I have. Yeah. and while, While watching this

516
00:31:20,880 --> 00:31:24,640
episode. This is the most Supernatural like,

517
00:31:24,640 --> 00:31:26,960
episode of the Boys that I've seen.

518
00:31:28,120 --> 00:31:31,080
Sarah : And it really stuck out to me when we jumped to a,

519
00:31:31,240 --> 00:31:34,600
A one shot from the perspective of Terror

520
00:31:34,680 --> 00:31:38,640
Butcher's Dog. Because there is an episode in

521
00:31:38,640 --> 00:31:43,550
Supernatural, where the entire episode is through

522
00:31:43,550 --> 00:31:47,630
the perspective of the car that the boys have

523
00:31:47,630 --> 00:31:50,510
driven in. It's a very significant quote unquote

524
00:31:50,670 --> 00:31:54,030
character in the show. And, and so in one of the

525
00:31:54,030 --> 00:31:58,390
later seasons they did an entire episode from the

526
00:31:58,390 --> 00:32:00,950
perspective of the car. And it's played out very

527
00:32:00,950 --> 00:32:06,230
similar how the, the one shot of terror is where

528
00:32:06,630 --> 00:32:09,830
like the car is in the background, therefore you,

529
00:32:10,070 --> 00:32:13,790
you hear these conversations and then the car goes

530
00:32:13,790 --> 00:32:16,630
to. Then they drive the car to another place and

531
00:32:16,630 --> 00:32:19,560
there's another conversation. So it, like the car

532
00:32:19,560 --> 00:32:22,760
is always in the scene and so that's how you're

533
00:32:22,760 --> 00:32:27,880
able to still follow the, the character. So I felt

534
00:32:27,880 --> 00:32:33,920
like that on a much larger scale and then Kripke

535
00:32:33,920 --> 00:32:36,000
was just like, well, let's have some fun with

536
00:32:36,000 --> 00:32:38,640
these one shots and just add this one in there.

537
00:32:38,880 --> 00:32:42,720
Which I also, when we first turned to it, I was

538
00:32:42,960 --> 00:32:46,770
very worried that I was like, oh, we're not gonna

539
00:32:46,770 --> 00:32:50,130
just do one shots with the, the seven. The people

540
00:32:50,130 --> 00:32:52,690
in the executive suite. We're gonna go into the

541
00:32:52,690 --> 00:32:56,250
boys. And so I was worried about later. But they

542
00:32:56,250 --> 00:32:59,690
didn't do that. They just made it very simple that

543
00:32:59,690 --> 00:33:03,050
we. Because we know what's going on with these

544
00:33:03,050 --> 00:33:06,450
dynamics right now. We spent like 40 minutes last

545
00:33:06,450 --> 00:33:11,140
week on it and it was mind numbing. And, and it

546
00:33:11,140 --> 00:33:15,380
was a very simple one shot in the sense that they

547
00:33:15,380 --> 00:33:17,900
have chocolate in the building. Dogs are allergic

548
00:33:17,900 --> 00:33:18,620
to chocolate.

549
00:33:18,940 --> 00:33:19,420
Will: Yep.

550
00:33:19,420 --> 00:33:23,500
Sarah : Terror eats chocolate. They save him. And then

551
00:33:23,500 --> 00:33:26,460
that helps convince Butcher to maybe, you know,

552
00:33:26,860 --> 00:33:30,180
maybe we could use the V1 to save Annie and

553
00:33:30,180 --> 00:33:35,060
Kimiko. I don't know. Call is crazy. Call ah. Is

554
00:33:35,060 --> 00:33:40,480
crazy for. For the for wanting the people who are.

555
00:33:40,560 --> 00:33:47,520
For us are Becca's to live. Call us crazy. But I

556
00:33:47,520 --> 00:33:54,560
also, I do think that it is very telling to me how

557
00:33:54,560 --> 00:33:58,880
much these, these characters have evolved where

558
00:33:59,200 --> 00:34:03,539
that is a point of contention in terms of our

559
00:34:03,539 --> 00:34:08,739
heroes. Because starting off it was all humans.

560
00:34:09,139 --> 00:34:09,619
Will: Yep.

561
00:34:09,619 --> 00:34:14,579
Sarah : On that side. Not anymore. And so now it, it makes

562
00:34:14,579 --> 00:34:19,499
that conversation of getting rid of the soup and

563
00:34:19,499 --> 00:34:23,299
getting and, or getting rid of all soups very

564
00:34:23,299 --> 00:34:26,699
different. When what's. When suddenly your, your

565
00:34:26,699 --> 00:34:30,620
friends, your family, your, Your girlfriend, the

566
00:34:30,620 --> 00:34:34,180
love of your life is, is a soup.

567
00:34:34,980 --> 00:34:39,260
Will: Yeah. Yeah, that, that is a very good point. And,

568
00:34:39,260 --> 00:34:42,110
and, and and I liked what, you know, when Huey

569
00:34:42,110 --> 00:34:46,150
called you called out the Butcher. You know, what

570
00:34:46,150 --> 00:34:48,070
if this were. What if it was a Becca? Do you just

571
00:34:48,070 --> 00:34:50,470
let her die? And he. And Butcher likes it. Fires

572
00:34:50,470 --> 00:34:52,990
back I did let her die. It, you know, it was,

573
00:34:54,040 --> 00:34:57,040
there was so much in that. In that exchange

574
00:34:57,040 --> 00:34:59,400
between the two of them and, and one of the things

575
00:34:59,400 --> 00:35:02,010
too. I'm glad you brought up the fact about how

576
00:35:02,650 --> 00:35:07,960
the. The turn here a couple things. One, I think,

577
00:35:08,440 --> 00:35:11,200
you know, using the McGuff, using a one shot of

578
00:35:11,200 --> 00:35:14,200
terror. Really, you know, like you said, we spent

579
00:35:14,200 --> 00:35:20,260
last week with the. The trope of thing happens to.

580
00:35:20,260 --> 00:35:22,260
Causes all our characters to say what they really

581
00:35:22,260 --> 00:35:25,590
think or, you know, and then this week it was like

582
00:35:25,910 --> 00:35:29,430
we use. We use terror eating the chocolate as a

583
00:35:29,430 --> 00:35:32,070
way to show that yes, all these people are up.

584
00:35:32,230 --> 00:35:34,790
They have all these dynamics and stuff, but at the

585
00:35:34,790 --> 00:35:38,590
end of the day they all. At some core level they.

586
00:35:38,590 --> 00:35:40,990
They need each other and they work well with one

587
00:35:40,990 --> 00:35:43,350
another and we will put all our differences aside

588
00:35:43,350 --> 00:35:47,970
to. To save this dog. And so there was that aspect

589
00:35:47,970 --> 00:35:50,890
of it. But two, with the, with the virus and the

590
00:35:50,890 --> 00:35:54,090
conversation between Huey and Butcher, you know,

591
00:35:54,090 --> 00:35:57,130
and the whole. The genocide of it all, you know,

592
00:35:57,130 --> 00:36:00,640
it's really, it's, It was really this episode, I

593
00:36:00,640 --> 00:36:04,840
think of the Boys was. Was cooking for me at

594
00:36:04,840 --> 00:36:09,360
least, because it got into what made this show so

595
00:36:09,360 --> 00:36:12,790
special and why it was so good, so different, from

596
00:36:12,790 --> 00:36:14,150
many things that are out there.

597
00:36:14,950 --> 00:36:19,230
Sarah : I. Because yeah, see, I, I don't. I disagree with

598
00:36:19,230 --> 00:36:21,710
you again, let me

599
00:36:21,710 --> 00:36:25,070
Will: finish my point about the genocide. Yeah, yeah,

600
00:36:25,070 --> 00:36:29,470
because where I was going with that is, you know,

601
00:36:29,470 --> 00:36:35,080
they. Whatever they had gotten to, you know, to

602
00:36:35,080 --> 00:36:38,280
your point, as you noted, it was all about killing

603
00:36:38,280 --> 00:36:40,800
the soups. But then now, now we got some soups who

604
00:36:41,200 --> 00:36:45,280
are. Are the quote unquote good ones. So, so yeah,

605
00:36:45,360 --> 00:36:47,920
so, but's like, yeah, okay, we can, we can save

606
00:36:47,920 --> 00:36:52,680
them. But they still saw, they still skirt past

607
00:36:52,680 --> 00:36:55,480
the, the larger philosophical point of like, we

608
00:36:55,480 --> 00:36:58,510
are still committing a genocide here. yeah. And

609
00:36:58,510 --> 00:37:02,070
so, so that was, that was where I was really going

610
00:37:02,070 --> 00:37:05,360
as far as like, why. Where I was like, yeah, this,

611
00:37:05,360 --> 00:37:07,440
you know, this is. This is where the show was like

612
00:37:07,440 --> 00:37:09,400
pointing out, you know, point pointing the

613
00:37:09,400 --> 00:37:11,560
spotlight on something here they, don't address,

614
00:37:11,560 --> 00:37:14,640
they don't fully answer the question, but they,

615
00:37:14,640 --> 00:37:17,000
they do bring it up. For me as a viewer, I'm like,

616
00:37:17,000 --> 00:37:19,560
hm, you know, what are, what are the ethical

617
00:37:19,640 --> 00:37:21,000
ramifications of all this?

618
00:37:22,760 --> 00:37:27,040
Sarah : So where I disagreed with you is when you pointed

619
00:37:27,040 --> 00:37:30,400
out like. Like this one shot was used to show up

620
00:37:30,400 --> 00:37:34,870
how up these guys are. because I thought it was

621
00:37:34,870 --> 00:37:39,950
more used to very. Because a lot of these. This

622
00:37:39,950 --> 00:37:43,310
conflict has been said for the past four episodes.

623
00:37:44,030 --> 00:37:48,590
So. But in a very quick way, we just. We got an

624
00:37:48,590 --> 00:37:54,870
almost in A very, happy way. We got. We got this

625
00:37:54,870 --> 00:37:58,490
idea that, no, this conflict is still there. And

626
00:37:58,490 --> 00:38:02,210
it's more about these characters confronting. What

627
00:38:02,210 --> 00:38:05,930
does the end mean? Because think about it this

628
00:38:05,930 --> 00:38:12,620
way. You have Frenchie. His whole thing is. I, I.

629
00:38:12,860 --> 00:38:16,940
She wants one of you. She. She wants this. What

630
00:38:16,940 --> 00:38:21,020
he's not saying is she wants a normal family life.

631
00:38:21,900 --> 00:38:29,740
He is. He wants her. He is not. Not sure if he is

632
00:38:29,740 --> 00:38:34,140
qualified or could fit in the. In the house with a

633
00:38:34,140 --> 00:38:37,900
picket fence. Like, he's never known that life, so

634
00:38:37,900 --> 00:38:43,140
it scares him. And. And also now. And that. And I

635
00:38:43,140 --> 00:38:46,980
like that. I really do, because it's. It's. It.

636
00:38:47,380 --> 00:38:50,840
It's an idea I never thought of before. But

637
00:38:50,840 --> 00:38:55,080
simultaneously, between Kimiko and Annie, you also

638
00:38:55,160 --> 00:39:00,280
have the whole soup. Like, not all soups are bad,

639
00:39:01,000 --> 00:39:05,760
right? And it is. It's a big population of this

640
00:39:05,760 --> 00:39:10,120
world and the genocide of it all, which goes into

641
00:39:10,200 --> 00:39:14,240
the Last of Us territory. Like, it. It makes a

642
00:39:14,240 --> 00:39:17,520
difference, you know, sometimes for the heroes and

643
00:39:17,520 --> 00:39:21,090
who they choose because they make this. At the end

644
00:39:21,090 --> 00:39:24,730
of the day, there's a. There's almost like a human

645
00:39:24,730 --> 00:39:31,050
flaw in us where we protect the ones we love, and

646
00:39:31,930 --> 00:39:36,890
as long as we love them, we will protect them. So

647
00:39:37,370 --> 00:39:39,850
screw the rest of you, because I'm not. I don't

648
00:39:39,850 --> 00:39:40,410
love you.

649
00:39:41,050 --> 00:39:42,090
Will: Yep. Yeah.

650
00:39:42,730 --> 00:39:46,430
Sarah : Yeah, it's. It's. But, But yeah, I. I thought,

651
00:39:47,710 --> 00:39:50,430
like, to your point, and as we go into the sister

652
00:39:50,430 --> 00:39:55,960
stage of it all, this episode, and I did say it's

653
00:39:55,960 --> 00:39:59,040
a very supernatural, natural aspect, I think, from

654
00:39:59,040 --> 00:40:04,480
a mechanical perspective, but I significantly

655
00:40:04,480 --> 00:40:08,800
prefer this episode more than last week. And

656
00:40:08,800 --> 00:40:12,450
that's because we are getting these conversations

657
00:40:13,730 --> 00:40:17,090
almost that we had last week, but was just done in

658
00:40:17,090 --> 00:40:21,010
a way that it was tedious and tiresome and word

659
00:40:21,010 --> 00:40:25,180
vomit. While this. There was. There was movement.

660
00:40:26,810 --> 00:40:30,890
we didn't spend too long with anybody, and it

661
00:40:30,890 --> 00:40:35,050
just. It felt like separate stories, yet all

662
00:40:35,050 --> 00:40:37,570
together, it kind of. I was kind of thinking to

663
00:40:37,570 --> 00:40:42,510
myself, I'm like, what if. What if all. All shows

664
00:40:42,510 --> 00:40:46,470
are done like this? Because sometimes. Sometimes

665
00:40:46,470 --> 00:40:49,230
when we're hopping back and forth, I don't care

666
00:40:49,230 --> 00:40:51,550
suddenly about the B storyline. And in this

667
00:40:51,550 --> 00:40:54,110
episode, I was like, I'm just in for the ride.

668
00:40:54,670 --> 00:40:57,740
Will: Yeah, yeah, yeah. I, love the. Love the construct

669
00:40:57,740 --> 00:41:00,020
of, like, you know, basically, it's one day with

670
00:41:00,260 --> 00:41:05,070
everybody's perspective on this one day. So.

671
00:41:05,150 --> 00:41:08,230
Sarah : One of my favorite. One of my favorite lines in

672
00:41:08,230 --> 00:41:12,190
this episode happened during the sister sage one

673
00:41:12,190 --> 00:41:14,550
shot. And I'm so glad we got a sister stage one

674
00:41:14,550 --> 00:41:17,470
shot. Because we have not spent too much time with

675
00:41:17,470 --> 00:41:19,510
her this season. And that was becoming

676
00:41:19,510 --> 00:41:23,270
increasingly obvious to me. But this line actually

677
00:41:23,270 --> 00:41:28,950
comes from Ashley when she says, isn't it kind of

678
00:41:28,950 --> 00:41:31,990
your fault your country's being invaded? You might

679
00:41:31,990 --> 00:41:34,710
as well have been wearing a short skirt. I was

680
00:41:34,710 --> 00:41:37,990
just like, this humor.

681
00:41:38,790 --> 00:41:39,270
Will: Yeah.

682
00:41:39,270 --> 00:41:42,710
Sarah : Needs to be more in the world because that is

683
00:41:43,430 --> 00:41:45,990
sickly but hilarious.

684
00:41:47,510 --> 00:41:48,310
Will: Hilarious.

685
00:41:48,470 --> 00:41:52,310
Sarah : It's just, it's such. And. And only Ashley could

686
00:41:52,310 --> 00:41:54,790
say something like that. And then my other

687
00:41:54,790 --> 00:41:59,380
favorite line also from this one shot was, you

688
00:41:59,380 --> 00:42:02,380
only called me the poster child for early abortion

689
00:42:02,380 --> 00:42:03,060
once today.

690
00:42:05,460 --> 00:42:05,940
Will: Yeah,

691
00:42:08,660 --> 00:42:14,029
Sarah : I, yeah, this, this was great because I'm also. I

692
00:42:14,029 --> 00:42:16,910
was also just like Ashley. And I was like. Because

693
00:42:16,910 --> 00:42:20,110
it's almost like I forget about the back of her

694
00:42:20,110 --> 00:42:23,470
head. And so I was also very suspicious. I'm like,

695
00:42:23,470 --> 00:42:26,930
I understand you need her to call in this. The

696
00:42:26,930 --> 00:42:29,970
International Soups or the Soups who are posted

697
00:42:30,850 --> 00:42:33,930
internationally. But. But what else do you need

698
00:42:33,930 --> 00:42:37,810
her for? And then we got Sister Sage. Word vomit.

699
00:42:37,820 --> 00:42:39,620
but what, what are some of your thoughts about

700
00:42:39,620 --> 00:42:40,500
this one shot?

701
00:42:40,980 --> 00:42:44,300
Will: Yeah, you pretty much covered all the ones I. That

702
00:42:44,300 --> 00:42:48,120
I was thinking about. really the other. Only other

703
00:42:48,120 --> 00:42:53,900
thing I would add is just her phase two. You, know

704
00:42:53,900 --> 00:43:00,460
we are, you know, really getting everyone dies,

705
00:43:00,460 --> 00:43:02,500
but I still. I'll be able. And she really won't

706
00:43:02,500 --> 00:43:04,380
make sure. You definitely wants to make sure that,

707
00:43:04,380 --> 00:43:06,860
you know, the care that the Homelander goes too,

708
00:43:06,860 --> 00:43:08,860
because she's been carrying his ass now for

709
00:43:08,860 --> 00:43:12,700
forever and she just wants quiet. And it was just

710
00:43:13,020 --> 00:43:14,740
as we learned, you know, because we learned so

711
00:43:14,740 --> 00:43:16,580
much. You know, whenever we were introduced to

712
00:43:16,580 --> 00:43:18,700
Sage and we learned how she had, Cured know,

713
00:43:18,700 --> 00:43:21,740
disease and you know, but then. But she's also a

714
00:43:21,740 --> 00:43:23,500
black woman. So we got all, you know, there's

715
00:43:23,500 --> 00:43:26,700
that, that tension that, that's there because, you

716
00:43:26,700 --> 00:43:30,020
know, because of a race and you know, it's just

717
00:43:30,260 --> 00:43:33,260
Sage is a very interesting character and I'm glad,

718
00:43:33,260 --> 00:43:35,900
like you said, that they did provide this one shot

719
00:43:35,900 --> 00:43:38,940
for her. And then we ultimately see, you know,

720
00:43:38,940 --> 00:43:41,300
she's this most intelligent person in the world.

721
00:43:42,660 --> 00:43:47,060
But, you know, her. Her solution was pretty.

722
00:43:47,140 --> 00:43:49,820
Pretty mundane. I mean, she just wants to just sit

723
00:43:49,820 --> 00:43:53,060
on the. Sit on the porch and what outside of

724
00:43:53,060 --> 00:43:55,460
Colorado Springs and just kind of like, you know,

725
00:43:56,500 --> 00:43:58,980
she has no more. She has no more to give. She's

726
00:43:58,980 --> 00:44:02,020
just done. I just, I just. Everybody just go away

727
00:44:02,020 --> 00:44:03,620
and I just want to have my peace and quiet.

728
00:44:04,180 --> 00:44:07,740
Sarah : Well, she essentially wants the whole world to go

729
00:44:07,740 --> 00:44:08,580
away and.

730
00:44:08,580 --> 00:44:09,340
Will: Yeah, exactly.

731
00:44:09,340 --> 00:44:12,750
Sarah : Yeah, Yeah, I was just like, damn. But I also,

732
00:44:12,910 --> 00:44:16,390
just as soon as it was bunker in Colorado Springs,

733
00:44:16,390 --> 00:44:21,070
I'm like, oh, my God, Paradise, Paradise, y'. All.

734
00:44:21,630 --> 00:44:26,690
Okay, this is such a Samantha plan. but, and then

735
00:44:26,690 --> 00:44:29,330
I'm, I'm thinking to myself, you just, you just

736
00:44:29,330 --> 00:44:32,210
made a case for why Homelander, you don't want

737
00:44:32,210 --> 00:44:35,410
Homelander around because, yeah, he, he's way too

738
00:44:35,410 --> 00:44:39,480
needy. But Ashley is arguably just as needy as

739
00:44:39,480 --> 00:44:41,760
Homelander, so good luck with that. And there are

740
00:44:41,760 --> 00:44:47,620
technically two of her. So, but Ashley is also

741
00:44:49,140 --> 00:44:53,780
very much in the sense of survival instinct. And I

742
00:44:53,780 --> 00:44:58,140
think that's what sister stage. She, she knows at

743
00:44:58,140 --> 00:45:03,590
the end of the day, soups, Soup, survival not

744
00:45:03,590 --> 00:45:04,110
gonna happen.

745
00:45:04,670 --> 00:45:05,070
Will: Right.

746
00:45:05,070 --> 00:45:09,550
Sarah : Homelander has to go down. And with Homelander

747
00:45:10,190 --> 00:45:15,350
also comes like a revolution and a new wave and

748
00:45:15,350 --> 00:45:19,310
chaos and destruction. And so she just is

749
00:45:19,470 --> 00:45:22,510
basically like, I'm gonna set all these things in

750
00:45:22,510 --> 00:45:25,830
the motion, but I'm also simultaneous gonna make

751
00:45:25,830 --> 00:45:30,210
sure that I get out without a scratch now. Yeah,

752
00:45:30,690 --> 00:45:34,570
we don't know if her bunker, is, is going to be

753
00:45:34,730 --> 00:45:37,770
equipped because we've seen other bunkers fail

754
00:45:37,770 --> 00:45:38,170
recently.

755
00:45:38,890 --> 00:45:40,030
Will: We have, we have.

756
00:45:40,580 --> 00:45:48,770
Sarah : let's go to la. yes. and, and at the start, right

757
00:45:48,770 --> 00:45:51,930
after Firecracker or right after, it dawned on me

758
00:45:51,930 --> 00:45:54,780
what they were doing, I immediately was like,

759
00:45:54,780 --> 00:45:58,460
okay, are we gonna follow soldier boy? And then we

760
00:45:58,460 --> 00:46:02,900
did. But they saved it, rightfully so. And, and

761
00:46:02,900 --> 00:46:06,580
it, and it didn't take me too long to also be

762
00:46:06,580 --> 00:46:09,379
like, oh, wait a second. This is gonna be the

763
00:46:09,379 --> 00:46:14,580
episode where Jared shows up. He does as Marathon

764
00:46:14,580 --> 00:46:18,700
man, and so does Misha Collins, who played

765
00:46:18,780 --> 00:46:24,380
infamous Castiel from Supernatural. yep. Yeah, I,

766
00:46:25,020 --> 00:46:30,860
I, yeah, on screen together. They're, they, I

767
00:46:30,860 --> 00:46:36,140
just, I don't know. I, I, I was very engaged in

768
00:46:36,140 --> 00:46:41,260
the whole, the whole McCarthyism of this, this one

769
00:46:41,260 --> 00:46:44,660
shot, that occurred with the Hollywood, with, with

770
00:46:44,660 --> 00:46:49,540
Seth Rogen and the other, Hollywood elite. And

771
00:46:49,540 --> 00:46:54,650
then also, also the, what do we refer to Marathon

772
00:46:54,650 --> 00:46:59,570
man and whatever name they gave or my chemical. My

773
00:46:59,570 --> 00:47:02,930
chemical makes deadly gases into the campaign with

774
00:47:02,930 --> 00:47:07,010
gas X. Like these. The second. Is it the C, Are

775
00:47:07,010 --> 00:47:13,450
they like the deer D tier soups or. I don't know,

776
00:47:14,090 --> 00:47:18,600
they still make money Hollywood wise. well, you

777
00:47:18,600 --> 00:47:23,380
know, what was it in Wonder man where, the actors

778
00:47:23,460 --> 00:47:25,780
couldn't act because they had, oh, the,

779
00:47:25,780 --> 00:47:29,420
Will: the, oh, the, the doorman. Doorman. The doorman

780
00:47:29,420 --> 00:47:30,540
clause. Yes, yes.

781
00:47:30,700 --> 00:47:33,100
Sarah : Yeah, they're clearly in the boys universe. No

782
00:47:33,100 --> 00:47:37,910
doorman, claws. And that's why we have this one

783
00:47:37,910 --> 00:47:40,870
shot the way we do Constructed in Hollywood, but

784
00:47:41,440 --> 00:47:43,040
go ahead. Go ahead, Will.

785
00:47:43,600 --> 00:47:46,080
Will: Yeah. Yeah, no, this was my favorite, I think.

786
00:47:46,640 --> 00:47:49,880
Well, this is definitely. It's hard to say which

787
00:47:49,880 --> 00:47:51,600
one was my favorite one shot, but this definitely

788
00:47:51,600 --> 00:47:54,440
was the one that I, I, you know, I'm not, I didn't

789
00:47:54,440 --> 00:47:56,959
watch Supernatural, so I don't have the, the

790
00:47:56,959 --> 00:48:00,000
longevity of, you know, fandom there that a lot of

791
00:48:00,000 --> 00:48:04,040
folks who, with these three actors have. But I

792
00:48:04,040 --> 00:48:06,440
have watched a few episodes and I did. It was fun

793
00:48:06,440 --> 00:48:10,680
to see them all together on screen with, in this,

794
00:48:10,680 --> 00:48:13,280
in this episode. But, but the whole, like, the

795
00:48:13,280 --> 00:48:16,400
whole thing with, you know, with the dynamics

796
00:48:16,400 --> 00:48:19,880
between Homelander and, and, and, and, And Silver

797
00:48:19,880 --> 00:48:21,920
Boy, you know, now we got kind of their, you know,

798
00:48:21,920 --> 00:48:25,399
that father son dynamic and of course the whole,

799
00:48:25,890 --> 00:48:27,990
you know, even prior, you know, even prior going

800
00:48:27,990 --> 00:48:30,230
to la, that had the whole, the whole interaction

801
00:48:30,230 --> 00:48:34,790
with Stan and the whole daddy issues and, you

802
00:48:34,790 --> 00:48:36,630
know, basically getting called out. You know, he

803
00:48:36,630 --> 00:48:38,390
has two daddies and he can't be, you know,

804
00:48:38,390 --> 00:48:42,360
Homelander. Just can't either one. so there, there

805
00:48:42,360 --> 00:48:45,050
was that, there was that aspect of it. and then

806
00:48:45,050 --> 00:48:48,090
just. And then also the sort of the bookend of

807
00:48:48,170 --> 00:48:52,490
like with. When Mr. Marathon was just like running

808
00:48:52,490 --> 00:48:55,690
through and just like, just smashing. Running

809
00:48:55,690 --> 00:48:59,750
through like all the, Seth Rogan and every, and,

810
00:48:59,750 --> 00:49:02,920
And Kamal and, And everyone. you know, just

811
00:49:02,920 --> 00:49:06,710
thinking back to how, how this series started,

812
00:49:06,710 --> 00:49:08,990
all. It's all because a train running through,

813
00:49:08,990 --> 00:49:12,030
Running through Huey's girlfriend. And now we're

814
00:49:12,030 --> 00:49:14,710
getting that. You know, we're getting that, that

815
00:49:14,710 --> 00:49:20,540
again. And then also, just, just from a fun meta

816
00:49:20,540 --> 00:49:23,860
piece of it, just the indulgence. We're doing

817
00:49:23,860 --> 00:49:26,740
this, we're doing this scene because we can.

818
00:49:27,700 --> 00:49:31,140
Sarah : Yeah, yeah, there was an indulgence, but there was

819
00:49:31,140 --> 00:49:35,580
also a fun, There was an energy. And then, the.

820
00:49:35,740 --> 00:49:39,300
What you just pointed out. But I think what stood

821
00:49:39,300 --> 00:49:43,340
out to me the most was the, the father son aspect

822
00:49:43,340 --> 00:49:48,540
and from the sense that there is a very important

823
00:49:48,700 --> 00:49:52,540
moment at the end of the previous episode between

824
00:49:52,540 --> 00:49:55,900
Homelander and Soldier Boy where Homelander does

825
00:49:55,900 --> 00:50:00,910
not kill his father. and that is paralleled in

826
00:50:00,910 --> 00:50:03,630
this episode, which I did not, I did not

827
00:50:03,630 --> 00:50:06,830
anticipate again. And it surprised me that they

828
00:50:06,830 --> 00:50:09,390
went in that direction where he essentially is

829
00:50:09,390 --> 00:50:14,230
given the opportunity to kill his son, which for

830
00:50:14,230 --> 00:50:17,150
all intents and purposes, he wants to get to the

831
00:50:17,150 --> 00:50:19,670
V. So his son is not immortal.

832
00:50:20,150 --> 00:50:20,550
Will: Right.

833
00:50:21,350 --> 00:50:25,150
Sarah : But he, when given the opportunity, he chooses not

834
00:50:25,150 --> 00:50:29,100
to. And I think that again, is very telling for

835
00:50:29,100 --> 00:50:31,460
both of them where whether they like it or not,

836
00:50:31,460 --> 00:50:35,860
they are each Other's blood. So there. There is

837
00:50:35,860 --> 00:50:40,660
this realization that I, I find you very annoying

838
00:50:41,459 --> 00:50:47,660
and very stupid and very annoying, but yet I can't

839
00:50:47,660 --> 00:50:50,620
kill you because you're my son. And. Oh, my God,

840
00:50:50,620 --> 00:50:53,950
the line that came out around, nobody my son but

841
00:50:53,950 --> 00:50:54,270
me.

842
00:50:54,590 --> 00:50:55,150
Will: Yes.

843
00:50:56,310 --> 00:51:01,470
Sarah : Wow. Wow. They. Yeah, I, I think it's. I think you

844
00:51:01,470 --> 00:51:04,590
can only get away with stuff like that when you

845
00:51:04,590 --> 00:51:07,430
have the dialogue that they did in this episode.

846
00:51:07,430 --> 00:51:09,190
The dialogue was just on point.

847
00:51:09,670 --> 00:51:10,310
Will: Yep.

848
00:51:10,310 --> 00:51:14,940
Sarah : And I, mean, the, The. The mechanics was just

849
00:51:14,940 --> 00:51:19,220
embellish. Embellishments of a great script of an

850
00:51:19,220 --> 00:51:23,860
episode. so. And then I guess next week we're off

851
00:51:23,860 --> 00:51:27,460
to find and figure out whoever, bomb site is

852
00:51:27,460 --> 00:51:31,700
because apparently they. They have V1. So.

853
00:51:31,700 --> 00:51:33,900
Will: Yeah, yeah, yeah. We. Yeah. This is the second

854
00:51:33,900 --> 00:51:37,820
time, I think, or maybe m. More that we've gotten

855
00:51:37,820 --> 00:51:41,260
the bomb site, reference, in, in this. In this

856
00:51:41,260 --> 00:51:44,820
series. But yeah, I mean, you know, I, you know,

857
00:51:44,820 --> 00:51:47,580
this was an interesting choice for them to go in

858
00:51:47,580 --> 00:51:52,580
the final, season to do this one shot. you know,

859
00:51:52,580 --> 00:51:55,660
because. But, but even though it was an

860
00:51:55,660 --> 00:51:59,420
interesting stylistic choice to go there, I think

861
00:51:59,420 --> 00:52:02,260
it. It. But in keeping with the boys, this is what

862
00:52:02,260 --> 00:52:05,300
the show does. It. It is all about subverting

863
00:52:05,300 --> 00:52:05,980
expectations.

864
00:52:06,940 --> 00:52:07,500
Sarah : Yeah.

865
00:52:08,060 --> 00:52:10,940
Will: And. And so it was completely on brand for them to

866
00:52:10,940 --> 00:52:13,860
do something like this in the final season. So I

867
00:52:13,860 --> 00:52:16,420
really, I really enjoyed this. And, and, and,

868
00:52:16,370 --> 00:52:17,970
especially after last week's episode. This was

869
00:52:17,970 --> 00:52:19,290
definitely a good palate cleanser.

870
00:52:19,930 --> 00:52:24,010
Sarah : Yeah. I think it's also just Kripke. I think he.

871
00:52:26,810 --> 00:52:30,410
There is so much. I mean, he did 15 seasons with

872
00:52:30,410 --> 00:52:33,271
Supernatural or. no, he didn't. No, I take that

873
00:52:33,271 --> 00:52:35,751
back. He's the creator. He didn't do all 15

874
00:52:35,751 --> 00:52:36,231
seasons.

875
00:52:36,231 --> 00:52:37,191
Will: He step away after

876
00:52:39,751 --> 00:52:41,271
Sarah : five. Lucky number five.

877
00:52:41,911 --> 00:52:42,151
Will: Yeah.

878
00:52:42,151 --> 00:52:45,751
Sarah : But I, I still think later on he might have had

879
00:52:45,751 --> 00:52:50,231
some. There's still a brand here. and there.

880
00:52:50,231 --> 00:52:54,351
There's a whimsy. So. But we'll. We're gonna put

881
00:52:54,351 --> 00:52:57,631
aside whimsy right now and head over to Hell's

882
00:52:57,631 --> 00:53:00,471
Kitchen to resume our conversation about Daredevil

883
00:53:00,471 --> 00:53:03,911
Born Again Season two. We are talking to episodes

884
00:53:03,911 --> 00:53:06,911
three and four tonight. And part of the reason why

885
00:53:06,911 --> 00:53:09,911
I wanted to put a pin in our conversation about

886
00:53:10,461 --> 00:53:15,421
the viewership of season two is because leading up

887
00:53:15,741 --> 00:53:20,541
to us actually starting this season, episode four

888
00:53:20,541 --> 00:53:23,381
had already come out. And I remember seeing the

889
00:53:23,381 --> 00:53:28,021
headline. The highest rated episode of Daredevil

890
00:53:28,021 --> 00:53:33,341
Born Again is episode four, Gloves off. And I was

891
00:53:33,341 --> 00:53:36,301
like, ooh, that's. That's very interesting. It's.

892
00:53:36,531 --> 00:53:39,571
It's Highly rated and people must like it. And,

893
00:53:39,811 --> 00:53:46,701
and I felt some buzz about it. So, so going in, I

894
00:53:46,701 --> 00:53:50,381
had very high expectations for C for episode four.

895
00:53:51,021 --> 00:53:53,861
I don't know if you got gist of that, but I had

896
00:53:53,861 --> 00:53:59,381
very high expectations. I will tell you, a quarter

897
00:53:59,381 --> 00:54:02,301
of the episode met those expectations. 75 of it

898
00:54:02,301 --> 00:54:09,441
did not. But that's just me. just, just because.

899
00:54:09,841 --> 00:54:13,441
And I'm gonna cut to the end because I've already

900
00:54:13,441 --> 00:54:17,681
brought up episode four. I don't know what it was,

901
00:54:18,241 --> 00:54:21,841
but between the slow mo or the lack of music,

902
00:54:22,401 --> 00:54:25,401
there's something that was just awkward for me in

903
00:54:25,401 --> 00:54:29,641
watching the, the whole fight sequence. And then

904
00:54:29,641 --> 00:54:33,801
most importantly, the revelation that Vanessa got,

905
00:54:34,281 --> 00:54:37,641
was, got impaled. Very much like Firecracker might

906
00:54:37,641 --> 00:54:41,811
add. yeah.

907
00:54:41,811 --> 00:54:44,051
Will: And both episodes this week.

908
00:54:44,771 --> 00:54:49,211
Sarah : Yeah, yeah. So, so if we both end with impaling of

909
00:54:49,211 --> 00:54:51,451
women, I, I don't know what that says about our

910
00:54:51,451 --> 00:54:58,351
culture. yeah, so, so I, I just. Is it sad? Yes.

911
00:54:59,261 --> 00:54:59,581
Will: Yeah.

912
00:54:59,741 --> 00:55:03,741
Sarah : I, I, I, I have, I don't know. I don't know about

913
00:55:03,741 --> 00:55:07,981
it. I didn't, I wasn't like, oh, my God, that was

914
00:55:07,981 --> 00:55:11,621
so, so intense. And what will Fisk do now? It's

915
00:55:11,621 --> 00:55:14,460
more like, well, you, you got to, you got to

916
00:55:14,460 --> 00:55:18,301
remove the queen to see how bad the king can rule.

917
00:55:19,101 --> 00:55:27,431
Will: Yeah. Yeah. I, I, will say I liked episode four

918
00:55:27,431 --> 00:55:28,591
better than I like three.

919
00:55:29,391 --> 00:55:32,031
Sarah : Definitely. I remember more what happened in

920
00:55:32,031 --> 00:55:32,831
episode four.

921
00:55:33,391 --> 00:55:36,271
Will: Yeah, well, I think I was just more frustrated

922
00:55:36,271 --> 00:55:41,031
with, with, well, let's, I

923
00:55:41,031 --> 00:55:43,791
Sarah : mean, I guess, yeah, we can go back to episode

924
00:55:43,791 --> 00:55:46,551
three and talk about our frustrations with the.

925
00:55:46,551 --> 00:55:50,311
Yeah. continued trial and error.

926
00:55:51,871 --> 00:55:55,741
Will: Yeah. I think some of it was just the, So I think

927
00:55:55,741 --> 00:55:58,741
it was just, for me, it was just a strange and

928
00:55:59,541 --> 00:56:06,491
suspension of disbelief. For example, the Saunders

929
00:56:06,571 --> 00:56:09,291
being the one member of the task force that they

930
00:56:09,291 --> 00:56:11,131
were lucky enough to catch that he's like, I'm on

931
00:56:11,131 --> 00:56:11,611
your side.

932
00:56:12,971 --> 00:56:13,611
Sarah : Definitely.

933
00:56:14,581 --> 00:56:18,381
Will: Yeah. There was that, the, the whole, the whole

934
00:56:18,381 --> 00:56:22,901
trial of it all, with, with Chris, you know, with

935
00:56:22,901 --> 00:56:28,221
Duquesne and the, you know, he's the mayor. I

936
00:56:28,221 --> 00:56:31,301
mean, I get where they're going for as far as, you

937
00:56:31,301 --> 00:56:33,421
know, be corrupting the judicial system and all

938
00:56:33,421 --> 00:56:36,181
that kind of stuff, but it just, Again, it just,

939
00:56:36,341 --> 00:56:40,501
just did. Not that it did not work for me. as far

940
00:56:40,501 --> 00:56:43,181
as, like, you know, these, these three, you know,

941
00:56:43,181 --> 00:56:45,421
a panel of three judges, all three of them gonna

942
00:56:45,421 --> 00:56:47,901
be corrupt. I mean, come on. Yeah, I guess I can,

943
00:56:47,901 --> 00:56:51,491
I could buy one. but it was, you know, it's a show

944
00:56:51,491 --> 00:56:53,571
trial and I, and I get where they were going with

945
00:56:53,571 --> 00:56:56,851
it. It just, I don't know, it just, it just, it

946
00:56:56,851 --> 00:57:01,051
just didn't sit well. And maybe it's just, again,

947
00:57:01,291 --> 00:57:06,741
it's just in the context of like watching boys

948
00:57:06,821 --> 00:57:11,021
and, and, and, and seeing how well you can do like

949
00:57:11,021 --> 00:57:14,661
commentary on, on society. This just felt like it

950
00:57:14,661 --> 00:57:18,221
was just like, okay, paint by numbers. Like Fisk

951
00:57:18,221 --> 00:57:19,221
is like taking over everything.

952
00:57:19,911 --> 00:57:26,851
Sarah : but, so I agree with you. I, I think that, and we

953
00:57:26,851 --> 00:57:29,091
talked about it last night, this show's intention

954
00:57:29,091 --> 00:57:31,981
is not to do commentary. They, they kind of fall

955
00:57:31,981 --> 00:57:35,301
into it and whatever mirror they're holding up to

956
00:57:35,621 --> 00:57:38,981
what's currently going on is just happenstance.

957
00:57:39,221 --> 00:57:39,781
Will: Yeah.

958
00:57:39,861 --> 00:57:45,021
Sarah : But I think that in this episode, episode three,

959
00:57:45,021 --> 00:57:48,771
the scales, and the sword are a lot of the

960
00:57:48,771 --> 00:57:51,811
mechanics and a lot of the structure is so similar

961
00:57:51,891 --> 00:57:56,731
to the season one finale that I know I, I remember

962
00:57:56,731 --> 00:57:59,261
us talking about the, that finale and the episodes

963
00:57:59,261 --> 00:58:01,701
leading up to it where I was, I was right there

964
00:58:01,701 --> 00:58:07,791
with you and I still am. The more they try to, to

965
00:58:07,791 --> 00:58:11,991
show how much power Fisk has, the more viewers

966
00:58:13,111 --> 00:58:15,591
lose. Suspension of disbelief. Like you can only

967
00:58:15,591 --> 00:58:18,431
get stretched so far and in back of your mind it

968
00:58:18,431 --> 00:58:21,911
continues. He's only the mayor. He's only the

969
00:58:21,911 --> 00:58:27,191
mayor. Like it just between that and some of the

970
00:58:27,191 --> 00:58:30,551
other stuff that he gets away with, it's just

971
00:58:30,711 --> 00:58:36,751
very, doesn't work. And this whole thing. Now

972
00:58:36,751 --> 00:58:41,951
there's a movie that I, I saw and Will had some

973
00:58:41,951 --> 00:58:44,311
kind of hurricane happen so he couldn't attend.

974
00:58:44,951 --> 00:58:49,071
And, but, but the whole court system that we're

975
00:58:49,071 --> 00:58:53,511
playing out is eerily similar to the facade that

976
00:58:53,511 --> 00:58:59,391
occurred in Joker 2. So I will say you saw how

977
00:58:59,391 --> 00:59:04,691
that went critically and and with viewers, and

978
00:59:04,691 --> 00:59:08,091
audiences. That very similar thing is happening

979
00:59:08,091 --> 00:59:08,451
here.

980
00:59:08,931 --> 00:59:09,271
Will: Yeah.

981
00:59:09,271 --> 00:59:11,841
Sarah : because if you, if you take that out of the

982
00:59:11,841 --> 00:59:15,081
equation, there is a very interesting moment

983
00:59:15,321 --> 00:59:20,711
between, Heather and Buck in, in this episode. And

984
00:59:20,711 --> 00:59:23,631
I, and I really, I want to understand Buck more,

985
00:59:23,801 --> 00:59:26,201
based on these two episodes. I just am very

986
00:59:26,201 --> 00:59:30,961
curious about him because he, he explains that

987
00:59:30,961 --> 00:59:32,881
they have the perfect view of the court. And I

988
00:59:32,881 --> 00:59:36,921
just found it very amusing how he, how he went

989
00:59:36,921 --> 00:59:40,281
around casting the parts and everything. And then

990
00:59:40,281 --> 00:59:43,121
Heather even calls him out and says like it's

991
00:59:43,121 --> 00:59:45,641
amusing how you're categorizing the sharks that

992
00:59:45,641 --> 00:59:48,601
one day might tear you apart. Heart. And the more

993
00:59:48,601 --> 00:59:50,961
I think about Buck and the more we see him in

994
00:59:50,961 --> 00:59:54,961
these two episodes, the more it's like you're like

995
00:59:54,961 --> 00:59:58,001
the grown up version of Daniel. And so we're

996
00:59:58,001 --> 01:00:02,001
seeing kind of your origin through what's

997
01:00:02,001 --> 01:00:07,201
happening with Daniel. And. And. And so I. I want

998
01:00:07,201 --> 01:00:10,961
to see them more interact, which they did plant

999
01:00:10,961 --> 01:00:14,241
the seeds that eventually Buck's gonna find out

1000
01:00:14,241 --> 01:00:19,381
who's behind the videos that BB is posting, and

1001
01:00:19,621 --> 01:00:21,781
Daniel clearly wants to date her.

1002
01:00:26,981 --> 01:00:29,941
Will: Yeah. Yeah, I. I did like the dynamic. I did. I'm

1003
01:00:29,941 --> 01:00:31,861
glad you brought up the scene because, you know,

1004
01:00:31,941 --> 01:00:34,661
like I said, those were the. Those were the issues

1005
01:00:34,661 --> 01:00:38,021
I had with the episode. But overall, I mean, I did

1006
01:00:38,021 --> 01:00:40,261
enjoy watching. It wasn't that I was like, I wish

1007
01:00:40,261 --> 01:00:42,341
I had this hour. Hour of my life back. Don't.

1008
01:00:42,341 --> 01:00:45,951
Don't get me wrong. But I think to your point,

1009
01:00:46,431 --> 01:00:50,311
those where. Where. Where things did work, I think

1010
01:00:50,311 --> 01:00:54,391
that scene with Heather and Buck and how, they

1011
01:00:54,391 --> 01:00:57,641
were, you know, surveying the room, the dynamics

1012
01:00:57,641 --> 01:01:01,261
between Daniel and. And Buck as well. those. Those

1013
01:01:01,261 --> 01:01:03,141
were. Those were the things, I think that stood

1014
01:01:03,141 --> 01:01:07,781
out to me as far as, like, good moments with. With

1015
01:01:07,781 --> 01:01:11,021
episode three. And also, it also just when it Just

1016
01:01:11,021 --> 01:01:13,421
from a stylistic standpoint, whenever they were

1017
01:01:13,421 --> 01:01:20,401
taking, the. The lawyer, to. To the swordsman.

1018
01:01:20,521 --> 01:01:22,441
Sarah : Yeah, yeah, Krista.

1019
01:01:22,921 --> 01:01:25,401
Will: Krista. Yeah. Whenever she was going back,

1020
01:01:25,751 --> 01:01:28,171
Tristan. Yeah. And, you know, the black did the

1021
01:01:28,171 --> 01:01:31,131
blackout and. And just having her rely on her

1022
01:01:31,131 --> 01:01:36,901
senses because, you know, though, given that Matt

1023
01:01:36,901 --> 01:01:39,341
has to do that same kind of echolocation kind of

1024
01:01:39,341 --> 01:01:42,181
thing, it was just. It was. It was an interesting

1025
01:01:42,181 --> 01:01:45,741
choice for her to sort of. Sort of step into the

1026
01:01:45,741 --> 01:01:48,821
role of a surrogate Matt, you know, as far as

1027
01:01:48,821 --> 01:01:55,631
possibly being Duquesne's lawyer. so I did like

1028
01:01:55,631 --> 01:01:57,111
those elements of the show as well.

1029
01:01:58,391 --> 01:02:02,941
Sarah : Yeah, I. I do. For me, the best stylistic, choice

1030
01:02:02,941 --> 01:02:06,571
made was the opening of, episode four, the

1031
01:02:07,051 --> 01:02:10,651
bullseye morning routine sequence. It's just. It's

1032
01:02:10,651 --> 01:02:11,371
so good.

1033
01:02:12,171 --> 01:02:13,531
Will: Yes. That's so good.

1034
01:02:13,931 --> 01:02:18,611
Sarah : And I. So. So to start episode four, which, again,

1035
01:02:18,611 --> 01:02:21,171
I told y' all I had high expectations for with

1036
01:02:21,171 --> 01:02:24,091
that sequence, I was like, okay, okay, we're gonna

1037
01:02:24,091 --> 01:02:26,051
get more of this. And then they deviate to Matt.

1038
01:02:26,051 --> 01:02:27,051
I'm like, what the heck?

1039
01:02:27,531 --> 01:02:28,091
Will: Yeah.

1040
01:02:29,131 --> 01:02:36,881
Sarah : Sometimes I. I think that with ensembles or with

1041
01:02:36,881 --> 01:02:40,241
on shows, and we've had so many conversations

1042
01:02:40,241 --> 01:02:42,841
about these because we used to cover a little old

1043
01:02:42,841 --> 01:02:44,521
universe called the Arrowverse.

1044
01:02:44,761 --> 01:02:45,281
Will: Yep.

1045
01:02:45,281 --> 01:02:48,241
Sarah : Where we have these heroes, and yet we also have

1046
01:02:48,241 --> 01:02:51,241
side heroes and we have side characters. And,

1047
01:02:51,611 --> 01:02:54,331
sometimes it's hard to deviate from the main

1048
01:02:54,331 --> 01:02:58,951
character's story, but sometimes it's necessary.

1049
01:02:59,271 --> 01:03:03,271
And because you can. You need, I think, a fresh

1050
01:03:03,271 --> 01:03:07,231
air. And I think that's with this show. And with

1051
01:03:07,231 --> 01:03:12,951
this series so far is sometimes Matt and Daredevil

1052
01:03:13,111 --> 01:03:16,911
becomes a bit too much. Just like where I think we

1053
01:03:16,911 --> 01:03:20,151
were talking before with episode three and all of

1054
01:03:20,311 --> 01:03:26,841
the stupidity of Fix Fix, power like Fisk can

1055
01:03:26,841 --> 01:03:31,321
become too much. Where we need to spend more time

1056
01:03:31,321 --> 01:03:38,921
with Kirsten, with Heather, with Karen, and with

1057
01:03:38,921 --> 01:03:42,911
Poindexter, to. To see this world through their

1058
01:03:42,911 --> 01:03:46,751
lens, through their eyes, and to understand it, so

1059
01:03:46,751 --> 01:03:49,631
we get more. More perspective on things. Because

1060
01:03:49,711 --> 01:03:54,801
then the world could say more, for. And. Because

1061
01:03:54,801 --> 01:03:57,561
right now, we're hitting a lot of the same beat

1062
01:03:57,561 --> 01:04:00,641
after beat after beat. It's just like, okay, look,

1063
01:04:00,641 --> 01:04:03,361
can we think about something new? Which. And I

1064
01:04:03,361 --> 01:04:06,361
will go back to. Go back to Vanessa, and I did

1065
01:04:06,361 --> 01:04:10,051
find her conversation with the, What was it? The

1066
01:04:10,051 --> 01:04:10,571
governor.

1067
01:04:10,651 --> 01:04:11,691
Will: The governor, yeah.

1068
01:04:11,771 --> 01:04:14,951
Sarah : Yeah. To. To be very interesting. And I was not at

1069
01:04:14,951 --> 01:04:17,351
all thinking, oh, this is foreshadowing, because

1070
01:04:17,351 --> 01:04:22,591
they're going to kill Vanessa. But I. I did like

1071
01:04:22,591 --> 01:04:25,031
that because I was like, okay, I can understand

1072
01:04:25,351 --> 01:04:28,470
how she will win over people.

1073
01:04:29,271 --> 01:04:29,831
Will: Yeah.

1074
01:04:29,831 --> 01:04:32,951
Sarah : And so long as she's around those people,

1075
01:04:33,591 --> 01:04:37,991
theoretically, or so they say, will. Will support

1076
01:04:37,991 --> 01:04:41,381
Fisk because it's Vanessa will keep him in check.

1077
01:04:41,941 --> 01:04:45,341
She ain't doing a very good job, Will. But that's

1078
01:04:45,341 --> 01:04:47,901
what. From their perspective, she is the

1079
01:04:47,901 --> 01:04:51,501
checkpoint. Well, the moment you establish that,

1080
01:04:51,501 --> 01:04:54,780
you got to remove the checkpoint. So maybe I

1081
01:04:54,780 --> 01:04:56,781
didn't. I didn't think about it at the time, but

1082
01:04:56,781 --> 01:04:59,261
maybe subconsciously, that was in the back of my

1083
01:04:59,261 --> 01:05:01,381
mind. And then when it happened, I was like, well,

1084
01:05:01,541 --> 01:05:02,581
that's not surprising.

1085
01:05:03,621 --> 01:05:07,141
Will: Yeah. Yeah, I mean, I agree that she is the. The

1086
01:05:07,141 --> 01:05:10,391
sort of. The, The keeps the reins on things. And.

1087
01:05:10,471 --> 01:05:13,551
And I did. I did. I did like the conversations

1088
01:05:13,551 --> 01:05:17,271
between the Governor and Vanessa. And. And. But

1089
01:05:17,751 --> 01:05:21,551
whenever, you know, And. And of course, Fisk was

1090
01:05:21,551 --> 01:05:23,990
trying to, like, keep her from going. You know,

1091
01:05:23,990 --> 01:05:28,361
he's like, look, you know, this exhibition, you

1092
01:05:28,361 --> 01:05:30,441
know, you know, clearly it was just, you know.

1093
01:05:30,841 --> 01:05:33,281
Yeah, this is gonna. You know, this is doing this

1094
01:05:33,281 --> 01:05:34,121
to piss off Matt.

1095
01:05:35,501 --> 01:05:39,751
Sarah : No, it's not. I think I, Because I think it was

1096
01:05:41,591 --> 01:05:44,591
based on the opening sequence with Poindexter. It

1097
01:05:44,591 --> 01:05:49,391
was actually to call him out. And why Fisk didn't

1098
01:05:49,391 --> 01:05:53,551
want Vanessa there specifically is because. And

1099
01:05:53,551 --> 01:05:55,951
we've kind of seen that foreshadowed over the

1100
01:05:55,951 --> 01:05:59,231
last. Over the previous episodes. Poindexter is

1101
01:05:59,231 --> 01:06:03,561
after her, not Fist, because she made the call to

1102
01:06:03,561 --> 01:06:10,281
him to kill Foggy, not Fisk. So. So that he knew

1103
01:06:10,281 --> 01:06:12,921
that he was setting bait for someone who would

1104
01:06:12,921 --> 01:06:14,921
target her and not him.

1105
01:06:15,481 --> 01:06:17,921
Will: Yeah, true. That's a good point. That is a good

1106
01:06:17,921 --> 01:06:20,871
point, I think. Yeah, I agree with you there. and

1107
01:06:20,871 --> 01:06:23,711
which. It did work because Poindexter did. Did

1108
01:06:23,711 --> 01:06:28,561
show up. and so. But, you know, and. But he. To

1109
01:06:28,561 --> 01:06:31,291
your point, too, whatever. You know, she got the

1110
01:06:31,291 --> 01:06:33,411
win with the Governor. She's like, yeah, we. We.

1111
01:06:33,411 --> 01:06:36,211
You know, she got it. And of course, against her

1112
01:06:36,211 --> 01:06:38,171
better judgment and didn't follow. You know, she

1113
01:06:38,171 --> 01:06:40,451
just, you know, she was. She went to the event,

1114
01:06:40,451 --> 01:06:44,371
and of course she had to wear the Fisk white, and.

1115
01:06:45,011 --> 01:06:48,651
And he got distracted and, you know, things went

1116
01:06:48,651 --> 01:06:51,251
down and, you know, here's. Here's where we are.

1117
01:06:51,361 --> 01:06:55,871
you know, she, you know, he loses control. Yeah,

1118
01:06:55,871 --> 01:06:57,311
yeah, yeah.

1119
01:06:57,791 --> 01:07:00,751
Sarah : I just love that. That moment when she brings out

1120
01:07:00,751 --> 01:07:04,071
a pistol. She's like, I didn't. I came armed. And

1121
01:07:04,071 --> 01:07:07,501
it's like. Yeah, it's. It's a weird, turn on that

1122
01:07:07,501 --> 01:07:11,301
whole phrase. You. You bought. You brought a knife

1123
01:07:11,301 --> 01:07:12,181
to a gun fight.

1124
01:07:15,541 --> 01:07:17,741
Will: Yeah, and then just. Yeah, and then just the

1125
01:07:17,741 --> 01:07:19,941
trinkets that they had and, you know, and point

1126
01:07:19,941 --> 01:07:22,111
extra flings it across because, you know, at that

1127
01:07:22,111 --> 01:07:24,711
point, Fisk is like, lost all control and Fisk is

1128
01:07:24,711 --> 01:07:28,311
like, you know, shatters the thing and. Ah, so it

1129
01:07:28,311 --> 01:07:32,341
was so. It was so sadly poetic. as far as. Just

1130
01:07:32,341 --> 01:07:37,341
like, you know. You know, even though I hate. Like

1131
01:07:37,341 --> 01:07:40,181
you said, m. What is it about tonight? We got two

1132
01:07:40,181 --> 01:07:42,021
shows where women are getting impelled.

1133
01:07:42,481 --> 01:07:44,961
Sarah : but I did not think about that.

1134
01:07:45,521 --> 01:07:48,361
Will: Yeah, I didn't either. Well, obviously, whenever

1135
01:07:48,361 --> 01:07:50,790
we were, like, planning this, we didn't know, but,

1136
01:07:51,980 --> 01:07:55,980
but what's, you know, the next steps as far as,

1137
01:07:55,981 --> 01:07:59,501
with. With this series now that the. The person

1138
01:07:59,501 --> 01:08:07,061
who could keep Fisk Wilson, like, in check is not

1139
01:08:07,061 --> 01:08:10,861
there anymore. He's just gonna, you know, he. You

1140
01:08:10,861 --> 01:08:14,181
know, what. What, What. What we'll see next is

1141
01:08:14,181 --> 01:08:17,022
definitely going to be, I'm looking. I am looking

1142
01:08:17,022 --> 01:08:20,262
forward to these next few episodes as. As we. As

1143
01:08:20,262 --> 01:08:23,222
we get to them, because I. We. We will definitely

1144
01:08:23,222 --> 01:08:25,782
see the. The fallout from. From all of what

1145
01:08:25,782 --> 01:08:26,382
happened here.

1146
01:08:27,102 --> 01:08:30,422
Sarah : Yeah. Yeah. And. And I think what you're getting

1147
01:08:30,422 --> 01:08:33,602
at, is more like, for the first time in this show,

1148
01:08:33,602 --> 01:08:39,562
we will see this world without Vanessa Fist. World

1149
01:08:39,562 --> 01:08:41,922
without Vanessa. What? What is that? Because.

1150
01:08:42,992 --> 01:08:45,632
Yeah, yeah, she. The Governor thinks that she

1151
01:08:45,632 --> 01:08:48,432
keeps him in check, but she's been doing a lousy

1152
01:08:48,432 --> 01:08:52,712
job. I mean, look at it. Look at this whole thing.

1153
01:08:52,712 --> 01:08:55,512
I. I don't think she. I think that check is a

1154
01:08:55,512 --> 01:09:00,682
strong word. but he he will be different without

1155
01:09:00,762 --> 01:09:05,282
her. And that is where the intrigue comes. It's

1156
01:09:05,282 --> 01:09:07,362
also in the back of my mind, and I'm sure in

1157
01:09:07,362 --> 01:09:09,402
yours, too. Like, we're supposed to see some other

1158
01:09:09,402 --> 01:09:12,352
people. People. So get to get them. There are

1159
01:09:12,352 --> 01:09:15,472
some, some characters I'm waiting to appear and,

1160
01:09:15,952 --> 01:09:19,152
and that they don't, they don't end their names

1161
01:09:19,152 --> 01:09:22,472
with Castle. No, no, I'm. I'm waiting for a

1162
01:09:22,472 --> 01:09:25,272
Jessica Jones. Okay, thank you very much. And a

1163
01:09:25,272 --> 01:09:31,032
Mr. Luke Cage. So. Yeah. Well, on that note, Will,

1164
01:09:31,032 --> 01:09:32,832
why don't you tell our listeners where they can

1165
01:09:32,832 --> 01:09:33,392
find you?

1166
01:09:34,432 --> 01:09:38,242
Will: Yes, you can find me on all the socials at Will

1167
01:09:38,242 --> 01:09:40,922
and Polk. W I L L M P O

1168
01:09:40,922 --> 01:09:43,522
Sarah : L K. And you can find me there, too, at S.J.

1169
01:09:43,522 --> 01:09:46,402
belmont. S J B L M M O N T. Please follow our crew

1170
01:09:46,402 --> 01:09:48,882
on X, formerly known as Twitter, @Cena. Nerd on

1171
01:09:48,882 --> 01:09:51,002
Blue sky. Friend us on Facebook, follow us on

1172
01:09:51,002 --> 01:09:53,082
Instagram and threads at scene, underscore n,

1173
01:09:53,082 --> 01:09:55,082
underscore nerd. And visit our website,

1174
01:09:55,082 --> 01:09:59,002
www.scenenerdpodcast.com. but most importantly,

1175
01:09:59,002 --> 01:10:01,042
rate, follow and comment on Apple Podcasts,

1176
01:10:01,042 --> 01:10:03,082
Spotify, YouTube, or wherever you get podcast.

1177
01:10:03,172 --> 01:10:04,532
Good night. Geek out. You're welcome.