In this episode of Scene N Nerd, hosts Sarah Belmont and Will Polk engage in a thrilling discussion about the latest episode of A Knight of the Seven Kingdoms Season 1, Episode 4, titled "Seven." As Dunk faces off against the Targaryens, the stakes are higher than ever, and the duo dives into the intricacies of honor, loyalty, and the weight of expectations. Will praises the masterful execution of the episode's climax, highlighting Peter Claffey's standout performance as Dunk, while Sarah reflects on the emotional depth of Dunk's relationships, particularly with Egg. Together, they explore the nuanced character dynamics and the political machinations at play, providing insights into how the show continues to expand on the rich lore of Westeros. 🔍
Shifting gears, the conversation turns to Wonder Man, where the hosts discuss the first four episodes of the series. They share their excitement about the comedic chemistry between Simon and Trevor, emphasizing the clever meta-commentary on Hollywood and the acting profession. Will expresses his appreciation for the show's writing and character development, while Sarah notes the effective use of flashbacks to deepen Simon's backstory. Their lively banter highlights the series' ability to blend humor with poignant moments, making it a refreshing addition to the MCU. 🎬
Join Sarah and Will for an engaging episode filled with laughter, insights, and their signature camaraderie as they navigate the captivating worlds of these two series!
0:00 Welcome and Episode Overview
1:03 A Knight of the Seven Kingdoms S1E4 'Seven' Review
28:03 Wonder Man: Episodes 1-4 Discussion
54:30 Closing Thoughts
Want to keep the conversation going? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram @scene_n_nerd, and Threads @scene_n_nerd. Don't forget to check out our website at www.scenennerdpodcast.com. If you enjoyed this episode, drop us a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix!
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>> Sarah : Foreign. Nerds. This is Scene N Nerd. I'm your
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host, Sarah Belmont, and with me, as always, is
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our Mr. Producer, Will Polk How are you Doing
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tonight, Will.
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>> Will: Doing very well, Sarah. Happy Monday.
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>> Sarah : Happy Monday to you as well. We are back in our
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regular time slot. and, and we will. Well, by the
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end of the month, we'll be shifting to Tuesdays.
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>> Will: We will be shifting to Tuesday. So, yeah, paradise
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will be premiering, the 23rd. So, we will be
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shifting to Tuesdays to continue our discussions
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of Night of the Seven Kingdoms, which we're going
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to be talking about tonight. But also pick up
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Paradise Season 2.
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>> Sarah : Yeah, but there's not. Oh, yeah. Okay. yeah, so a
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Night of the Seven Kingdoms, Season one, episode
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four, seven Dunk, angers the Targaryens and
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demands trial by combat. When Aryan calls for a
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trial of seven, Dunk must find six warriors to
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join him in a battle. Will, what did you think
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about this episode?
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>> Will: So my overall thoughts to, to kick us off is, you
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know, this to me was just a true lesson and how
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you build expectations and the payoff was executed
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masterfully. As far as the, the conclusion to this
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episode. And, and I have to say, I, I, I, I knew I
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was wondering when we were going to get this
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payoff. As far as, in the novella where we, you
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know, we do have the tournament and everything.
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And I have to say, it, it took the source material
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and just took it to the next level. And I have to
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say, give, give Peter Claffrey the, the nods for
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the Emmy right now because I really think he just
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really excelled as Dunk in this episode. So I,
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really, really, really enjoyed it.
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>> Sarah : Yeah, it's a, it's another solid episode. I mean,
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this show so far has just been consistent, very
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consistent with everything that it's doing. and,
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and we, we start the episode with Duncan in his
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cell, and then we have an interaction with Egg,
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and ultimately what really is the, what I consider
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the truer cold open of this episode, which is
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Duncan's conversation with Baylor. and because if
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you're paying attention to that conversation, it's
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the end. The end reveal of Baylor being on
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Duncan's side is not surprising.
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>> Will: Right.
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>> Sarah : However, it's, it's done in a way where it is a
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twist in the sense that he is a Targaryen. So
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it's, I don't, I think what they're doing so far,
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is they are, they are not executing to go back to
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paradise. The paradise twist, which has you
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believe you're being told one story and within the
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last five minutes it turns it on its head and it's
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like, no, no, that's not what this story is about
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at all. It's about something else entirely. That's
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not what this show is doing. This show is taking
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characters and taking specifically a family that
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we are well accustomed to, given a House of Dragon
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and, and Game of Thrones and then putting in this,
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this hedge night in the middle of this very
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political, very birthright driven family that has
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a lot of infighting. So and, and honestly what I
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kept thinking about, throughout the entire
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episode, the entire episode is specifically after
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his com. Duncan's conversation with Baylor is the
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look that Baylor gives Aryan after the joust.
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Because there is a look exchanged between the two
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of them and I'm like, oh yeah, that, that uncle
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wants you dead. Uncle does not like you. Does not
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like you one, bit. And you don't like. Because I.
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Aryan. His whole display also tarnished Baylor. So
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you're, you're, you're dealing with like a nephew
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not liking his uncle, but his uncle supersedes him
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in terms of power and hierarchy because yeah, so
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it's, I, I just, I, I, I find it I find it very
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interesting how like I said last week, they
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continue to be able to tap into this world that we
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are very familiar with and just continue to find
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new ways of showing perspective.
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>> Will: Yeah, you know, it's interesting that you had with
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your take on Baylor and, and Aryan because you
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know, thinking back to the conversation that you
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talked about with, with between Dunk and, and
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Baylor and during that, during that conversation
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they were discussing how good of a knight are you,
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you know, as far as his skills. And because you,
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because again during this time period in Westeros,
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things are, are rel. Relative peace. I mean there
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hasn't been any war. And, and so the only way that
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knights can really show their prowess is, is
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through these tournaments. So so thinking to when
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they do get to the scenes where they're all
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sitting there at the table, Baylor, Maker, Aryan
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and the others. And you know, he's sitting there
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like cr. You know, crunching the, crunching the
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walnuts and stuff, Baylor also gave him an out in,
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in the sense that, you know, because of the
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impression that like you noted Dunk made on him as
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far as being an honorable man.
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>> Sarah : And what do you mean he gave him an out?
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>> Will: He I think he was, you know, I think he may have
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suggest whenever they were trying to decide the
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judgment whether or not to take a, a hand and, and
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a foot or another.
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>> Sarah : Well, yeah, he, yeah. Baylor knew in that
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conversation that ah, Duncan does not know his
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options. So he was playing lawyer.
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>> Will: Lawyer. And also he, you know, given that he
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didn't know his, didn't know honestly Duncan's
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skill. I mean, you know, you have Aryan who's a
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Targaryen, who, you know, they, we've seen in, in
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House of the Dragon, how they, they trained. And,
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and also he was also probably thinking let, you
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know, let me just dig out this old, old method of.
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From the, you know, from the Andals and.
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>> Sarah : Well, that wasn't Baylor.
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>> Will: No, no, no, no. I'm saying. I know, I know Aryan
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said it, but my point is I think, I think Baylor
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off screen or you know, maybe hinted to, to Aryan.
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>> Sarah : I don't, yeah.
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>> Will: That this is, this is because. Or I mean. Or it
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could just be that, you know, the Targaryens just,
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you know, know their stuff.
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>> Sarah : And, and yeah, I think, I think Aryan, based on
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both his uncle and his father's react, I thought
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his father's reaction was even more interesting to
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that whole thing. They were not pleased. And, and
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I could hear Baylor just be like, damn it. He knew
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about that. Because I think the whole convers a
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good night. Like how good of a night are you? Is
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kind of like, are you good enough to take out my
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nephew?
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>> Will: Yeah.
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>> Sarah : Because I think one on one size, get him off the
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horse. Yeah. So it's, it's ah, it's ah. I, I, I
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think that that came out of left field. I don't
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think that was intended because now, that, that
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even forced Baylor to make a decision, to really
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make it clear whose side he's on. And he can say
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all of the honor crap he wants, but his brother
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knows the truth. So. Yeah, it, it won't, it won't
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end well. there was something else you said that I
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wanted to touch on, but I forgot.
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>> Will: Was it as far as.
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>> Sarah : Oh, it was, it was about the Targaryen trainings
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that you brought up. And, and that was another
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thing. because we, we've seen Arian in action and
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we, we know how much of an ass he is. We know
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which side of the tree his apple fell on from the
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Targaryen tree. but we're also introduced to yet
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another. We're properly, we've already seen him,
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but we're properly introduced to another brother
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of eggs. Darren, who is almost like. Are you sure
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you're not Baylor's? Are you, Are you Sure. I. I
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see the blonde hair, but Are you sure who. Who
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will it. Who. He first lies. But he had to. And we
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understand, given. Given our knowledge about
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especially Targaryen fathers. We get it. but that
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lie even works, against Duncan, which pushes him
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further into this, situation that he now has to
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fight his way out of. And. And then he brings Egg
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and. And talks, ducking, and basically tells him,
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just. Just let me have one good lot look, and just
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knock me on the head. Just. Just. I don't want any
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part of this. Go ahead and kill my brother. But
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it's. It, I think it just, again, shows because
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he's not Egg. Because he did lie. I mean, Egg
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lied, too, but he. He is also. He's definitely not
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his brother. it's, similar to some of the stuff we
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saw early on in House of the Dragon with the
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brothers.
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>> Sarah : Yeah.
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>> Will: On.
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>> Sarah : On the wrong side of history. Yeah, just.
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>> Will: Yeah. Yeah, another. Yeah, another thing about
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Darren, too. He also has that Targaryen, gift of,
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At least with. Of, Dreams. Yeah. Like. Like Helena
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I thought about as soon as I was. Whenever he was
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talking about that in the. In the. In this
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episode, I was like. I immediately thought of
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Helena, but I think he, you know, but he was m. A
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little bit more definitive in his. In his,
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prescience than, Than she was, because I think she
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more talked in. In sort of concepts, whereas he
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was like, yeah, we're. We're gonna have a. What
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was it? What was the quote? yeah, it's putting in
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the notes. Oh, gosh. Yeah. Well, he had a vision
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of Duncan alive and a giant dragon dead. So. Yeah.
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Yep.
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>> Sarah : I wonder if he told his uncle that vision. It's
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possible because he doesn't like his father. Yeah.
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So I. I wonder and if that further pushed Baylor
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to. To, step in at the end of the episode.
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>> Will: Yeah, well, I think. I think there are a couple of
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facts. I think that's definitely a factor.
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>> Sarah : Oh, yeah, and there's. There's thousands with
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Baylor and his decision.
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>> Will: Yeah, for sure. So, speaking of. I know you
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mentioned the lies and stuff, and. And. And I
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really. I know we quickly touched on, Dunk, an egg
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in the. Whenever he was in the cell. But I really,
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you know, really with that scene, just a betrayal
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that Dunk felt, because, you know, he really. I
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think he really had grown to, you know, really
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like this kid. You, know, when I, you know, I
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think about, like, the scene last. In last week's
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episode, where, they, you know, at first it was
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kind of annoyed, but then he's like, let me teach
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you how to properly, like, you know, you know, sew
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up this. This jacket and. And all that kind of
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stuff. I mean, you know, throughout the series
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they have like, you know, grown this relationship
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between the two characters. And so I, will say
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that, the. The. The hurt that was per. That was
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shown there, it was even more, you know, more
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vivid than. Than what was even in the. In the. No,
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the Hedge Night. So I, I liked where, you know,
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that's where this show has also excelled and,
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like, taking the source material and like, making
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it even more dynamic, which, you know, it's a fun
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read anyway, but, you know, it just takes watching
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it definitely, and seeing how they've interpreted
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that in this adaptation to me, really, you know, I
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texted you over the weekend. I was like, I
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absolutely love this episode. So that's one of the
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reasons why too.
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>> Sarah : so I want to touch on Egg and something else. I. I
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kept going back to the episode before. It's. It's
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really interesting because in this episode, as we
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talk about Egg and we see what he's doing and the
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role he's now in and. Or the position he's now in,
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I kept thinking about the. The joust again with
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Aryan, but this time at the beginning when, Or I
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don't know if it was Aryan's joust or if it was
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the joust beforehand when, Egg screams kill him.
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Was. Was it Aryan's joust?
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>> Will: It might have been because. Because whenever he
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was jousting with Sir Humphrey, whenever he. When
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he's.
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>> Sarah : Yeah, yeah, because if that's the case, then,
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Because I. I heard. I. And I think I remember
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that, because I heard someone talk about it in the
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sense that, like, his. He clearly was enjoying the
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brutality until it got to be too much. And. But
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because. Because he said kill him. Like he was in.
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On the action. But if it was in fact the Aryan
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joust, he was specifically telling Aryan's
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opponent. Because he makes it very clear in this
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episode to Duncan. He's like, yeah, yeah, I. I
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need you to kill him. Because, like, this is. This
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is what my brother did to me when I was even
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younger than I am now. He attempted to make me his
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sister so he could marry me. The. Yeah, yeah, so.
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So that takes incest to a whole new level. A whole
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new level. But I. And it. And it's m. It reminded
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me. I don't know if I don't Think you're that far
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in Game of Thrones, so. But it reminded me of a
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story that Tyrion Lannister tells of his sister,
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Cersei. So I, I, again, like, it's, it's
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interesting how the justifications that these
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characters give for the decisions that they're
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making. And with Duncan, he's learning as he goes
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because you're, you're right. There was a lot of,
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There was a lot of anger and betrayal when he
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first is talking to Egg. But the. By the time he
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gets to Baylor, which is not that not much time in
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between, he's suddenly defending Egg. and, and in
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a very protective way. So it's, it's. And, and,
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and I think that's what Egg expected in a way. I
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did, I did really like the line though. because
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again that whole conversation is like just great
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prepping for Baylor's ultimate decision, which
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arguably every scene Baylor is in so far in these
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episodes. Again, just a build up until. To that,
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pinnacle decision to fight alongside Duncan.
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because he tells, he tells Egg, you should have
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come to me when the puppet stuff like. And it does
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make a viewer think.
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>> Will: Yeah.
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>> Sarah : If you were Egg, knowing your family, knowing the
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consequences and knowing Duncan does not
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necessarily think first. Okay. He just goes with
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full, full emotion.
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>> Will: Yeah.
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>> Sarah : You're gonna go to him before your uncle. Who. You
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know, your uncle. I bet you Egg also knows his
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uncle does not really care for Aryan that much. So
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I, I just, I thought that was an excellent point
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that I hadn't thought about. And it does make me
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question Egg and being. I mean, I know he's like
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what, seven years old?
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>> Will: I think he's nine. Yeah.
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>> Sarah : Nine. But he's still a little bit tiny. Like.
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>> Will: Yeah.
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>> Sarah : I. It just makes you question. Hm. You thought a
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lot of. You were very strategic and then you. I
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don't know if that was the right choice, my
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friend. I don't know. because either way your
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freedom is out the door, like either way. But it,
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it's, it's interesting to think about that. That
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the reasoning, Eggs reasoning, I don't know. And
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you can tell me if they explain his reasoning even
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more or if that whole concept is new for the show
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and wasn't really explored in the book.
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>> Will: For the most part, this episode with a few, very
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few deviations pretty much tracked what happened
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in the book.
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>> Sarah : Okay. Ah, but do they explore it a little bit
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more? That idea that like why Egg chose to go to
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Duncan and not Baylor in that moment?
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>> Will: A little bit. Yeah. Yeah. but, But, yeah, I think.
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But it was one of those things. And even in the
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show too. Just keep it in the show context. I
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mean, I think here is where I think, Egg is trying
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to, like, regain the trust, I guess, of. Of Dunk.
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and so I think that, you know, so when he. When
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he, you know, so. And to your point too, I mean,
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he. Egg knows his family, so, So I think, you
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know, and. And so, you know, I think that was.
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That was part of the, you know, dynamics going on
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there also.
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>> Sarah : Okay.
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>> Will: Yeah.
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>> Sarah : Anything else you want to talk about? I said
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everything I wanted to say.
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>> Will: Oh, gosh. I mean, we were. Yeah, we had y. To me,
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I, do want to go to the actual. I mean, Dunk
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having to, you know, we get the choice to build,
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you know, to do the. The seven and. And just the
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whole scene of how all that played out. As far as,
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you know, of course we have, You know, we have Sir
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Stefan who. Who basically, at first he was going
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to fight with Dunk. And then of course he's, you
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know, of course he saw the opportunity. He was
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like, saw an opportunity and. And, you know,
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switched sides and. And then the whole dynamic
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too, where I think was really pivotal was when I
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really wanted to touch on Dunk and his hesitation
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and 19, Runyon. Because, I mean, I think that was
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really getting to the core of. Of some of the,
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Some of the imposter syndrome that Duck was
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feeling, that we've seen throughout the series and
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even like going back to the beginning whenever he
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was even just trying to get on the list and. And
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really drives home the point, I think the. The
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thing, you know, because there was a. There was a
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flashback, I don't know if you called it, during,
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that moment when he had to flashback to Sir Arlen.
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and I think it was really driving home the point
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that, you know, the having the taps on your
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shoulders is not really what makes you a knight.
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It really is, again, going back to the
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conversation with Baylor, you know, looking out,
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you know, having honor, looking out for the
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commoner, looking out for the weak among us. And,
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you know, that was really driven home, to me in
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this episode that, Dunk was still feeling that
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imposter syndrome there for a bit when he was
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hesitating there, making a night. So when Sir
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Lionel came, over and. And did it, you know,
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definitely gave. Gave him the opportunity to, you
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know, again, you know, try to recruit, one more
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person to go to the crowd. And I mean, and that
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was just. That scene was just so. So that's the.
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What I. When I referenced earlier about why I
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thought he should be considered for, Emmy
368
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consideration, that was sort of. That, you know,
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how we had the Viserys moment in House of the
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Dragon. This, to me, was like that kind of
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defining moment in a series where, Where we had
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Duck giving that speech, trying to, you know,
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browse up the. Rouse up the folks and. And, you
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know, get someone to fight on his. On his side.
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And really, you know, again, it was a good
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exploration of where. Where things are in this
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world at this time in Westeros. And. And, you
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know, when a guy stood up and, you know, you know,
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we had our one fart joke. You got to have one
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every episode of Night, Night of Seven Kingdoms.
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But I really thought after that moment. And then,
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of course, you know, Baylor. Baylor was like, you
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know, off getting suited up because he, you know,
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Dunk made an impression, whenever they had that
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earlier conversation. So that when he came out
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there and, you know, chose. Chose to fight with.
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With Dunk, with. With the seven, it. It felt like
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an earned moment.
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>> Sarah : Was he shown in the stands listening to the
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speech?
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>> Will: No. I don't know.
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>> Sarah : Okay. No, I think his decision was definitely
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already made.
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>> Will: Yeah. Yeah.
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>> Sarah : Okay. Yeah, yeah, yeah, yeah, yeah. I mean, it
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was. It was.
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>> Will: Yeah. I mean. Yeah. I mean, I can't, Yeah. I was
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really surprised you didn't want to talk more
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about hearing this. I guess for me, what m. Really
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just cemented. That scene was like when I heard
401
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the. The Game of Thrones theme and. And all it
402
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just. It was just like, perfect. I mean, it was
403
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just. You couldn't craft it any better.
404
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>> Sarah : I don't know. It. At least for me, this is. This
405
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is. This may be sounding mean after all of that,
406
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and, But for me, it felt very copy and paste. And
407
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I just say that because I've heard speeches in
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these kind of shows and. And, And, movies like.
409
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It's very Brave Heart. It's Very Brave Heart. I. I
410
00:24:52,981 --> 00:24:55,021
watched Brave Heart as a lot. As a girl because it
411
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was one of my dad's favorite movies, but whatever.
412
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So. So it. It just. I. I don't know. I thought
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his. His acting was more interesting in the
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opening scenes. just because he. There's a lot
415
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more, The acting he did in the first two scenes
416
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was a lot about. More about listening.
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>> Will: Yeah.
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>> Sarah : And in that final moment, it was a lot more about.
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Here's a monologue. A really hefty monologue. And
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I agree. Like, I'm not saying that the actor isn't
421
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doing a good job. No, no, no. Do not get me wrong.
422
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He's. He's nailing it. but I also like the. The
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way this. I am glad it worked for you. That kind
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of scene. It. I don't know, it's just. I mean, I,
425
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I didn't. There's. There wasn't that many nuances
426
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that I could dig into or that stuck out while all.
427
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There were so many other nuances and, and
428
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different conversations that were happening. I'm.
429
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I'm very big with conversations.
430
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>> Will: Yeah, well, see, that's why it worked for me. To
431
00:26:06,991 --> 00:26:09,951
your point, the things that you just raised as far
432
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as the earlier scenes. So for me, I think it was
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like as. As I said stated before, it was building
434
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expectations. And, and, and so for it, to me,
435
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those earlier scenes laid the foundation and even,
436
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you know, even earlier scenes in, in the series
437
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itself. But, but in particular in this episode
438
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laid the foundation for, for that moment. So for
439
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me, that's. So it was. It wasn't just the moment.
440
00:26:38,841 --> 00:26:44,361
It was the totality of the. The episode. Yeah,
441
00:26:44,921 --> 00:26:50,641
yeah, just. Just to clarify. Yeah, yeah, but.
442
00:26:50,641 --> 00:26:55,411
Yeah, yeah, yeah, but no, but like, I said other
443
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than that. I mean, that was just all really. I
444
00:26:59,191 --> 00:27:02,431
just really wanted to talk about that last, the
445
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last act of the episode because like I said, I
446
00:27:05,031 --> 00:27:07,791
think the payoff was just so, so rewarding for me
447
00:27:07,791 --> 00:27:08,471
as a viewer.
448
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>> Sarah : Yeah. Yeah. Awesome. all right, well, that brings
449
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us to Wonder Man. And, we've only watched the
450
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first four episodes and so we are able to talk
451
00:27:21,561 --> 00:27:26,401
about all four episodes. and I just want to start
452
00:27:26,401 --> 00:27:29,801
with an opening statement. Okay.
453
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>> Will: I.
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>> Sarah : And this is. This is kind of. Kind of goes into
455
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like my overall opinion about this show. I am so
456
00:27:41,241 --> 00:27:48,161
glad that Simon and Trevor are good actors. That's
457
00:27:48,161 --> 00:27:54,521
it. That's it. Will, what were you. I just. They
458
00:27:54,521 --> 00:28:02,161
are so. I like the idea that we are. We were. We
459
00:28:02,161 --> 00:28:07,921
are looking at two actors who are down on their
460
00:28:07,921 --> 00:28:11,071
luck, quote, unquote. they're not a list
461
00:28:11,071 --> 00:28:14,111
celebrities. One of them is getting fired from
462
00:28:14,111 --> 00:28:16,591
jobs. One of them get. Just got out of prison for
463
00:28:16,591 --> 00:28:24,481
a job. and the. Yet they. They are actually good.
464
00:28:24,561 --> 00:28:27,321
We see them in auditions, we see them talking
465
00:28:27,321 --> 00:28:30,561
about acting and they are good. And then you have
466
00:28:30,561 --> 00:28:36,721
these sequences and it's just. Oh, my God. There's
467
00:28:36,801 --> 00:28:39,641
one sequence in the second episode where they're
468
00:28:39,641 --> 00:28:42,801
just going back and forth like quote after quote.
469
00:28:43,501 --> 00:28:48,781
Yeah, Yaya. I, I've missed you. I have missed you
470
00:28:48,781 --> 00:28:54,131
on my screen because you are so good. And now
471
00:28:54,131 --> 00:28:57,811
you're paired with Ben Kingsley. Sir Ben Kingsley.
472
00:28:57,891 --> 00:29:05,131
It's just. Thank you mcu. Because I am the, the,
473
00:29:05,131 --> 00:29:10,621
the acting was just so well and these characters
474
00:29:11,021 --> 00:29:16,021
work so well with each other that I, I've been
475
00:29:16,021 --> 00:29:19,581
waiting, I, I, I've been waiting for something
476
00:29:19,581 --> 00:29:23,611
like this and I'm so glad it's here. but, but
477
00:29:23,611 --> 00:29:26,211
yeah, I'm just so glad they didn't make them bad
478
00:29:26,211 --> 00:29:29,531
actors. They made them actors who get in their own
479
00:29:29,531 --> 00:29:29,931
way.
480
00:29:30,731 --> 00:29:31,211
>> Will: Yeah.
481
00:29:31,851 --> 00:29:35,401
>> Sarah : And, and it's like their love of acting is, is
482
00:29:35,401 --> 00:29:39,521
almost their detriment and has put them into these
483
00:29:39,521 --> 00:29:42,921
situations. So on ah, that note, we'll take over.
484
00:29:43,641 --> 00:29:47,791
>> Will: Alrighty. So I, to me, this, the series, I felt
485
00:29:47,791 --> 00:29:53,071
like Kevin Feige and Seth Rogen sat down and they
486
00:29:53,071 --> 00:29:55,631
had at lunch and they said, you know what? Let's
487
00:29:55,631 --> 00:29:59,991
combine the Marvel Universe with the studio.
488
00:30:01,121 --> 00:30:02,321
>> Sarah : Yeah, yeah.
489
00:30:03,361 --> 00:30:05,891
>> Will: Cause, it was just so meta. I mean it was just
490
00:30:05,891 --> 00:30:08,811
when I was watching this, I was like, I was
491
00:30:08,811 --> 00:30:11,851
enjoying it, but I couldn't help but like, with
492
00:30:11,851 --> 00:30:15,331
all the, all the name drops and everything else
493
00:30:15,331 --> 00:30:20,621
and it was just, it really was just giving off the
494
00:30:20,621 --> 00:30:23,621
studio vibes for me so, so much and I really
495
00:30:23,621 --> 00:30:27,391
enjoyed that show. but you know, you know, it, it
496
00:30:27,391 --> 00:30:29,871
worked. This series so far, at least the four
497
00:30:29,871 --> 00:30:32,681
episodes that we've watched, to the point, to this
498
00:30:32,681 --> 00:30:34,601
point, you know, it's, you know, it's under the,
499
00:30:34,601 --> 00:30:36,201
it's under the Marvel spotlight.
500
00:30:37,181 --> 00:30:39,581
>> Sarah : it's the best spotlight they've done so far.
501
00:30:40,061 --> 00:30:44,391
>> Will: Yeah, yeah, it is, it is. And and, and so I, I, I,
502
00:30:44,391 --> 00:30:47,351
I'm I'm kind of glad that, you know, yeah, there's
503
00:30:47,351 --> 00:30:50,241
some ref, you know, they're clearly in references
504
00:30:50,241 --> 00:30:53,831
to the, the main mcu, you know, obviously with the
505
00:30:53,831 --> 00:30:57,391
Mandarin and the whole Iron Man 3 and all, all
506
00:30:57,391 --> 00:31:00,621
that. But with the 3 or 2, I'm trying to dismiss
507
00:31:00,621 --> 00:31:04,821
it along, but, but, but yeah, I just really,
508
00:31:04,821 --> 00:31:07,781
really, yeah, really enjoyed it. And we were
509
00:31:07,781 --> 00:31:10,821
talking about the actors and, and, and, and you
510
00:31:10,821 --> 00:31:13,101
know, thinking about the episode too, when Joey
511
00:31:13,101 --> 00:31:13,541
pants.
512
00:31:14,221 --> 00:31:14,501
>> Sarah : Yeah.
513
00:31:14,501 --> 00:31:18,561
>> Will: Trevor. Yeah, and, and how insulted they, you
514
00:31:18,561 --> 00:31:23,851
know, they were when, you know, what, how, how,
515
00:31:23,851 --> 00:31:26,771
you know, how Joey Vance was like, treated,
516
00:31:26,771 --> 00:31:31,011
treated the profession and, and, and all. But, but
517
00:31:31,011 --> 00:31:35,601
just from this, just from the start too, how what
518
00:31:35,601 --> 00:31:40,481
I really, what I really liked was, how Simon, you
519
00:31:40,481 --> 00:31:43,641
know, he was doing all this like, all this prep
520
00:31:43,801 --> 00:31:46,641
for, you Know, he was a day player and doing all
521
00:31:46,641 --> 00:31:50,871
this prep and notes and trying to get to the get
522
00:31:50,871 --> 00:31:53,751
to the psyche of this character and, and then just
523
00:31:53,751 --> 00:31:55,751
sort of seeing things just sort of play out. And
524
00:31:55,751 --> 00:31:57,471
again, that's where I was. Like the studio vibes
525
00:31:57,471 --> 00:31:59,111
came in because it reminded me of like Matt Remick
526
00:31:59,111 --> 00:32:01,311
doing that kind of stuff, you know, being a
527
00:32:01,311 --> 00:32:03,031
producer. But then like I want to, I got all these
528
00:32:03,031 --> 00:32:05,931
notes I want to give it to, you know. Yeah. So I
529
00:32:05,931 --> 00:32:06,811
really like this show.
530
00:32:07,451 --> 00:32:12,511
>> Sarah : So, so you touched on early the idea that there,
531
00:32:12,751 --> 00:32:16,511
there, it's very meta, but it's also not
532
00:32:16,511 --> 00:32:20,111
necessarily MCU meta.
533
00:32:20,431 --> 00:32:20,831
>> Will: Right.
534
00:32:21,471 --> 00:32:24,591
>> Sarah : And, and, and I think that's why it works so well
535
00:32:25,311 --> 00:32:33,041
because it's, it's meta to the studio and to how
536
00:32:33,041 --> 00:32:38,121
Hollywood works. But the, the, in the, the
537
00:32:38,121 --> 00:32:43,801
references have maybe been 5% or less MCU related
538
00:32:44,041 --> 00:32:50,561
and like 90, 95% are actually about Hollywood in
539
00:32:50,561 --> 00:32:53,161
the way things work. Like my, one of my favorite
540
00:32:53,161 --> 00:32:58,191
lines from the Joey pants episode is yeah, yeah,
541
00:32:58,191 --> 00:33:00,471
if I was British they would have knighted me.
542
00:33:00,711 --> 00:33:01,271
>> Will: Yes.
543
00:33:01,991 --> 00:33:08,951
>> Sarah : I mean like, so it's so clever and, and just, just
544
00:33:09,111 --> 00:33:17,471
like. Yeah, yeah, okay. He has this ability. He's
545
00:33:17,471 --> 00:33:25,321
a big man. So the, the car scene, I just, I, I
546
00:33:25,321 --> 00:33:26,881
think the car should have been a little bit
547
00:33:26,881 --> 00:33:29,961
smaller. But it was, it was very funny to me to
548
00:33:29,961 --> 00:33:34,441
watch him park and then have to get all the way
549
00:33:34,441 --> 00:33:37,761
over into the passenger seat and then squeeze his
550
00:33:37,761 --> 00:33:42,241
way out of there. And, and like that's one
551
00:33:42,241 --> 00:33:47,411
instance of physical comedy. And yet constantly I
552
00:33:47,411 --> 00:33:52,531
feel as though we're watching him in these, trying
553
00:33:52,531 --> 00:33:56,051
to get the lines down. Not necessarily memorize,
554
00:33:56,051 --> 00:33:58,971
but trying to understand them so they become off
555
00:33:58,971 --> 00:34:03,691
as natural. That whole process that he has, it
556
00:34:03,691 --> 00:34:07,131
feels like you're watching a giant man trying to
557
00:34:07,131 --> 00:34:08,491
make himself smaller.
558
00:34:09,131 --> 00:34:09,611
>> Will: Yeah.
559
00:34:10,331 --> 00:34:14,401
>> Sarah : And it's funny. It's, it's, it's very funny. And
560
00:34:14,961 --> 00:34:20,571
he, he has this ability to to do humor. But it's
561
00:34:20,571 --> 00:34:25,211
not like slapstick either. It's very much not.
562
00:34:25,371 --> 00:34:30,931
And, and the way he bounces off of Trevor who
563
00:34:30,931 --> 00:34:34,531
honestly has more one liners. But even Ben
564
00:34:34,531 --> 00:34:37,651
Kingsley can't come off as like, and now I'm going
565
00:34:37,651 --> 00:34:40,171
to tell my joke. And here's the punchline. No,
566
00:34:40,171 --> 00:34:45,331
because they are just reacting to the world and
567
00:34:45,331 --> 00:34:50,051
these circumstances that they're put in. And, and
568
00:34:50,291 --> 00:34:54,231
like the again the, the whole, the self tape
569
00:34:54,231 --> 00:34:57,911
episode was just great because when that, when
570
00:34:57,911 --> 00:35:01,031
Marcy comes in and tries to do the off camera
571
00:35:01,031 --> 00:35:01,511
lines.
572
00:35:01,751 --> 00:35:02,151
>> Will: Yeah.
573
00:35:02,151 --> 00:35:06,371
>> Sarah : And they're both, they are both like, seriously?
574
00:35:06,931 --> 00:35:07,411
>> Will: Yeah.
575
00:35:09,411 --> 00:35:13,691
>> Sarah : Like, really? Why. Why are. But the. You know what
576
00:35:13,691 --> 00:35:17,491
the irony is there to go back to that opening
577
00:35:17,491 --> 00:35:20,331
sequence with Simon on the set of American Horror
578
00:35:20,331 --> 00:35:23,611
Story. He was kind of pulling a Marcy. Yeah, he
579
00:35:23,611 --> 00:35:24,691
was pulling one.
580
00:35:25,171 --> 00:35:25,731
>> Will: He was.
581
00:35:26,211 --> 00:35:34,161
>> Sarah : Yeah. So it's. It's, So. So I guess. What. What
582
00:35:34,161 --> 00:35:36,561
was your favorite episode out of these four?
583
00:35:36,881 --> 00:35:40,081
Because I know what my least favorite was.
584
00:35:42,001 --> 00:35:47,101
>> Will: So my. Interestingly enough, And I'd heard people
585
00:35:47,101 --> 00:35:52,061
talk about it, but I have to say, my m. The one
586
00:35:52,061 --> 00:35:59,281
that I really got locked in was Doorman. just
587
00:35:59,361 --> 00:36:03,361
because, you know, whatever. Whatever. Simon went
588
00:36:03,601 --> 00:36:08,231
to do the, To the one audition for. Audition, and,
589
00:36:08,231 --> 00:36:09,871
you know, they referenced the. You know, the
590
00:36:09,871 --> 00:36:14,321
doorman waiver and stuff. And. And I, was like,
591
00:36:14,671 --> 00:36:18,671
So. Yeah. So what. What's. What's it about, this
592
00:36:18,671 --> 00:36:21,351
doorman waiver? And, you know, of course, you
593
00:36:21,351 --> 00:36:23,231
know, it had the NDAs and all that kind of stuff
594
00:36:23,231 --> 00:36:28,421
too. But I think it. I mean, I liked all. You
595
00:36:28,421 --> 00:36:32,221
know, I think overall I liked all of the episodes,
596
00:36:32,301 --> 00:36:35,181
but it was something about Doorman. It was just,
597
00:36:35,881 --> 00:36:38,731
Simon, you know, shows up there at the end, but
598
00:36:38,731 --> 00:36:44,131
just to see the evil. Why this waiver happened and
599
00:36:44,131 --> 00:36:47,531
then. And also why the Department of Damage
600
00:36:47,531 --> 00:36:53,521
Control is, I guess, you know, to the larger. I
601
00:36:53,521 --> 00:36:55,761
guess to the larger Marvel universe or whatever.
602
00:36:56,401 --> 00:36:59,521
It does play back into that, because I think we
603
00:36:59,521 --> 00:37:02,471
saw that. That department and some of the, post,
604
00:37:03,711 --> 00:37:08,791
post endgame films and TV shows, just like, the
605
00:37:08,791 --> 00:37:12,751
exploration of, like, how this. How this affable
606
00:37:12,751 --> 00:37:17,711
guy just, randomly ended up, you know, taking the
607
00:37:17,711 --> 00:37:20,391
trash out, ends up with Powers and then all, you
608
00:37:20,391 --> 00:37:22,351
know, and Josh Gad and all, you know, it's just
609
00:37:22,751 --> 00:37:26,071
all the things that was going on there and then
610
00:37:26,071 --> 00:37:29,630
just the. It was like. It reminded me of, like,
611
00:37:29,630 --> 00:37:33,191
the old behind the music shows on VH1.
612
00:37:33,191 --> 00:37:33,551
>> Sarah : Yeah.
613
00:37:33,551 --> 00:37:36,831
>> Will: Where you had the rise and the fall of someone.
614
00:37:37,311 --> 00:37:40,111
>> Sarah : Yeah. They did that very well with Mario Lopez.
615
00:37:40,781 --> 00:37:41,981
>> Will: Yeah. Yeah.
616
00:37:43,021 --> 00:37:43,421
>> Sarah : I,
617
00:37:43,561 --> 00:37:45,711
>> Will: Yeah. Yeah. So I think that's why that one really
618
00:37:45,711 --> 00:37:46,911
worked for me. Really worked.
619
00:37:46,911 --> 00:37:50,001
>> Sarah : Yeah. Ironically, this was my least favorite.
620
00:37:50,321 --> 00:37:50,881
>> Will: Yeah.
621
00:37:50,881 --> 00:37:53,521
>> Sarah : And. And that's not to say it's a bad episode.
622
00:37:53,521 --> 00:37:56,881
It's. It's a good episode because you. We needed a
623
00:37:56,881 --> 00:38:00,321
break from the main story, but at the same time,
624
00:38:00,481 --> 00:38:02,241
the whole time was like, oh, we're doing a
625
00:38:02,241 --> 00:38:04,321
flashback to this. Okay, that makes sense. We're
626
00:38:04,321 --> 00:38:06,601
gonna explore this because they've mentioned it
627
00:38:06,601 --> 00:38:10,731
now a few times. So, writing wise, it makes sense.
628
00:38:10,731 --> 00:38:13,411
But then it kept going and kept going And I was
629
00:38:13,411 --> 00:38:17,691
like, oh, this is the entire episode. Okay. But.
630
00:38:18,011 --> 00:38:22,321
And and it was fine. And like I said, I, I really
631
00:38:22,321 --> 00:38:25,441
adore this show. So me saying that was my least
632
00:38:25,441 --> 00:38:28,961
favorite is not saying that much at all. It just,
633
00:38:29,281 --> 00:38:32,841
it just was. And it's more or less the oddball in
634
00:38:32,841 --> 00:38:34,881
the fact that there were not a lot of scenes
635
00:38:34,881 --> 00:38:38,721
between Ben Kingsley and. Yeah, yeah. So, yeah, I
636
00:38:38,721 --> 00:38:43,541
was like, okay. but I, I think that the, to your
637
00:38:43,541 --> 00:38:49,221
point, it, there was a dual purpose that doesn't
638
00:38:49,221 --> 00:38:52,341
immediately, you don't immediately understand as a
639
00:38:52,341 --> 00:38:54,261
viewer, but now that we're talking about, it's
640
00:38:54,261 --> 00:38:58,351
kind of been, highlighted for me is that it first
641
00:38:58,831 --> 00:39:05,361
serves a purpose of recognizing why Simon, views
642
00:39:05,361 --> 00:39:10,511
how he views his powers. especially when he, he's
643
00:39:10,511 --> 00:39:12,831
not, he's not someone with powers who wants to be
644
00:39:12,831 --> 00:39:14,951
a hero. He wants to be an actor.
645
00:39:15,431 --> 00:39:15,951
>> Will: Yeah.
646
00:39:15,951 --> 00:39:21,351
>> Sarah : And yet that very thing now, as a result of the
647
00:39:21,671 --> 00:39:26,691
whole Doorman saga is prohibited. it's not
648
00:39:26,691 --> 00:39:29,411
condoned and it puts him at risk and it's put him
649
00:39:29,411 --> 00:39:33,971
on a list now too. and then, and that's the flip
650
00:39:33,971 --> 00:39:38,611
side of it. It also explores more about what
651
00:39:38,611 --> 00:39:42,661
they've been hinting at in terms of the damage,
652
00:39:43,091 --> 00:39:47,051
control department in LA and their incentive to
653
00:39:47,131 --> 00:39:51,691
have more control over these, these super powered
654
00:39:51,691 --> 00:39:55,881
individuals. so I mean, we're dealing with la,
655
00:39:55,961 --> 00:40:00,681
we're dealing with Hollywood. So of course. And
656
00:40:00,681 --> 00:40:04,921
you know, the police protect those with money, so.
657
00:40:06,201 --> 00:40:10,521
They do, they do. So it's, it's, it's a very good
658
00:40:10,681 --> 00:40:14,211
thing. very well done. And that's the other thing,
659
00:40:14,991 --> 00:40:18,041
besides the acting that I could go hours and hours
660
00:40:18,041 --> 00:40:23,621
on about, but the, the writing. Yeah, they are
661
00:40:23,621 --> 00:40:27,301
doing a very similar thing to what we've been
662
00:40:27,301 --> 00:40:29,381
talking about for the last few weeks with A Knight
663
00:40:29,381 --> 00:40:34,821
of the Seven Kingdoms where there are lines that
664
00:40:35,221 --> 00:40:38,621
they, they don't like suddenly play music to make
665
00:40:38,621 --> 00:40:40,901
sure the viewer understands this is an important
666
00:40:41,141 --> 00:40:44,961
thing. No, there's just subtleness happening where
667
00:40:44,961 --> 00:40:48,601
there's little hint set stuff and, and so you have
668
00:40:48,601 --> 00:40:51,321
it in the back of your mind. But other, other
669
00:40:51,321 --> 00:40:55,201
hijinks ensue and before you know it we're, we're
670
00:40:55,201 --> 00:40:59,001
talking to Joey Pants and, and then you forget
671
00:40:59,001 --> 00:41:02,321
about it. And, and then the. But it's something
672
00:41:02,801 --> 00:41:05,921
that they are going to definitely bring up again
673
00:41:06,561 --> 00:41:10,981
because everything's important there. I don't
674
00:41:11,701 --> 00:41:14,781
grant it. Granted, it's a half hour show much like
675
00:41:14,781 --> 00:41:16,981
A Night of the Seven Kingdoms, so there's not a
676
00:41:16,981 --> 00:41:21,541
lot of time to fluff But I love this because
677
00:41:23,701 --> 00:41:27,781
everything's important. You're so. You have to pay
678
00:41:27,781 --> 00:41:31,561
attention. But at, the. Simultaneously, it's a
679
00:41:31,561 --> 00:41:36,001
very simple story, just like. And so that was the
680
00:41:36,001 --> 00:41:39,281
other big takeaway I had. I was like, wow. I, I
681
00:41:39,281 --> 00:41:41,521
can't wait for Will to watch this because, man,
682
00:41:41,521 --> 00:41:44,561
when he does. We did it again. We're watching two
683
00:41:44,561 --> 00:41:49,001
shows. Could be in very different universes, yet
684
00:41:49,001 --> 00:41:53,920
somehow they're doing the same thing for their
685
00:41:53,920 --> 00:41:58,311
respective, universes. Very well.
686
00:41:58,871 --> 00:41:59,431
>> Will: Yeah.
687
00:41:59,591 --> 00:42:01,271
>> Sarah : And it's just so refreshing.
688
00:42:02,151 --> 00:42:05,471
>> Will: It really is. It really is. And. And the other. I
689
00:42:05,471 --> 00:42:09,051
think Doorman was my favorite, like I said. But
690
00:42:09,291 --> 00:42:12,171
the other episode, the third episode where they're
691
00:42:12,171 --> 00:42:16,641
in, Pacamonia, Passimonia. The, town, with the
692
00:42:16,641 --> 00:42:17,161
birthday party.
693
00:42:17,641 --> 00:42:19,761
>> Sarah : The. Cleveland with palm trees.
694
00:42:19,761 --> 00:42:21,841
>> Will: Cleveland. The Cleveland with palm trees. Yeah.
695
00:42:21,841 --> 00:42:24,641
And probably, I'm sure I'm mispronouncing the name
696
00:42:24,641 --> 00:42:27,321
of the town, but, you know, seeing Simon's family
697
00:42:27,321 --> 00:42:29,001
because, you know, we did get, you know, we, you
698
00:42:29,001 --> 00:42:31,361
know, early in the first episode, we, you know, we
699
00:42:31,361 --> 00:42:34,471
see the. And I like the way they use the
700
00:42:34,471 --> 00:42:36,391
flashbacks just to, like, frame things.
701
00:42:36,711 --> 00:42:37,271
>> Sarah : Yep.
702
00:42:37,431 --> 00:42:41,111
>> Will: And. And so, you know, we see him the. The B movie
703
00:42:41,111 --> 00:42:44,141
Wonder Man. just to sort of put, you know, just
704
00:42:44,141 --> 00:42:48,741
the whole framing of this is Simon, you know,
705
00:42:48,741 --> 00:42:50,501
sitting there with his dad eating popcorn and
706
00:42:50,501 --> 00:42:55,751
stuff. And then, And then we get the. This story
707
00:42:55,751 --> 00:42:58,911
about the. You know, the. We. We learn about the
708
00:42:58,911 --> 00:43:03,421
powers because he had the incident with the stove.
709
00:43:04,221 --> 00:43:07,501
And then. And then we see it with the fan, you
710
00:43:07,501 --> 00:43:10,261
know, the family and the brother and, you know,
711
00:43:10,261 --> 00:43:13,341
the dynamics between Simon and his. And his
712
00:43:13,341 --> 00:43:16,691
brother. and just the. And when are you going to
713
00:43:16,691 --> 00:43:18,851
get a real job? And, you know, just all the
714
00:43:19,011 --> 00:43:22,211
things. And he, you know, Simon bringing Trevor,
715
00:43:22,211 --> 00:43:24,251
you know, Trevor. Trevor got an invite to the
716
00:43:24,251 --> 00:43:28,841
cookout, you know, and. And. But, you know, the.
717
00:43:28,841 --> 00:43:34,251
The invite was. It was, You know, it was there to
718
00:43:34,251 --> 00:43:34,571
like.
719
00:43:34,811 --> 00:43:37,291
>> Sarah : Be kind of a. Yeah.
720
00:43:37,531 --> 00:43:40,371
>> Will: He was for. Well, both, you know, Trevor had his
721
00:43:40,371 --> 00:43:42,371
reason. Trevor had the damage control reasons. But
722
00:43:42,371 --> 00:43:44,811
also, you know, Simon had his reasons that he just
723
00:43:44,811 --> 00:43:46,731
needed a buffer because he was just trying to,
724
00:43:46,731 --> 00:43:48,971
like. Because he knew, you know, especially once
725
00:43:48,971 --> 00:43:50,891
we saw the. That he was getting from his brother,
726
00:43:51,401 --> 00:43:53,521
he didn't want the whole thing about the American
727
00:43:53,521 --> 00:43:55,681
Horror Story to, like, come out because his mom's,
728
00:43:55,681 --> 00:43:58,601
you know, mom's. Mom's excited and. And.
729
00:43:58,761 --> 00:43:59,161
>> Sarah : Right.
730
00:43:59,161 --> 00:44:01,921
>> Will: And all that. And. And yeah, so there was that.
731
00:44:01,921 --> 00:44:05,161
And it also just, you know, they really just, you
732
00:44:05,161 --> 00:44:07,561
know, went deep, went into the the fact that
733
00:44:07,561 --> 00:44:09,601
they're Haitian, they didn't try to hide it. You
734
00:44:09,601 --> 00:44:10,441
know, as far as their.
735
00:44:10,681 --> 00:44:15,351
>> Sarah : That's what I was gonna bring up. Like, I, I and I
736
00:44:15,351 --> 00:44:18,751
had captions on and so I really appreciated
737
00:44:18,751 --> 00:44:21,801
whenever they spoke in Haitian it would just say
738
00:44:21,801 --> 00:44:24,841
Haitian. So I don't know what they say.
739
00:44:24,841 --> 00:44:26,641
>> Will: Yeah, no, I got it too. It's a Haitian Creole.
740
00:44:26,641 --> 00:44:29,641
>> Sarah : I was like, okay, yeah, I was just like, damn it,
741
00:44:29,881 --> 00:44:33,081
I want to know what they're saying. But all of
742
00:44:33,081 --> 00:44:37,041
those, all of their responses now I don't. It was
743
00:44:37,041 --> 00:44:39,361
made very clear to me that Simon didn't
744
00:44:39,361 --> 00:44:41,681
necessarily want Trevor there. Even though. Yeah.
745
00:44:41,681 --> 00:44:46,121
He said after the whole idea was raised by, by
746
00:44:46,121 --> 00:44:48,801
Trevor to go, he was like, oh, you could be my
747
00:44:48,801 --> 00:44:54,121
buffer. But yeah. Simon also clearly didn't even
748
00:44:54,121 --> 00:44:59,241
understand how to utilize Trevor as a buffer. And
749
00:44:59,241 --> 00:45:02,121
that goes to something his mom brings up in the
750
00:45:02,121 --> 00:45:06,521
episode is this is the first time my son has ever
751
00:45:06,521 --> 00:45:13,281
brought a friend. And so I, the, I found it really
752
00:45:13,281 --> 00:45:17,691
interesting. I think they're doing a great job
753
00:45:17,691 --> 00:45:20,651
with just the exploration of who Simon is.
754
00:45:21,051 --> 00:45:21,531
>> Will: Yes.
755
00:45:21,931 --> 00:45:25,771
>> Sarah : Because we continue. Because it's an evolution.
756
00:45:25,931 --> 00:45:31,551
And his powers. We don't even necessarily see his
757
00:45:31,551 --> 00:45:36,271
powers until the second episode.
758
00:45:36,801 --> 00:45:41,791
>> Sarah : We see hints and we know but, but we don't see it.
759
00:45:41,791 --> 00:45:44,471
And it's just this evolution. And then the third
760
00:45:44,471 --> 00:45:49,271
episode opens with the 13 year old flashback not
761
00:45:49,271 --> 00:45:52,311
to the fire, but to the events after the fire.
762
00:45:52,711 --> 00:45:58,311
And, and which is kind of not just a very
763
00:45:58,311 --> 00:46:02,071
important moment for Simon, but as you can see,
764
00:46:02,231 --> 00:46:05,191
his relationship with his mom and his brother.
765
00:46:05,941 --> 00:46:06,221
>> Will: Yeah.
766
00:46:06,221 --> 00:46:10,301
>> Sarah : Because the resentment didn't start when they
767
00:46:10,301 --> 00:46:13,181
were, when they chose career paths. It started all
768
00:46:13,181 --> 00:46:18,421
the way back then. And, and then his mom continues
769
00:46:18,901 --> 00:46:27,661
as parents tend to do, we ignorant. And even if
770
00:46:27,661 --> 00:46:30,101
they know, they're like, I don't want to know, I
771
00:46:30,101 --> 00:46:36,991
just want my, and, and the, but the mom says I, I
772
00:46:36,991 --> 00:46:39,871
don't think that there was a scene between her and
773
00:46:39,871 --> 00:46:46,631
Simon that really stuck out as a great mom and son
774
00:46:46,631 --> 00:46:49,831
moment. And yet we still understand his
775
00:46:49,831 --> 00:46:53,311
relationship because of everything she tells
776
00:46:53,551 --> 00:47:00,511
Trevor. And so in that sense, from, from a viewer
777
00:47:00,511 --> 00:47:03,311
perspective, Trevor did a great job as a buffer.
778
00:47:04,111 --> 00:47:07,551
Yeah. Because. Because we learned so much about
779
00:47:07,551 --> 00:47:09,791
Simon through those conversations.
780
00:47:10,511 --> 00:47:14,150
>> Will: Yep, agreed. Yeah. That was, that was what I
781
00:47:14,150 --> 00:47:16,311
really liked. That was another standout moment
782
00:47:16,311 --> 00:47:19,911
for, for me as well as far as really getting to
783
00:47:19,911 --> 00:47:22,561
know this character. through, through that
784
00:47:22,561 --> 00:47:26,491
conversation. And then, and then we, you know,
785
00:47:26,491 --> 00:47:30,211
the, the and then also just like you said, it was
786
00:47:30,211 --> 00:47:34,441
clear that the tension between Two. The two
787
00:47:34,441 --> 00:47:38,401
brothers was, was that didn't just start as adults
788
00:47:38,401 --> 00:47:41,451
then. And yeah, and this was sort of stand. Those,
789
00:47:41,451 --> 00:47:43,251
those family dynamics. I mean, it was just very,
790
00:47:43,251 --> 00:47:46,251
very, it was very, very authentic as far as like,
791
00:47:48,691 --> 00:47:52,401
you know, whenever, whenever Simon gave his mom
792
00:47:52,401 --> 00:47:54,481
the birthday present and you know, and then
793
00:47:54,561 --> 00:47:57,481
brother was just like, you know. Oh, yeah, yeah.
794
00:47:57,481 --> 00:47:59,921
Well, you know, you know, just all the things
795
00:47:59,921 --> 00:48:03,641
that, you know, felt came from that. And so. Yeah.
796
00:48:03,641 --> 00:48:07,821
But, yeah, so that, you know, that was a really
797
00:48:07,821 --> 00:48:10,101
strong moment for this. I mean, it really is just
798
00:48:10,101 --> 00:48:13,901
like, you know, Marvel, it really. I just feel
799
00:48:13,901 --> 00:48:17,531
like. I know it took us. We didn't watch this
800
00:48:17,531 --> 00:48:19,691
first because we were finishing up Fallout, but,
801
00:48:20,161 --> 00:48:26,381
but I, you know, Marvel, Disney did undersold this
802
00:48:26,621 --> 00:48:28,421
series. I don't know if they didn't know how to
803
00:48:28,421 --> 00:48:32,541
market it or where, where the failing was. I mean,
804
00:48:32,541 --> 00:48:34,381
I mean, we just saw yesterday with the super bowl
805
00:48:34,381 --> 00:48:37,261
how difficult it can be with marketing things,
806
00:48:37,551 --> 00:48:42,751
with Mando. But, but I feel like I, I did. I've
807
00:48:42,751 --> 00:48:44,471
been pleasantly surprised because I really didn't
808
00:48:44,471 --> 00:48:47,551
have any expectations going into this show at all.
809
00:48:47,551 --> 00:48:51,151
I mean, I don't know hardly anything about this
810
00:48:51,151 --> 00:48:53,951
character as far as from the comics. and I mean, I
811
00:48:53,951 --> 00:48:56,351
know they did a race swap and stuff, but, but be.
812
00:48:56,351 --> 00:49:00,231
But as far as beyond that, I really don't know
813
00:49:00,231 --> 00:49:04,391
anything about Simon Williams. So I have been very
814
00:49:04,391 --> 00:49:07,151
pleasantly surprised by this series so far. And
815
00:49:07,151 --> 00:49:09,151
I'm hoping that definitely, you know, with the
816
00:49:09,151 --> 00:49:11,611
next four episodes, it, you know, it, it sticks to
817
00:49:11,611 --> 00:49:15,401
landing because, is really good and I'm hopeful,
818
00:49:16,041 --> 00:49:18,201
you know, if it does indeed stick to landing. I'm
819
00:49:18,201 --> 00:49:19,961
hoping we'll see this character show up in some
820
00:49:19,961 --> 00:49:25,081
other either season two spotlight shows or in,
821
00:49:25,081 --> 00:49:29,601
into larger universe. But, but keeping, but
822
00:49:29,601 --> 00:49:32,401
hopefully keeping the, keeping what we've gotten
823
00:49:32,401 --> 00:49:34,601
of this character so far if he does like show up
824
00:49:34,601 --> 00:49:35,641
in a larger mcu.
825
00:49:37,171 --> 00:49:41,571
>> Sarah : So I need a episode to explain the Porter potty
826
00:49:41,571 --> 00:49:44,841
explosion that happened on the set of the Rookie M
827
00:49:45,491 --> 00:49:48,971
mentioned. I, I took note of that. I, I need more
828
00:49:48,971 --> 00:49:53,911
details and understanding. classic Trevor line was
829
00:49:54,151 --> 00:49:56,631
then I took a role to pose as a terrorist.
830
00:49:56,631 --> 00:49:59,591
Terrorist to pay for my drug and prostitution
831
00:49:59,591 --> 00:50:00,151
debts.
832
00:50:00,391 --> 00:50:02,031
>> Will: Yeah, that's another great line.
833
00:50:02,031 --> 00:50:07,541
>> Sarah : Get explicit. Thank you, mommy, for loving me.
834
00:50:07,701 --> 00:50:12,661
Great line. And, and just the whole, whole aspect
835
00:50:12,741 --> 00:50:17,711
of, a mother who again. And, and she even calls
836
00:50:17,711 --> 00:50:21,511
herself out on it. She's like, I, I, I didn't
837
00:50:21,511 --> 00:50:26,231
realize how alone he was and that he felt it. And
838
00:50:26,791 --> 00:50:30,271
oh, it's just that was such a good moment. Very,
839
00:50:30,581 --> 00:50:33,351
well acted. and then that later on in that
840
00:50:33,351 --> 00:50:35,831
episode, you get the. Maybe it's time to admit
841
00:50:35,831 --> 00:50:38,111
that it's never going to be me. I'm no wonder,
842
00:50:38,111 --> 00:50:41,461
man. yeah, okay.
843
00:50:41,461 --> 00:50:42,061
>> Will: But also.
844
00:50:42,061 --> 00:50:45,021
>> Sarah : Yeah, wait, I got more. Will, I got more.
845
00:50:45,341 --> 00:50:46,701
>> Will: Okay, okay, go ahead, go ahead.
846
00:50:46,701 --> 00:50:49,421
>> Sarah : Here you go. Here you go. I'm sorry. I forgot
847
00:50:49,421 --> 00:50:54,031
about this one. How could I forget? I'm here. Code
848
00:50:54,031 --> 00:50:55,031
switching and everything.
849
00:50:55,831 --> 00:50:59,031
>> Will: Oh, yes. Yeah.
850
00:51:01,351 --> 00:51:04,551
>> Sarah : That's so good. I already said the. Trevor pants
851
00:51:04,551 --> 00:51:07,671
the. It's the single most consequential thing
852
00:51:07,671 --> 00:51:13,511
anyone could do with their life. It's so
853
00:51:13,511 --> 00:51:19,821
important. It's so important. Oh, my God. just.
854
00:51:19,821 --> 00:51:24,981
Oh. Oh. This is a classic Vaughn Kovac one Human
855
00:51:24,981 --> 00:51:28,181
and Spectacular. And that's where this film needs
856
00:51:28,181 --> 00:51:33,141
to live. Human and spectacular. Spectacle should
857
00:51:33,141 --> 00:51:37,451
be spectacle. Just say, shout out. I. I'm.
858
00:51:37,691 --> 00:51:41,571
Hopefully we see musical.
859
00:51:41,571 --> 00:51:45,341
>> Will: Yeah, but, yeah, ah, one. One doorman that, was
860
00:51:45,341 --> 00:51:48,141
Josh Gad. And it's like I can't act and it's never
861
00:51:48,141 --> 00:51:49,581
stopped me from being an actor.
862
00:51:49,661 --> 00:51:51,941
>> Sarah : Yeah, yeah. Yep, yep.
863
00:51:51,941 --> 00:51:52,541
>> Will: Yeah.
864
00:51:55,041 --> 00:51:59,241
>> Sarah : Go through me. Go through me. Yeah, I think he's
865
00:51:59,241 --> 00:52:03,391
saying to go through him. Yeah, yeah. it's just
866
00:52:03,471 --> 00:52:06,381
the. The writing. The writing. some point. The
867
00:52:06,381 --> 00:52:09,621
acting's on point. And so far, within the first
868
00:52:09,621 --> 00:52:14,861
half of the season, it's consistent. And he. Based
869
00:52:14,861 --> 00:52:17,581
on our previous conversations about A Night of the
870
00:52:17,581 --> 00:52:20,941
Seven Kingdoms and other shows, when we use that
871
00:52:20,941 --> 00:52:23,701
term in relation to a show, it's a good thing.
872
00:52:24,181 --> 00:52:31,381
It's what we want. because some seasons of TV have
873
00:52:31,381 --> 00:52:34,301
great episodes and that's all people think about.
874
00:52:34,711 --> 00:52:37,511
But then you look at the full length of the season
875
00:52:37,831 --> 00:52:42,351
and it's like, yeah, but that was one of seven. So
876
00:52:42,351 --> 00:52:46,151
when you can have consistency, that's a strong
877
00:52:46,311 --> 00:52:47,591
season of television.
878
00:52:48,151 --> 00:52:50,231
>> Will: Indeed it is. It really is.
879
00:52:51,191 --> 00:52:53,241
>> Sarah : Well, on, that note, Will, why don't you tell our
880
00:52:53,241 --> 00:52:54,721
listeners where they can find you?
881
00:52:55,521 --> 00:52:57,711
>> Will: Yes, you can find me on all the socials at,
882
00:52:57,691 --> 00:53:01,951
WillImpolk WIO L M P O L K. And you.
883
00:53:01,951 --> 00:53:05,271
>> Sarah : Can find me there too, at SJ Belmont sjblmon M T.
884
00:53:05,351 --> 00:53:08,911
Please follow our crew on X on Twitter, formerly
885
00:53:08,911 --> 00:53:12,351
known as or on X, formerly known as Twitter, @Cena
886
00:53:12,351 --> 00:53:15,231
Nerd on Blue sky from us on Facebook. Follow us on
887
00:53:15,231 --> 00:53:18,311
Instagram and threads at scene and at scene,
888
00:53:18,311 --> 00:53:21,987
underscore n and visit our website, www.scenard
889
00:53:22,235 --> 00:53:25,031
podcast.com. but most importantly, rate, follow
890
00:53:25,031 --> 00:53:27,291
and comment on Apple podcasts, Spotify, Spotify,
891
00:53:27,291 --> 00:53:29,011
YouTube or wherever you get podcasts. Good night.
892
00:53:29,011 --> 00:53:30,091
Geek out. You're welcome.