
This week on Scene N Nerd, Sarah and Will dive deep into the latest episodes of Spider Noir, tackling episodes two through four. As the plot thickens, they explore whether the show maintains its initial charm or if the web is starting to unravel. With the introduction of new characters like Cat Hardy and Tombstone, the stakes rise as Ben Reilly navigates through a complex web of mystery, history, and 1930s societal issues.
🕷️ EPISODE 2 — TREAD LIGHTLY
The duo discusses the grounded storytelling that highlights the realities of a segregated America while Ben evolves into a true private investigator. They analyze key moments, including Robbie's encounter with Vera, and how the show integrates real historical context into its narrative.
⚔️ EPISODE 3 — DOUBLE CROSS
As Ben's detective skills sharpen, Sarah and Will delve into the dynamics of the burgeoning conflict with Silvermane and the implications of Robbie's journalistic integrity. The duo reflects on the show's ability to weave familiar Spider-Man lore into its unique narrative while maintaining a strong visual aesthetic.
💔 EPISODE 4 — A MISTAKE I'LL NEVER MAKE AGAIN
The conversation heats up as they dissect the controversial romantic developments between Cat and Ben, questioning the pacing and depth of their connection. They also touch on Robbie's journalistic struggles and the ethical dilemmas presented in the face of sensationalism versus truth.
As they wrap up their discussion, Will and Sarah tease the upcoming second half of the season and speculate on the future of these characters and their intertwining fates.
Timestamps
00:00 Intro / Opening Thoughts
02:07 Spider-Noir Episode 2 Discussion
17:50 Spider-Noir Episode 3 Discussion
36:43 Spider-Noir Episode 4 Discussion
Want to keep the conversation going? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram @scene_n_nerd, and Threads @scene_n_nerd. Don't forget to check out our website at www.scenennerdpodcast.com. If you enjoyed this episode, drop us a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix!
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>> Will: All right, so after watching Spider Noir episodes
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two through four, I think we have to ask the real
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question. Are we still loving this show or is the
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shine starting to come off the web? Because
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episode one gave us the Bob, Nicholas Cage black
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and white noir hardball, detective energy, Marvel,
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Witness. All of that worked. But now that we're
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deeper into the season, the question becomes, does
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Spider Noir have a strong enough story to match
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the style? We're talking Ben Riley, Cat Hardy,
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Robbie Robertson, Silvermane Tombstone. And
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whether this show is building real momentum or
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just giving us a really cool looking mystery box,
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let's get into it.
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>> Sarah : Greetings, nerds. This is seen in Nerd. I'm your
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host, Sarah Belmont, and with me, as always, is
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our Mr. Producer, will Will Polk Carry. Doing
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tonight, Will.
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>> Will: Doing very well, sir. How you doing this evening?
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>> Sarah : I'm good, I'm good.
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>> Will: That's good.
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>> Sarah : You know, it's, it's June.
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>> Will: It is June. Happy June. Happy pride month. Happy,
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happy summer. Happy everything. Right?
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>> Sarah : Yeah, I mean, it's snow everywhere. And I have
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green grass. I have some green grass. I've done
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yard work in preparation and I was pretty angry
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last Wednesday when I was doing yard work and I
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saw my first bee and I was like, damn it, my
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serenity has ended. Because I can't, I can't do
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bees. I can't do flying things because they're
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hard to kill. Okay. A, spider is easy to kill.
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>> Will: Hey, spider. You're saying, oh, hey, don't be like
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this. Don't be like, you know, the, you know, the
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swatting of the spider there in the episode two.
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>> Sarah : Well, well, it is. And I didn't even know I was
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gonna go there
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>> Will: when you did. I was just like. Yeah, as soon as I
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was like, I just thought of that image. Sorry.
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>> Sarah : Yeah, yeah, no, no worries. I just. So we are here
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it is June, and we're talking, Spider Noir, season
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one, episode two, Tread lightly. You're an
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investigator. Investigator Gate. Will, do you
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think that given what happens in season or in
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episode two, does the show work beyond the pilot?
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>> Will: Yeah, I think so. I mean, I think the. Not only
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this episode, but all three episodes, to me, just
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intrigue definitely is like ratchet up, ratcheted
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up for me this week. now that, you know, we, we
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definitely have that, I feel like in many ways the
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show feels a bit more grounded. And I'll, you
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know, expand on that, thoughts as, as we, as we
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discuss the, the, the, three episodes that we're
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talking tonight. and then also we're seeing Ben
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become more of a PI. So, you know, so there's
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episode one, Set the table, and then two now,
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really starting to dig into more of the, mystery
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and, and. And the beats as far as how all these
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characters, like, interconnect. So, yeah, I feel
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like it was. I think things are starting to
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advance with this. With the second episode maybe.
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>> Sarah : Did anything really stick out to you about the
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second episode?
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>> Will: Yeah, so one, One thing that did stick out to me
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and it really was with. With Robbie and and
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whenever he went to go see Vera and. And one of
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the things as far as what I was talking about
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groundedness of the, of these episodes, again, as
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we know it, it is in the, in the 1930s. And then
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whenever he went to go see Vera and it was this.
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And also some, Some. One other thing. But one of
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the elements is whatever she was. Whenever he
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could. They were talking about Addison and and she
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starts to. She was like screaming, about, you
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know, black man coming into her apartment there.
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At the, at the, at the hotel. There was that. And
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it also, The, also the whites only. I mean, it was
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just, it just really. Even though this isn't a
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comic book world and, and all it, it definitely
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did. What I appreciated about it was it did not
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ignore the fact that this show is set in the 30s
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and there is a segregated America. And that has
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really, really appreciated that plot, that, that,
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that point. And then also whenever they were in
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the hall and, you know, she's like, I'll scream.
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And you know, thinking about like, you know, Jim
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Crow and, you know, and some of the terrible
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things that happened when, you know, with, during
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that time period, with, with. With. With
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situations. I, I. And then how Robbie like,
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countered it as far as, like, you know, yeah, you
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could, you could do that. But, you know, you know,
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you may, you may saw. You may solve compound, one
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problem for another. I really appreciate how they,
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how they, how they showed that in, in this
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episode. I mean, I know there's other things that.
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That were going in there, but that was definitely
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one point when I was watching it that really did
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stick out to me. because in so many times when you
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do these genre pieces, they may ignore that piece,
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but I liked how the showrunners, you know, faked
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real history into, into their shed.
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>> Sarah : Yeah, yeah, no, that's, Those are good catches,
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because they don't draw too much attention to it
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either.
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>> Will: Right, right. But yeah, but it was there. Yeah,
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it's like, whites only. I mean, it was just, you
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know, whenever Robbie talked to the, bellhop,
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there, he was like, yeah, you know, here's how you
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get it. Here's how you can get into this, you
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know, into this, into this hotel and stuff. So it
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was cool. Things like that.
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>> Sarah : And you said, like, that was one of two things
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that made it feel more grounded. What was the
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other thing?
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>> Will: Oh, I was also just along those same lines.
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Whenever, Ben and Robbie and Janet were. Were.
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Were talking about the photo that Ben finds in
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Flint's apartment and showing that they were. They
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were, you know, of course, they were captured in
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the first World War in Germany.
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>> Sarah : And.
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>> Will: And then, you know, and. And anyway, reference
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Ben's service, but then Ben also noted that, the,
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units were segregated at that time. And so for all
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these. So. And that, you know, Janet then figured
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out, well, you know, these. And they all figured
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out this. This must means that they were POWs, and
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of course, yeah, does lead to some of the other
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things as far as, like, well, you know, the
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experimentation and that kind of stuff. For why
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these three individuals that we've been introduced
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to have powers.
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>> Sarah : Yeah, yeah. And our. The Rogues Gallery that we're
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familiar with. All too familiar with with, Spider
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Man.
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>> Will: Oh, yeah.
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>> Sarah : I mean, we. We get introduced to Lonnie. Lonnie
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Lincoln, AKA Tombstone. so. And I think that's
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really what stood out, not just about this
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episode. because I think out of these three
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episodes, the second episode's the weakest for me.
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Ah. But. But in terms of jumping off points, in
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terms of my perception about the show so far, I. I
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can appreciate how they are interweaving the,
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Spider man mythos into this show without drawing
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too much attention to it. it's like there are
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Easter eggs, but not the Easter eggs. They are not
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executed the way that in the past, Marvel
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specifically has executed Easter eggs given, like,
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there's no wink to the camera. It. It just. It's.
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And. And they. They go about it in a way where
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you. You have to look it up. You have to be like,
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okay, so who really is this person? I mean, last
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week I was like, so who is Cat Hardy? Just so I
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understand. And. And you reminded me that she was
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Black Cat at one point. So you. You start to put
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the pieces together a bit more. And. And I just. I
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can appreciate that. I do think that it's. It's
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just so of this genre to have, these individuals
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who are superpower be part of the War. Because.
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Because we've seen that a lot over the past. Like,
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like, it's just innate that those world wars,
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whether it's two or one, they to. To ground the
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origin story. They. They start them off as
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soldiers and then they become, they get captured
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and experimented on. So I was like, okay, we've
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seen that a bit before. but at the same time, I
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think it's clever to use that space specifically
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for the Rogues gallery. Because unlike X Men,
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which is an ensemble crew.
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>> Will: Yeah.
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>> Sarah : Spider man has the exact opposite issue. It's just
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Spidey. And with the. The number of rogues and.
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And the only other, arguably the only other hero I
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equate it to is Batman with his Rogues Gallery. It
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gets to the point where sometimes the. The
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villains are more popular and known than even the
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hero. I mean, Joker and Batman, but that's dc. So
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I, I just, I can appreciate how it's being used as
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the device to, to populate New York with these
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other superpower, people. Now, question for you,
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because I might have missed this. did we, we. Did
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Ben at any point say that he served in the war?
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>> Will: Janet brought it up, so.
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>> Sarah : He did.
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>> Will: Yeah.
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>> Sarah : Okay. He served in war.
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>> Will: Yeah.
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>> Sarah : We don't know if, during his service, that's when
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he got, bitten by a spider.
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>> Will: Right, right. They haven't answered that question
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yet as far as how he got his powers. But he did,
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but he did serve. And he also, you know, because
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even there was a line in, in this episode, or
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maybe it was a third episode, but even noted,
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like, oh, yeah, when he discovered the. When he
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discovered the photograph in, In Flint's
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apartment. And then he. He notes how there were
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just, you know, you know, many, many soldiers in
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the area. And, and, and, and that's also whenever
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he also noted that the units are segregated. And
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so that's how he put it together. That, that's how
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they all put it together, that Lonnie Addison and
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Flint, were POW together at that camp, in that
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photograph when they were liberated.
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>> Sarah : Yeah, yeah. They're using the search for Addison,
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which Addison kind of kicks off all of this chain
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of events and they're intertwining it now with a
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search for Flint as Janet has paid Riley to
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investigate Flint's disappearance. And then, And.
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And so it's also good that they're having arguably
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these very parallel investigations that are, we
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know, are interconnected. but. But it gives, like,
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Robbie in particular reason, Ah, to be around.
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>> Will: Yeah, yeah.
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>> Sarah : and to be Utilized like he can go off and
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investigate over here and then Ben can go this way
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and have his whole back and forth with Janet. and
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then Silver Main is just always lurking, which by
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the end of this episode, Ben steps in it a little
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bit as he. He prevents. so make sure I get this
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right. So, yeah, we learn at the end of this
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episode that someone tipped off the cops about a
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Silver Main booze exchange because again, thirt of
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prohibition. But someone stopped him from coming,
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>> Will: so.
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>> Sarah : And it was Ben who stopped Silvermane from coming
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because of their interaction. Right.
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>> Will: Yeah.
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>> Sarah : Yeah. So. So I e. There is a rat in the crew.
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>> Sarah : And I think. I think everybody knew who it was.
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>> Will: Yeah, yeah, yeah, yeah, yeah. I wonder who that. I
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wonder who the guy is. I wonder who it is. But.
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>> Sarah : Guy.
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>> Will: Yeah.
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>> Sarah : Guy or girl?
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>> Will: Guy or girl? Because again, yeah, I love how they
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like, really structured that. You know, structured
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like you were saying all these with the second
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episode, you know, we, you know, we do have Cat,
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hiring Ben defined Flint. You know, at the same
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time we're having Winston and Silver Main up there
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on the. On the rooftop. And I watched. I have to
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say this real. Just digress for like 30 seconds. I
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watched both of these in color and black and
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white. I have to say that I'm like, tied now as
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far as the. As far as which version I like better
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because they. They both work for different
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reasons. But getting back to Winston and. And
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Silverman on the rooftop, you know, Silverman,
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Winston is like sharing all these stories about,
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the Canadians, you know, with. With the drop and.
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And you know, Silver Mains, like the whole issue
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of, you know, tread lightly as far as thinking you
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could take me out even though this, you know, and
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they also just note how, you know, how the city
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has gotten more maybe complacent because the
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spider's been gone for five years. And so, you
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know, so there's. There's that story that was
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going on there. And then of course, when, you
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know, of course Ben going to the, the apartment
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and you know, finding the. The photo and of course
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Misson, you know, going in there and you know, you
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know, right. They were tailing him and like right
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behind. Right. Not tell him at that point, but
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they also go to the apartment too. And of course,
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of course we have the hiding in the closet, you
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know. But the funny thing about it, even though,
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Even though that was a very like, predictable
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thing to happen, it. It still like, worked, for
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the un, the universe that we're in and the show
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that we're in, and then just, you know, again
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showing how Ben has to use this again saying it
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without saying it. You know, he has the organic we
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web spinners. He doesn't. You know, he's not like
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Peter, where at, least one, you know, the earlier
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versions of Peter, before the Sam Raimy of it all
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with the organic spinners and, the movies in the
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early 2000s. But you having the organic spinners
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and, and using that to like, keep Winston from
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like finding them there in the closet. So things
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like that, where those are like little fun little,
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Little beat moments that I, That I enjoyed about
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the second episode.
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>> Sarah : Yeah, I didn't like the closet scene. Not because
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like him being in there or anything. I just was
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like, Winston, really, you're. You. It's obviously
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locked or something and you're not going to try a
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bit harder. I thought he gave up. I thought he
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gave up. Way too simpler. That's just my nitpick.
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>> Will: Yeah. Yeah. But also I think too. But the thing
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is, if you like it forced it, then they would have
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given it away that someone had been in there.
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>> Sarah : So I don't think they really care. they shouldn't.
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I mean, they're mobsters. So.
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>> Will: Yeah.
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>> Sarah : that leads us into episode three.
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>> Will: Yeah. Before we drop, before we leave there,
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though, there was one thing too. As far as just,
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Ben suiting back up and, and one of the things I
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liked about him, I was. I was surprised that they
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had him suit up so early in the series. I was
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thinking we would get a little bit later. I mean,
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I know we've seen him like, you know, utilize his
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powers and stuff, but, but for him to, to. To do.
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To suit up and to. To be able to, stop. Stop the
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raid. And then the precipitating event was just
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some, you know, was after they roughed up Janet
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and stuff there in the, in the, in the office, it
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really showed the dimensions as far as like, get
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it. Putting people in peril. Got them back in
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document, back in the game.
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>> Sarah : Yep.
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>> Will: Hey, y', all, it's Will real big favor to ask. If
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you're liking what we're doing here, please hit
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the like button, drop us a comment and also
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subscribe. We're growing this channel and we
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appreciate, each and every one of you. So with
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that, thank you so much. Let's get back to the
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discussion.
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>> Sarah : So now that brings us to episode three, Double
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cross. The quicker you prove it, the quicker they
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die. so here, the mystery and the character work.
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Does it get stronger, Will?
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>> Will: Definitely, definitely. I. I think here's where
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we. Where I was referencing earlier, seeing Ben,
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do the detective work, like, whenever we, you
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know, going. Going around talking to the various
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policemen in the. In the. In the hospital, and
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having them. You tip each other's, you know, get
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one piece of the story from one person, then
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builds on it to get it from another person, and
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then, you know, continuing. Continuing on,
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especially as they try to figure out, you know,
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who was the one who tipped off what, you know,
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what happened there, at the, you know, with. With
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the raid. And so, yeah, so to me, that was
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definitely a place where the things that
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definitely did get a little bit. Get started to
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get deeper.
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>> Sarah : Yeah, I think it was. So I watched episode three
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and four in black and white. I take your
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recommendation, and I agree with you that I. I
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think that episodes should be watched in black and
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white. because you were right. The lighting is
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00:19:11,010 --> 00:19:13,610
definitely strong enough. So it's not like you're.
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You can't see things. And, the use of shadows,
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really, it's. I mean, that's film noir. So it. It
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really allowed me to actually view it from that
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perspect. I don't know if that was a good thing,
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though, because then my mind started to question,
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okay, so why are you using that angle here? And I
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don't know if they just got a little bit crazy
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with the editing because it felt like we were
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jumping around for no good reason. sometimes I
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like editing for purpose, especially with film
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noir. I mean, there was a scene in particular that
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stood out. So. So the more I thought about it was
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more I was like, okay, I. I get it. I mean, this
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is the gimmick of the show. It's noir. It's spider
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noir. So. So that's why we're doing it. But the.
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But they. They do create beautiful images, in
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black and white. I mean, they're. I. I kind of
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wanted. I kind of like. I think it's in episode
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two, after he comes back to the office as the
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spider. They chose this. This, off offset angle.
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And they chose it because he's in costume,
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returning to the office of a PI, but as a spider.
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And so it felt very crawly, if that makes sense.
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The crawley is not a word. But it felt like we as
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a viewer were crawling into the office. So I
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appreciated that. I also appreciate in the third
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ep, or not the third episode, but in the fourth
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episode when Kat Hardy jumps out the window, the
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fall, the. Watching that in black and white was
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beautiful, Very beautiful. yeah, they, so, so I,
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I, I, I do. Like I said before, I, that it should
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be in black and white. Now the other thing, and
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this is why I really went on this tangent, is
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because you brought up the whole sequence of him
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interviewing people. And it was during this
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sequence where I got somewhat of the ick. Okay. I
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love Nicholas Cage. I do, I do. And I, I loved
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hearing his voice in the, Cross the Spider Verse
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movies. However, it was during this sequence where
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I was suddenly like, is he just doing an
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impersonation of Jimmy Stewart? Because, and then
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as soon as I heard it throughout the rest of the
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00:22:06,660 --> 00:22:09,940
episodes, I was like, oh, God, this annoys me to
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00:22:09,940 --> 00:22:14,100
no end because. Just feels like an impersonation.
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And, then again. Or, or is my brain messing with
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me because I'm like, because I equate. Because I
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was also like. Or is that more Gregory Peck? I
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don't know. I think it's Jimmy Stewart, though.
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>> Will: I mean, I will sit here like Cagney.
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>> Sarah : What?
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>> Will: Cagney? You know, as far as another film noir.
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>> Sarah : Yeah, Yeah, I just, I guess I, I go, I go, Stuart.
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I've seen way too many of Stuart's movies, so.
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>> Will: Yeah, but, yeah, I, I hear what you're saying,
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though, because I had that same, Especially like,
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whenever, when, when Winston and, and Ben were,
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were, were talking there in the bar and, and you
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know, part of it was the ver. Trying to, using
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some of the vernacular at a time. But it, but
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you're right, I mean, there were, it was, there
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was Nicholas Cage leaning into, like, leaning into
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what, you know, what we know about Nicholas Cage
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as far as an actor, and, and really playing up
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that, you know, playing into his strengths of,
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like, taking it to the, to me taking it to the
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edge, like, with, like he said, with the, with the
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intonation. But, never for me, at least, I never,
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I don't think he ever went to, like, parody, but
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it, you know, but he came dangerously close to it.
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>> Sarah : Yeah, I mean, it, it went beyond just that
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sequence for me.
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>> Will: Yeah. So, yeah,
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>> Sarah : that's where I was like, okay, okay. It's just
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that during that, it was so fast that I, I, was
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like, wait a second. And then my, I, Then as the
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episode continued, I was like, oh, great, I have
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the ick I can't unearth. what, what else stood out
425
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to you about this episode? Episode three.
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>> Will: Yeah. Yeah. So what I, the other thing I really
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enjoyed with, episode three, I Think it was where
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they, they started picking up the thing about the
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mark bills. Yeah.
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>> Sarah : Yeah. Because that's how he manages to get. To
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save Cat and get Winston killed.
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>> Will: Yeah. Yeah. So it was that and then of course, you
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know, again breaking into Silver Main's apartment
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that night. And, and, and I loved seeing how he,
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he, he used his spider powers to like, you know,
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to hear the tumblers with the safe in there. And
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also I, think, you know, last week we were just
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discussing as far as the spidey sense, as far as
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like, was it broken or not. And it seems, it seems
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in these episodes the spidey sense is definitely
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more, more attuned, because, things that were
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happening he was able to, to anticipate. So maybe
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the Ed. Maybe getting back in the game, thing seem
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to be working better for him.
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>> Sarah : Yeah, I think, I think it's more. He's more
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attuned. I think the spidey sense has always been
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there, but ever since the chain of events,
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especially knowing he, he kind of screwed up
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during, at the end of the last episode, he. His
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responsibility, you gotta use that word when
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you're talking about Spider man, leads him to be
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more attuned to that sense and to all of these
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connections. And I mean, that's where you see the
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detective come out and start, start to put, put
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the pieces together. I mean, he, I, I can
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appreciate that they're not making Ben dumb. He,
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he is very smart and, and arguably none of the
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characters are dumb. not, not even with Winston to
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an extent. He's just an. There's a difference.
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>> Will: Yeah.
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>> Sarah : And so I, I can appreciate, I can appreciate that
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so far we have no dumb characters. Now will that
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stand for the second half? I don't know. You
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always know. They tend to sneak their way in there
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and then they're like, what the heck? But, ah, but
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yeah, the, the bills and, and just the, the cat
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and mouse game of it all was an interesting thing
468
00:26:35,179 --> 00:26:43,260
to present in terms of Winston chasing Ben and Ben
469
00:26:43,420 --> 00:26:48,030
trying to save Cat while while at the same time
470
00:26:48,160 --> 00:26:51,440
trying to like, get them out of this situation
471
00:26:51,600 --> 00:26:56,010
because she's clearly the rat. and, and, and then
472
00:26:56,010 --> 00:27:00,130
finding himself working for Silvermane. I mean
473
00:27:00,130 --> 00:27:04,490
that was another good wrinkle is where suddenly my
474
00:27:04,490 --> 00:27:10,410
enemy, who, Who I know won't hurt me because of
475
00:27:10,410 --> 00:27:13,350
the threat from the spider that he delivered, but
476
00:27:13,350 --> 00:27:16,830
simultaneously like, he doesn't want to be working
477
00:27:16,830 --> 00:27:18,470
for him either. So.
478
00:27:18,550 --> 00:27:18,950
>> Will: Right.
479
00:27:18,950 --> 00:27:24,460
>> Sarah : And, And I think it's, also goes back to the whole
480
00:27:24,780 --> 00:27:28,540
30s recession and like marking of the bills.
481
00:27:28,780 --> 00:27:31,100
There's a lot of lines in this episode about
482
00:27:31,420 --> 00:27:35,920
following money, not people. and. And there's also
483
00:27:36,080 --> 00:27:41,370
a lot about the class divide because there,
484
00:27:41,450 --> 00:27:45,050
there's a line. Money and power. Not a lot of that
485
00:27:45,050 --> 00:27:47,450
going around these days. But here you are in your
486
00:27:47,450 --> 00:27:53,130
ivory tower and that's Ben to Silver Main. So. So,
487
00:27:53,270 --> 00:27:57,140
and then you have Winston's, ah, arguably his last
488
00:27:57,140 --> 00:27:59,940
line, which was. What did I tell you? You can, you
489
00:27:59,940 --> 00:28:03,100
can't dress up as stray dog. It will. It will
490
00:28:03,100 --> 00:28:05,660
still bite you and it will still bite you. And
491
00:28:06,080 --> 00:28:09,880
that's in reference to. To Kat. Now I, I just want
492
00:28:09,880 --> 00:28:13,360
to put one thing out there. We don't have to delve
493
00:28:13,360 --> 00:28:18,080
into this. Okay. I just want to say I would have
494
00:28:18,080 --> 00:28:20,240
thought it would have been more interesting if
495
00:28:20,240 --> 00:28:20,530
they did.
496
00:28:20,530 --> 00:28:23,740
>> Sarah : Had a different relation dynamic occur between Cat
497
00:28:23,740 --> 00:28:27,820
and Winston because there was a look in, I want to
498
00:28:27,820 --> 00:28:30,700
say the second episode when she's trying on
499
00:28:30,700 --> 00:28:36,560
dresses for Silvermane and his reaction made me
500
00:28:36,560 --> 00:28:39,320
think there was some sympathy. And that just went
501
00:28:39,320 --> 00:28:41,280
right out the window in episode three.
502
00:28:42,400 --> 00:28:44,520
>> Will: Yeah. Yeah. I don't know.
503
00:28:44,520 --> 00:28:47,200
>> Sarah : I. I feel like they took the easy way out there.
504
00:28:48,159 --> 00:28:50,440
>> Will: Yeah. I'm glad you brought that up because I was
505
00:28:50,440 --> 00:28:52,800
thinking when I was watching that scene whenever,
506
00:28:52,800 --> 00:28:57,760
when, whenever she was you know, basically like,
507
00:28:57,760 --> 00:29:01,520
you know, treated her like a doll. Read to me like
508
00:29:01,520 --> 00:29:07,270
sympathy, but also was, you know, but also,
509
00:29:08,020 --> 00:29:11,300
>> Sarah : Like I thought at one point they were together and
510
00:29:11,300 --> 00:29:13,060
she left him for Flint.
511
00:29:14,200 --> 00:29:17,920
>> Sarah : Like I created. And without one look, I created a
512
00:29:17,920 --> 00:29:23,440
whole nother story going on. I mean, yeah, there
513
00:29:23,440 --> 00:29:26,120
was, you knew that. There was definitely tension.
514
00:29:26,920 --> 00:29:28,910
>> Will: There was tension. I. Yeah.
515
00:29:28,910 --> 00:29:31,230
>> Sarah : Yeah, we just. You just couldn't figure out what.
516
00:29:31,230 --> 00:29:34,950
And I don't really think we ever got a good reason
517
00:29:35,990 --> 00:29:38,790
for those two to not like each other.
518
00:29:39,270 --> 00:29:40,910
>> Will: Yeah, that was going to be what I was going to
519
00:29:40,910 --> 00:29:44,710
say. You read it as sympathy also. I read it. What
520
00:29:44,710 --> 00:29:46,390
the word I was looking for was discussed.
521
00:29:46,910 --> 00:29:49,980
>> Will: whenever he was looking at her, whatever, she was
522
00:29:49,980 --> 00:29:52,820
trying on those things. But it was discussed. But
523
00:29:52,820 --> 00:29:56,430
also. Yeah, but also, but, but there was also
524
00:29:56,430 --> 00:29:58,990
some, maybe a little bit of lust there as well.
525
00:29:59,710 --> 00:30:02,470
just because whenever Cat just, you know, turned
526
00:30:02,470 --> 00:30:06,080
around and was, you know, walking. you know, it
527
00:30:06,080 --> 00:30:08,720
definitely like played into the, the film noir
528
00:30:08,720 --> 00:30:11,400
trips with the femme fatale and, you know, this.
529
00:30:11,400 --> 00:30:16,040
The hypersexuality of the scene and all also. So,
530
00:30:16,330 --> 00:30:18,150
Yeah, so there were a lot of. There was a lot of
531
00:30:18,150 --> 00:30:20,430
things going on in that, in that moment for sure.
532
00:30:21,760 --> 00:30:24,800
>> Sarah : Yeah. It's just a very thin line between love and
533
00:30:24,960 --> 00:30:25,440
hate.
534
00:30:26,080 --> 00:30:26,500
>> Will: Yeah.
535
00:30:26,500 --> 00:30:31,220
>> Sarah : the. Yeah. The other big thing that happens in
536
00:30:31,220 --> 00:30:35,380
this episode is Robbie witnessing the Harlem
537
00:30:35,460 --> 00:30:40,200
police raid and finding not only Flint, but also
538
00:30:40,200 --> 00:30:44,200
Lonnie and. And they use their powers to fly fight
539
00:30:44,200 --> 00:30:46,760
off the pool lease. any thoughts about that whole
540
00:30:46,760 --> 00:30:49,840
sequence and. And Robbie's investigation that
541
00:30:49,840 --> 00:30:51,320
occurs throughout this episode?
542
00:30:52,120 --> 00:30:55,400
>> Will: Yeah. So, you know, you brought up about the. The.
543
00:30:55,480 --> 00:31:00,029
The class of And the depression and you. And so
544
00:31:00,360 --> 00:31:05,760
Again bringing all that up in this episode. And
545
00:31:05,760 --> 00:31:09,490
then you know, and also just Robbie, you know,
546
00:31:10,290 --> 00:31:12,610
Robbie trying to get his job back at the Bugle.
547
00:31:12,690 --> 00:31:16,010
And you know, now that. Now that these people are
548
00:31:16,010 --> 00:31:18,610
back, you know, clearly we have the spider who is
549
00:31:18,690 --> 00:31:21,050
reemerged. We have these people with powers and
550
00:31:21,050 --> 00:31:27,000
Robbie is trying to You know, trying to get us.
551
00:31:27,320 --> 00:31:30,000
He's like, you know, I remember him like talking
552
00:31:30,000 --> 00:31:32,560
to the editor's assistant, trying, you know, like
553
00:31:32,560 --> 00:31:35,040
look, I'm. You know, I have a story here. Just
554
00:31:35,040 --> 00:31:37,000
give me a chance. And then of course he gets all
555
00:31:37,000 --> 00:31:39,240
those photos and I'll. And to your point about
556
00:31:39,240 --> 00:31:44,190
the. The. The Cinematography and stuff, they. They
557
00:31:44,190 --> 00:31:47,110
did a. This was another scene where I think they
558
00:31:47,110 --> 00:31:51,110
definitely took advantage of angles and Just
559
00:31:51,270 --> 00:31:53,910
great. Just great composition of scenes when
560
00:31:53,910 --> 00:31:57,670
Robbie was taking those pictures of. Of the fight
561
00:31:57,830 --> 00:32:01,250
going down. but also again, just getting into the
562
00:32:01,250 --> 00:32:04,260
class of it all and And just, you know, how
563
00:32:05,690 --> 00:32:09,210
Treating people during this. During this time
564
00:32:09,210 --> 00:32:12,850
period. So again, you know, this show, like I was
565
00:32:12,850 --> 00:32:16,070
saying with. With. With some of the You know,
566
00:32:16,070 --> 00:32:20,510
showing the. The. The segregation of things of. Of
567
00:32:20,510 --> 00:32:23,990
the time period is also you know, again showing,
568
00:32:24,440 --> 00:32:26,520
You know, showing and not necessarily telling but
569
00:32:26,520 --> 00:32:32,450
just by. By. By util. Utilizing a story. They are.
570
00:32:32,450 --> 00:32:35,980
They are sharing many things, that. That we can.
571
00:32:35,980 --> 00:32:38,420
We. We get as a viewer without it being like you
572
00:32:38,420 --> 00:32:41,380
know, overly preachy or anything like that. But it
573
00:32:41,380 --> 00:32:43,180
just. Again just sort of sets the tone.
574
00:32:43,520 --> 00:32:47,190
>> Will: And again, I agree with you. this is where the
575
00:32:47,190 --> 00:32:50,150
black and white really does accentuate that. Those
576
00:32:50,150 --> 00:32:50,590
elements.
577
00:32:52,510 --> 00:32:57,030
>> Sarah : Yeah, I. That sequence, I wasn't really impressed
578
00:32:57,030 --> 00:32:59,500
by the angles. So so much as, The way it was
579
00:32:59,500 --> 00:33:04,060
edited felt like with every flash of the camera it
580
00:33:04,060 --> 00:33:07,700
almost was like there was a pause. And so it felt
581
00:33:07,780 --> 00:33:12,460
like a flip, book of images. Very, very comic
582
00:33:12,460 --> 00:33:14,820
booky, but in black and white. I don't know.
583
00:33:14,820 --> 00:33:17,460
There. There were. And given that Robbie's the
584
00:33:17,460 --> 00:33:21,200
journalist, which again, Journalism and
585
00:33:21,200 --> 00:33:24,640
investigation is a very prime thing in terms of
586
00:33:24,640 --> 00:33:29,910
Spider Man. So we. We have we have Ben as the
587
00:33:29,910 --> 00:33:35,870
investigator but, but Robbie also investigates and
588
00:33:35,870 --> 00:33:40,030
you still have the, the pictures and, and the, the
589
00:33:40,030 --> 00:33:44,270
proof of it all of this actually occurring. So I,
590
00:33:44,350 --> 00:33:46,440
I, I, I appreciate that.
591
00:33:47,410 --> 00:33:50,650
>> Will: yeah, and then, oh yeah to that point about you
592
00:33:50,650 --> 00:33:52,570
know, the proof of the telling the story and then
593
00:33:52,570 --> 00:33:55,050
of course the story getting twisted by the editor.
594
00:33:55,880 --> 00:34:01,730
You know that the focus is on the Flint, and
595
00:34:01,810 --> 00:34:05,130
Sandman and Tombstone and the whole police
596
00:34:05,130 --> 00:34:08,410
brutality of it all was just completely white
597
00:34:08,410 --> 00:34:12,130
washed away because, and whenever, because I, I
598
00:34:12,130 --> 00:34:14,650
knew that the editor was going to, I was going to
599
00:34:14,650 --> 00:34:17,010
do something with Robbie's story. He wasn't just
600
00:34:17,010 --> 00:34:19,330
going to like, you know, tell the story that
601
00:34:19,330 --> 00:34:24,940
Robbie wanted to tell. But, but I did, but and I
602
00:34:24,940 --> 00:34:28,610
guess that was where I was going earlier. you know
603
00:34:29,330 --> 00:34:33,210
them really not telling the truth there. It was
604
00:34:33,210 --> 00:34:35,530
just more the sensational aspect of like oh we've
605
00:34:35,530 --> 00:34:39,010
got these, we got these monsters back with powers
606
00:34:39,010 --> 00:34:41,530
and, and the whole police brutality and think of
607
00:34:41,530 --> 00:34:43,730
course you know we have that backdrop of all this
608
00:34:44,050 --> 00:34:47,210
with the, with the re election of the mayor and
609
00:34:47,210 --> 00:34:51,730
you know learning his, you know, how he's trying
610
00:34:51,730 --> 00:34:54,210
to. Yeah, yeah yeah.
611
00:34:54,210 --> 00:34:57,050
>> Sarah : Because I just want to chime in on this because I
612
00:34:57,050 --> 00:35:00,170
think the the more interesting thing about that
613
00:35:00,170 --> 00:35:03,050
whole exchange is it's a reminder. We still don't
614
00:35:03,050 --> 00:35:06,210
know why Robbie lost his job to begin with. We
615
00:35:06,210 --> 00:35:09,870
know at one point he was investigating the spider
616
00:35:10,030 --> 00:35:14,710
and he was that point person. But, but then the
617
00:35:14,710 --> 00:35:18,490
spider went away and so suddenly you start to put
618
00:35:18,490 --> 00:35:22,650
together some of the pieces of likely Robbie's job
619
00:35:22,650 --> 00:35:26,690
was all dependent on that because, and so the,
620
00:35:26,690 --> 00:35:30,130
there's, there's a bittersweet of sense of irony
621
00:35:30,130 --> 00:35:34,610
here given that he, he experienced this police
622
00:35:34,690 --> 00:35:38,370
brutality thing that just so happened to include
623
00:35:38,850 --> 00:35:45,720
people with these unnatural abilities. but, and he
624
00:35:45,720 --> 00:35:49,400
presented that story yet the editor took it,
625
00:35:49,400 --> 00:35:53,320
sensationalized it. Which is the very thing that
626
00:35:53,400 --> 00:35:57,160
I'm led to believe as a viewer he was known for
627
00:35:57,160 --> 00:36:01,400
doing with the spider. So who knows what kind of,
628
00:36:01,640 --> 00:36:06,890
so it's I, I, I wonder how long the where they'll
629
00:36:06,890 --> 00:36:09,890
go with the ethics of journalism with Robbie and
630
00:36:09,890 --> 00:36:14,850
that idea that yes you do have these, these people
631
00:36:15,650 --> 00:36:20,650
who have that. But that doesn't diminish the, and
632
00:36:20,650 --> 00:36:24,610
this may the non superhero stories that still
633
00:36:24,610 --> 00:36:28,130
occur in New York that are very worthy of being
634
00:36:28,530 --> 00:36:33,910
told. sometimes that, that, that can get just
635
00:36:33,910 --> 00:36:37,830
missed because of the, the bigger headline is just
636
00:36:37,830 --> 00:36:43,990
this crazy thing. So but that leads us to episode
637
00:36:43,990 --> 00:36:47,790
four, the midpoint of this season A mistake I'll
638
00:36:47,790 --> 00:36:51,950
never make again. I don't know. I think he still
639
00:36:51,950 --> 00:36:54,870
got it is the IMDb summary. And I'm sorry, y',
640
00:36:54,870 --> 00:36:57,470
all. I just realized I haven't been saying you
641
00:36:57,470 --> 00:37:03,600
said things. But, but if you go back, I, I do it
642
00:37:03,600 --> 00:37:08,400
at the start, so, so put one and two together. so
643
00:37:08,720 --> 00:37:11,560
I'm gonna start with this one just because I have
644
00:37:11,560 --> 00:37:15,520
to get this off my chest. And I, I'm sure y' all
645
00:37:15,520 --> 00:37:18,000
know where I'm gonna go with this because y' all
646
00:37:18,000 --> 00:37:22,800
know that I love me a ship. Do I ship Cat and Ben?
647
00:37:22,880 --> 00:37:29,030
No. And here's why. I think it was too fast. I
648
00:37:29,190 --> 00:37:35,120
think that, It annoys me how we have these great
649
00:37:35,200 --> 00:37:39,680
moments, these really interesting moments with Cat
650
00:37:39,680 --> 00:37:45,240
and Flint in the previous episodes and we there or
651
00:37:45,240 --> 00:37:48,400
even in this episode. And there's just this. You
652
00:37:48,400 --> 00:37:50,720
get the sense that they were going to be together.
653
00:37:51,980 --> 00:37:56,940
She did this for him, and yet he is sick. And,
654
00:37:57,980 --> 00:38:02,540
and, and so there, there is a lot to unpack there.
655
00:38:03,260 --> 00:38:06,810
So, so then to proceed to, quote, unquote, unpack,
656
00:38:07,180 --> 00:38:09,860
it. And it just be like, yeah, that's just a
657
00:38:09,860 --> 00:38:14,340
fantasy. And then for, for Ben to get in the
658
00:38:14,340 --> 00:38:17,350
middle or seemingly in the middle. I don't know,
659
00:38:17,500 --> 00:38:20,380
like it. I don't like it. I don't, I don't like
660
00:38:20,380 --> 00:38:23,900
it. I didn't like the kiss at the end, so. Because
661
00:38:23,980 --> 00:38:28,620
it just felt while I was sensing that that turn
662
00:38:28,860 --> 00:38:32,620
was too quick where I was like, wasn't it like 2
663
00:38:32,620 --> 00:38:35,820
days ago you were still in love with Flint? It was
664
00:38:35,820 --> 00:38:39,580
also simultaneously the recognition of how much
665
00:38:39,660 --> 00:38:42,900
they, they messed with Flint as a character
666
00:38:42,900 --> 00:38:47,100
because one minute he hates Silvermane. maybe
667
00:38:47,100 --> 00:38:50,060
hate's a strong word, but he, he wants that life.
668
00:38:50,060 --> 00:38:53,660
And then the next thing I know, he, he witnesses
669
00:38:53,980 --> 00:38:58,800
a, conversation and he goes off and suddenly he's
670
00:38:59,360 --> 00:39:03,920
Silvermane's right hand man again. So yeah, it,
671
00:39:04,800 --> 00:39:10,080
like, it just annoys me. And I get it. We have
672
00:39:10,080 --> 00:39:14,810
eight episodes. But then, then I feel like, well,
673
00:39:15,050 --> 00:39:18,410
why did we witness all those other scenes where we
674
00:39:18,410 --> 00:39:21,130
can see the humanity and the love between these
675
00:39:21,130 --> 00:39:25,530
two characters only for like the very next episode
676
00:39:25,530 --> 00:39:27,600
for this all to happen. I'm like, I don't know
677
00:39:27,600 --> 00:39:31,840
about that. So, so I am not a man. And Cat Shipper
678
00:39:31,840 --> 00:39:36,720
and, and the like, that honestly took up a lot of
679
00:39:36,720 --> 00:39:39,480
my brain power while watching the fourth episode.
680
00:39:41,150 --> 00:39:44,810
Okay, but, what are some of your thoughts about
681
00:39:44,810 --> 00:39:46,170
the fourth episode, Will?
682
00:39:46,490 --> 00:39:49,210
>> Will: Yeah, yeah, I, I was, I was there with you,
683
00:39:49,240 --> 00:39:51,900
because I'm glad you brought up the third episode.
684
00:39:52,380 --> 00:39:55,900
The moment that that Cat and Flint did have there
685
00:39:55,900 --> 00:39:59,620
in the. In the apartment and how he was, you know,
686
00:39:59,620 --> 00:40:04,820
like you said he was. They had. They were said was
687
00:40:04,820 --> 00:40:06,820
going to leave it all and just get away from it
688
00:40:06,820 --> 00:40:11,620
all. And then, and then now, she. That Ben and Cat
689
00:40:11,620 --> 00:40:13,940
have this conversation there at the stage, you
690
00:40:13,940 --> 00:40:21,140
know, on the stage. And for me that was part. That
691
00:40:21,140 --> 00:40:25,420
was part of. Problematic for me there also two. It
692
00:40:25,420 --> 00:40:29,340
was, you know, we, you know, we get more details
693
00:40:29,340 --> 00:40:34,820
about what happened with Ruby. Yeah, exactly. And
694
00:40:35,210 --> 00:40:39,730
in that sequence. And so I know we're at the
695
00:40:39,730 --> 00:40:47,050
midpoint, but I. For him to. I don't know, I was
696
00:40:47,050 --> 00:40:51,369
almost like. I don't know if it was where I was
697
00:40:51,369 --> 00:40:52,860
shipping, feeling the shipping vibes. it was
698
00:40:52,860 --> 00:40:55,140
almost like he was getting into, you know, was
699
00:40:55,140 --> 00:40:59,980
that true protector mode as much as falling in
700
00:40:59,980 --> 00:41:02,760
love with her? Like, I mean, I guess it was
701
00:41:02,760 --> 00:41:05,320
falling in love with her too, but also it was
702
00:41:05,320 --> 00:41:08,840
like, oh, here's the opportunity to make things
703
00:41:08,840 --> 00:41:12,760
right with Cat. That I did that where I messed up
704
00:41:13,480 --> 00:41:15,680
with. With Ruby. And when we, when we get that.
705
00:41:15,680 --> 00:41:17,240
That backstory so.
706
00:41:17,480 --> 00:41:21,160
>> Sarah : Well, because he denies that. Well, because he.
707
00:41:21,320 --> 00:41:22,600
>> Will: I know he denies that.
708
00:41:24,040 --> 00:41:26,760
>> Sarah : Yeah, I don't. I don't think that. And I also
709
00:41:26,760 --> 00:41:30,990
don't think that it's love. I think it's just
710
00:41:30,990 --> 00:41:37,230
lust. And. And I say that also given that when we
711
00:41:37,230 --> 00:41:41,350
learn more about Cat in the theater after and
712
00:41:41,350 --> 00:41:45,110
which prompts us to learn more about Ruby, Cat
713
00:41:45,110 --> 00:41:47,590
tells us about a dentist. She doesn't tell us
714
00:41:47,590 --> 00:41:51,550
about Flint. She tells us about a dentist and her.
715
00:41:52,430 --> 00:41:55,710
And. And that guy. Her falling in love with him.
716
00:41:55,950 --> 00:41:59,250
And so. So there's a pattern. I mean she's the
717
00:41:59,250 --> 00:42:03,120
femme, fatal. She. She doesn't fall in love there.
718
00:42:04,080 --> 00:42:08,840
These people are used. And. And this again is what
719
00:42:08,840 --> 00:42:12,400
annoys me because you totally got me with the
720
00:42:12,479 --> 00:42:17,120
Flint and Cat love affair. Only to then suddenly
721
00:42:17,120 --> 00:42:21,090
I'm like, oh, she's a femme, fatale. So. So she.
722
00:42:21,330 --> 00:42:26,220
All of these men, our devices are being used to
723
00:42:26,220 --> 00:42:29,460
get her out of. Out from under Silvermane.
724
00:42:30,180 --> 00:42:30,620
>> Will: Yeah.
725
00:42:30,620 --> 00:42:34,490
>> Sarah : So she like, she She thought Flint. She could get
726
00:42:34,490 --> 00:42:36,930
out with Flint. She thought she could get out with
727
00:42:36,930 --> 00:42:39,810
this dentist. Both of them have been removed now.
728
00:42:39,890 --> 00:42:44,370
And now she has Ben who just protected her and
729
00:42:44,370 --> 00:42:47,730
saved her. And she's like, I hm, wonder if he can
730
00:42:47,730 --> 00:42:50,360
manipulate these situation to get me out of. Of
731
00:42:50,360 --> 00:42:53,600
here. because it's just an. It's just an escape.
732
00:42:53,600 --> 00:42:57,560
And she knows her allure she, she knows. And
733
00:42:57,720 --> 00:43:00,480
that's what a femme fatale does, is they like
734
00:43:00,480 --> 00:43:05,000
capturing the wed because of lust, and then they,
735
00:43:05,260 --> 00:43:08,070
they will sacrifice you to get what they want,
736
00:43:08,070 --> 00:43:09,870
which is mainly freedom.
737
00:43:10,590 --> 00:43:12,950
>> Will: Yeah, that's, that's true. That, that's a good
738
00:43:12,950 --> 00:43:15,190
point. I, I, I did not think, I did not think
739
00:43:15,190 --> 00:43:17,630
about that. But now that you, now that you mention
740
00:43:17,630 --> 00:43:23,730
that, that, that, that then as you, you brought it
741
00:43:23,730 --> 00:43:25,770
up earlier. But of course, the way this episode
742
00:43:25,770 --> 00:43:30,040
ends, with her figuring out, putting two and one
743
00:43:30,040 --> 00:43:30,600
plus one.
744
00:43:30,760 --> 00:43:31,240
>> Sarah : Yes.
745
00:43:31,400 --> 00:43:35,589
>> Will: Together. as far as, you know,
746
00:43:35,589 --> 00:43:38,190
>> Sarah : again, no dumb characters. No dumb characters.
747
00:43:38,190 --> 00:43:41,780
>> Will: No dumb characters at all. but, but now with your
748
00:43:41,780 --> 00:43:45,940
framing of it with these next four episodes, that,
749
00:43:46,800 --> 00:43:53,240
well, will she use that to her advantage over, you
750
00:43:53,240 --> 00:43:56,900
know, with respect to Silvermane or, with Ben?
751
00:43:56,980 --> 00:43:58,700
Yeah, we'll do, we'll just sort of see how that
752
00:43:58,700 --> 00:44:01,510
all, how that all plays out over the next, next
753
00:44:01,510 --> 00:44:02,350
few episodes.
754
00:44:02,910 --> 00:44:06,270
>> Sarah : Oh, yeah, I think it's definitely. She's tying
755
00:44:06,350 --> 00:44:12,260
herself more to Ben given what she knows now. now
756
00:44:12,820 --> 00:44:18,820
the benefit all. Well, we'll see. He, he's a bit,
757
00:44:19,060 --> 00:44:22,610
he's in a bit, clouded judgment is a polite way of
758
00:44:22,610 --> 00:44:27,481
putting it. So, yeah. but I also, I mean, just
759
00:44:27,481 --> 00:44:32,761
that one line of her trying to say, you, what
760
00:44:32,761 --> 00:44:37,121
you're doing did for me was redemption for Ruby,
761
00:44:37,121 --> 00:44:39,921
and he's like, no, no, that can never be redeemed.
762
00:44:40,401 --> 00:44:46,751
So I, I, I kind of, and, and Ben is still very
763
00:44:46,751 --> 00:44:51,671
much a character who to an extent, is
764
00:44:51,671 --> 00:44:52,711
underdeveloped.
765
00:44:53,511 --> 00:44:53,911
>> Will: Good.
766
00:44:54,551 --> 00:44:57,031
>> Sarah : And rightfully so, because he's our main
767
00:44:57,031 --> 00:45:00,591
character. So you gotta have a bit more intrigue
768
00:45:00,591 --> 00:45:04,091
with him. So, so I, I don't think I will have a
769
00:45:05,051 --> 00:45:09,011
full assessment of who Ben Riley is as a man, as a
770
00:45:09,011 --> 00:45:12,171
person, as a hero until the end of the season.
771
00:45:12,971 --> 00:45:14,091
>> Will: Yeah, I agree.
772
00:45:15,051 --> 00:45:19,491
>> Sarah : So, so I, and, and maybe not even then because, I
773
00:45:19,491 --> 00:45:23,091
mean, it's only a season one and there's a chance
774
00:45:23,091 --> 00:45:24,971
that it'll get picked up for a second season.
775
00:45:25,051 --> 00:45:26,171
>> Will: But yeah.
776
00:45:26,371 --> 00:45:30,691
>> Sarah : what else we. There, there's a card game. We, we
777
00:45:30,691 --> 00:45:33,251
kind of already talked about this loosely, but
778
00:45:33,651 --> 00:45:39,371
this episode, Robbie and Janet learn some more of
779
00:45:39,371 --> 00:45:44,211
the, history with the POWs, from Lonnie regarding
780
00:45:44,211 --> 00:45:47,731
the Germans capturing them and doing this to them.
781
00:45:47,891 --> 00:45:51,091
And now they need to go and talk to Dr. Faber
782
00:45:51,581 --> 00:45:57,111
about it. Riley also tips off Robbie, and Robbie
783
00:45:57,111 --> 00:46:01,101
gets a breaking story, when the spider fights
784
00:46:01,261 --> 00:46:03,901
Electro in the streets of New York. And this is
785
00:46:03,901 --> 00:46:07,311
like the big public experience, appearance of the
786
00:46:07,311 --> 00:46:10,991
spider. That there is. And I just love, I love the
787
00:46:10,991 --> 00:46:16,311
line, no, no, we're not a team. No, the mayor was
788
00:46:16,311 --> 00:46:21,531
trying. I thought that was like, okay, okay, there
789
00:46:21,531 --> 00:46:26,531
was that. Which, which also reminds me, some of
790
00:46:26,531 --> 00:46:31,411
the interactions between Robbie, not the spider,
791
00:46:31,411 --> 00:46:35,491
but Robbie and Silvermane. There's a lot about,
792
00:46:36,211 --> 00:46:40,371
there's a lot of suggestion about his wit. And
793
00:46:40,851 --> 00:46:43,811
like you, there's a line in particular he says,
794
00:46:43,811 --> 00:46:47,091
oh, you've got a mouth on you that'll get you into
795
00:46:47,091 --> 00:46:51,491
trouble. And, and, and then that just. That's
796
00:46:51,491 --> 00:46:57,371
really interesting because we know the Spidey is
797
00:46:57,531 --> 00:47:02,651
very known for him being a non stop yapper while
798
00:47:02,651 --> 00:47:07,081
fighting. but here the, the comments is mainly
799
00:47:07,081 --> 00:47:12,931
made about Robbie himself as the PI. Like, like
800
00:47:12,931 --> 00:47:15,531
it's, it's a, it's a good twist to have. And
801
00:47:15,531 --> 00:47:18,891
again, these three episodes, that's the biggest
802
00:47:18,891 --> 00:47:22,851
thing that stood out to me is like the, the, the
803
00:47:22,851 --> 00:47:26,891
natural use of the mythology that we've seen so
804
00:47:26,891 --> 00:47:32,051
many times and yet integrated into this very
805
00:47:32,131 --> 00:47:37,041
specific point in history. and it, very specific
806
00:47:38,281 --> 00:47:42,801
New York City version of New York City. It's just,
807
00:47:42,801 --> 00:47:45,401
it's, it's really well done. It does remind me a
808
00:47:45,401 --> 00:47:49,201
lot about the cartoon, series, the Animated Series
809
00:47:49,201 --> 00:47:52,241
we watched last year, the Amazing Spider Man.
810
00:47:52,881 --> 00:47:53,361
>> Will: Yeah.
811
00:47:53,651 --> 00:47:56,881
>> Sarah : because, because we had similar reactions to that
812
00:47:56,881 --> 00:47:59,481
as well with how they were using the characters,
813
00:48:00,071 --> 00:48:00,971
and mythology.
814
00:48:02,341 --> 00:48:05,061
>> Will: For sure. For sure. One, one quick thing. So it
815
00:48:05,061 --> 00:48:08,861
wasn't Electro, it was Megawatt. It was the.
816
00:48:09,101 --> 00:48:11,661
What's the character here? And, and this, and this
817
00:48:11,821 --> 00:48:15,421
spider noir speaking, of characters. but I
818
00:48:15,421 --> 00:48:17,741
completely agree with you with. I have the same
819
00:48:17,741 --> 00:48:20,501
reaction with the mouth comments. And also, even
820
00:48:20,501 --> 00:48:23,621
just whenever Ben was like fighting, in, in the
821
00:48:23,621 --> 00:48:27,551
spider costume, fighting Megawatt there in the
822
00:48:27,551 --> 00:48:29,871
street talk, you know, talking smack and even,
823
00:48:29,871 --> 00:48:32,471
even way back in episode two when he first dons
824
00:48:32,471 --> 00:48:37,571
the costume. yeah, that, you know, we, we did
825
00:48:37,571 --> 00:48:41,411
have, we did have some of those callbacks to, to
826
00:48:41,411 --> 00:48:43,851
other, other iterations of Spider man. But yeah,
827
00:48:43,851 --> 00:48:47,211
you're. I definitely, I did like, I did like how
828
00:48:47,211 --> 00:48:50,131
they again take elements that we're familiar with,
829
00:48:50,131 --> 00:48:52,571
like you said, and then put it into, into this
830
00:48:52,571 --> 00:48:54,451
construct of this, of this universe.
831
00:48:57,061 --> 00:48:59,461
>> Sarah : Yeah, yeah, yeah.
832
00:48:59,781 --> 00:49:02,981
>> Will: So, and then, yeah, and I know just real quick, I
833
00:49:02,981 --> 00:49:05,701
know we, I know we're coming up on time, but I
834
00:49:05,701 --> 00:49:08,821
know we, we did put a pen in there about the, the
835
00:49:08,821 --> 00:49:12,601
mayor of it all. and, and I, you know, and I know
836
00:49:12,841 --> 00:49:17,601
the mayor was trying to be like, latch on the
837
00:49:17,601 --> 00:49:20,481
spider to help him with his reelection. Reelection
838
00:49:21,601 --> 00:49:23,921
methods. but, you know. But there was the. The
839
00:49:23,921 --> 00:49:26,521
interaction, you know, between the mayor, Silver
840
00:49:26,521 --> 00:49:30,551
Main and the police chief. And, you know, of
841
00:49:30,551 --> 00:49:34,231
course, the. The mayor. You know, Silver. The
842
00:49:34,231 --> 00:49:38,871
mayor is trying to, like, take over, you know,
843
00:49:38,871 --> 00:49:43,311
basically, like, you know, give. Give Silver Main
844
00:49:43,551 --> 00:49:46,431
the. The husman as far as. Just like, look, I'm
845
00:49:46,431 --> 00:49:48,331
the guy in charge here, but Silver Main's like,
846
00:49:49,121 --> 00:49:53,381
no, remember, who got you here? so. Yeah, so
847
00:49:53,381 --> 00:49:55,581
there. There's that. That whole interaction
848
00:49:55,581 --> 00:49:57,381
between. You know, the triangulation there that
849
00:49:57,381 --> 00:49:59,251
was happening there at the, At the club between
850
00:49:59,251 --> 00:50:01,931
the mayor, the police chief and the. At Silverman.
851
00:50:01,931 --> 00:50:04,531
It was another. Was another thing that was a
852
00:50:04,531 --> 00:50:07,401
highlight for me for, this. This fourth episode.
853
00:50:11,241 --> 00:50:18,151
>> Sarah : Yeah, I think I've said everything I've wanted to
854
00:50:18,151 --> 00:50:22,151
say about these three episodes, and we will be
855
00:50:22,151 --> 00:50:25,351
covering the second half of the season next week.
856
00:50:27,231 --> 00:50:29,831
unless. Is there anything else you want to say
857
00:50:29,831 --> 00:50:31,231
about these three episodes?
858
00:50:32,111 --> 00:50:34,471
>> Will: No. You know, I think. I know we talked. I know
859
00:50:34,471 --> 00:50:36,951
you talked about the card game. I mean, we touched
860
00:50:36,951 --> 00:50:39,351
on it. I think, though, really the one thing that
861
00:50:39,351 --> 00:50:41,871
I did appreciate about that scene with Robbie,
862
00:50:42,141 --> 00:50:48,041
Janet and. And, Lonnie Tombstone, was even going
863
00:50:48,041 --> 00:50:53,201
back to when Robbie and Lonnie first met. And. And
864
00:50:53,201 --> 00:50:55,561
Robbie was like, hey, brother. You know, it was
865
00:50:55,561 --> 00:50:59,601
just trying to. That. Trying to do the. The. The.
866
00:50:59,601 --> 00:51:05,281
The kinship kind of thing. and, you know, Lonnie
867
00:51:05,281 --> 00:51:08,291
just not having it. and then, of course, what was
868
00:51:08,291 --> 00:51:11,251
really interesting too was just, you know, they.
869
00:51:11,891 --> 00:51:16,611
The positioning in that scene because Robbie was,
870
00:51:16,611 --> 00:51:20,411
like, sitting over Lonnie, like, you know, in a
871
00:51:20,411 --> 00:51:23,651
position of, like, dominance. And. And it just
872
00:51:23,651 --> 00:51:26,211
caused Lonnie to, like, just shut down. But, you
873
00:51:26,211 --> 00:51:28,851
know, it was Janet and just. Just very
874
00:51:29,091 --> 00:51:32,011
disarmingly, just say, hey, let's just. Just play
875
00:51:32,011 --> 00:51:35,831
a game of cards. Was. Was. Which really like, you
876
00:51:35,831 --> 00:51:40,141
know, got him to relax and, be able to. You know,
877
00:51:40,141 --> 00:51:42,661
he just started talking and, you know, they got a
878
00:51:42,661 --> 00:51:46,341
lot of information. you know, just. Just from.
879
00:51:46,981 --> 00:51:50,381
Just. Just reshifting the. The. The elements there
880
00:51:50,381 --> 00:51:53,861
in the room, I thought was another really cool
881
00:51:53,861 --> 00:51:57,221
thing that they did. I just like the way that
882
00:51:57,221 --> 00:51:59,141
scene was shot and just sort of how. How it all
883
00:51:59,141 --> 00:52:01,781
played out and. And. And just, you know, again,
884
00:52:02,421 --> 00:52:04,621
showing. You know, we talked about it earlier just
885
00:52:04,621 --> 00:52:09,861
showing the. The. How class and other things even,
886
00:52:09,941 --> 00:52:12,181
you know, within the various communities within
887
00:52:12,181 --> 00:52:16,901
New York just sort of play out here in the 1930s.
888
00:52:16,981 --> 00:52:18,901
So I thought that was a really cool thing as well.
889
00:52:19,621 --> 00:52:23,821
>> Sarah : Definitely. All right, well, Will, why don't you
890
00:52:23,821 --> 00:52:25,861
tell our listeners where they can find you?
891
00:52:26,911 --> 00:52:30,221
>> Will: Yes, you can find me on all the socials at, Will
892
00:52:30,221 --> 00:52:33,681
and, Polk W I L L M P O O L K. And you
893
00:52:33,681 --> 00:52:36,561
>> Sarah : can find me there too at SJ Belmont S J B E L M O
894
00:52:36,561 --> 00:52:39,121
N T. Please follow our crew on X, formerly known
895
00:52:39,121 --> 00:52:41,640
as Twitter at Scene and Nerd on Blue Sky. Friend
896
00:52:41,640 --> 00:52:43,841
us on Facebook, follow us on Instagram and threads
897
00:52:43,841 --> 00:52:47,081
at Scene, underscore N, underscore Nerd, and Visit
898
00:52:47,081 --> 00:52:50,601
our website, www.scenanerdpodcast.com. but most
899
00:52:50,601 --> 00:52:52,881
importantly, write, follow and comment on Apple
900
00:52:52,881 --> 00:52:54,921
Podcasts, Spotify, YouTube, or wherever your
901
00:52:54,921 --> 00:52:56,971
podcast is. Good night. Geek out. You're welcome.

































