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What We REALLY Think of Dune 2 and Peacemaker 2 x 4 - An HONEST Review

In this episode of Scene N Nerd, hosts Sarah Belmont and Will Polk dive into the recent Emmy Awards and their impact on the landscape of television. They discuss the impressive wins for Adolescence, including standout performances and the significance of the show's recognition. The duo debates the merits of various nominees, while also reflecting on the storytelling techniques that have set these shows apart. With an engaging discussion about the recent season of Peacemaker, they analyze the character dynamics and the evolving narrative, as well as the challenges of pacing and emotional depth within the series. Additionally, they share their thoughts on Dune Part 2, exploring its cinematic achievements and how it compares to its predecessor. Expect thoughtful critiques, lively banter, and a few surprises along the way!

Timestamps

0:00  Opening Banter & Emmy Highlights

11:35  Our Review of Dune Part 2

48:10 Peacemaker Season 2 Episode 4 Review

1:10:17 Outro

Want to keep the conversation going? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. Don’t forget to check out our website at www.scenennerdpodcast.com. If you enjoyed this episode, drop us a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix!

 

Transcript

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>> Will: Music

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>> Sarah : This is Scene N Nerd. I'm your host, Sarah Belmont, and with me, as

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always, is our Mr. Producer, Will Polk How are you doing

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tonight, Will?

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>> Will: Doing very well, Sarah. Hope you're having a good Monday. Looking

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forward to catching up with on the, Emmy news and,

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Dune and Peacemaker with you tonight.

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>> Sarah : Yeah. Even though we both were

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on top of the news, it doesn't really feel like a

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catch up. It's just like, well, this is what happened.

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>> Will: Yeah,

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for sure. Yeah.

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>> Sarah : As predicted by me, adolescence

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took home so many awards as

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it should.

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>> Will: Oh, yeah. It's by far the best show this

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year. I mean, really, because

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just to recap for folks, as far as the reset Mind

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folks, the Emmy cycle, it was June 1st

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of 2024 to May 31st of

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2025. Just so, just a level set

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the, the calendar for, for folks who may be

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like, wait a minute, didn't. Why wasn't such and such

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show, you know, recognized? So just

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wanted to do that.

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>> Sarah : Right, right.

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>> Will: Yeah.

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>> Sarah : And it was the Bear season three, not

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season four that was up.

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and they didn't get anything. Right.

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>> Will: I don't think so.

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>> Sarah : Yeah, yeah. I think the studio. The studio

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shut up. Shut out everyone. And then the studio

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even beat the Bears record with 11

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wins.

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>> Will: Yeah, actually. Yeah. So 13. 13 total.

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>> Sarah : 13 total. Okay.

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>> Will: Yeah, yeah, yeah. Because if. Yeah. Cause so, so the creative

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art, Creative arts Emmys were I

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think last weekend and then the above the line

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awards for last night. So. Yeah, so the studio

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did have 13. Seth Rogen won like four

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categories for, actor, director,

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executive producer and writer.

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And then, Penguin actually won nine

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awards overall even though it was

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shut out. Even though in acting categories,

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in a Christine M. Melody 1,

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for her performance.

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>> Sarah : Supporting actress. Yep.

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>> Will: Supporting actress. and you know, speaking of adolescence,

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Adolescence ended up winning eight awards. And

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Stephen Graham, who played the father, in the

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episode one, for actor, he also won for

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executive producer and also for writer.

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>> Sarah : Yep, yep. And we were able to see

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how really, really short he is.

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Yeah, yeah, yeah. And then the other big

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headline with, adolescence

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is Owen Cooper became the youngest,

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person to ever win in that

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category. and oh, FYI,

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he's the youngest. And also this is his first

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and only ever on screen role he's ever

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had.

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>> Will: Yeah, yeah.

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>> Sarah : Okay.

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>> Will: Yeah, yeah. So well

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deserved. And his co star also was, Aaron Daugherty.

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>> Sarah : Ah, yeah, Doherty.

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>> Will: Yeah, she, she won supporting

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actress, as well.

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and, and I mean, that episode still

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brings chills to my spine. just everything

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about it was just. Just amazing.

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>> Sarah : Yeah, I. I've. I've seen it like three or four times.

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That episode in particular.

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I'm kind of the only thing. And I'm

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just gonna say this because, it's what

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I think, honestly is, I

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don't know if I agree that Stephen Graham

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should have gone in it for acting because

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Colin. Colin Farrell,

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like the Penguin was just another

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thing. And there are some scenes from the

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Penguin that still stick in my mind. And

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specifically with what he did.

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I get it. I understand why. And I'm

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not like, oh, that was. That was a lot of.

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So I can't. I can't call it

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real, like. Like BS

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or anything, but, I'm just.

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I'm still. I still don't know if I 100

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agree with that.

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but he did overall

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throughout, like he was in two

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of the four episodes.

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so. But I. I'm just.

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I'm. I'm glad that

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not. Not necessarily for just

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acting, but mainly for

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the. All the awards it won in regards

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to the. The behind the scenes

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because the execution of that

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was just. Just brought it to a whole nother

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level. And. And along with the

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writing, which was, I think

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triumphantly well deserved.

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the directing and just the crew itself,

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everything they had to do to. With

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that oner structure. And I found it

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ironic because that episode from the

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studio also took home for best

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directing.

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It's kind of a cheat code. It really

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is. It really is.

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>> Will: Yeah.

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>> Sarah : So.

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>> Will: Yeah. Speaking of. Yeah. Yeah. But you're right about the

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writing of that episode and

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I'm there with. So really.

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Yeah, I'm there with you. I think

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Stephen Graham and Colin both. I mean, if they could like,

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split. Split the.

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>> Sarah : Yeah.

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>> Will: Win. Because both of them in their own. You know,

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clearly Graham with, Especially the fourth episode of

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Adolescence. I mean. Well, even the beginning too. I mean, just

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throughout. You know, there was just so.

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Every time he was on the screen as to what the. What

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that father was having. Portraying what that father was dealing

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with.

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>> Sarah : Yeah. See, the fourth episode is my least

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favorite. And the first episode, though, there

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are some scenes that do.

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If I really think about it, he had to do a lot

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of reaction, acting in

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terms of what was happening with his son and the

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helplessness in that situation and the

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confusion. Like, it.

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It really. If. If I think about

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his performance in that. That episode in particular.

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I understand. And. And then

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that, That category was just stacked to begin with.

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I think back when the nominations first came

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out, we were like, well,

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there's gonna Be. I don't know how you

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choose. Yeah.

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You had Pedro Pascal in there, right? Or was

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he in supporting, after.

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>> Will: I think he was. I have to go back and look. I forgot I didn't get a

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chance to look before we record it. But. But if I recall.

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>> Sarah : No, no, they, they were in it. We're

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talking about acting for

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Limited, anthology.

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Yeah. Yeah. Okay. Okay. Noah

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Wiley beat out. Beat out, Mr.

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Pedro Pascal for, For ah.

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For the trophy along with Sterling K. Brown. So,

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Yeah. The love for the Pit, again, I

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am not surprised from a

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technical standpoint about

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why that, that

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that show has gained so much

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acclaimed. I still think

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though, and it is

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so focused on getting the reality of the

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error,

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really bringing that to life, that

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the character moments are so few

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and far between that. It

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was. It didn't hit

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me, in a lot of emotional, places.

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But I, I think

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Noah just took it home for the Pit and

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er.

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>> Will: Yeah, true.

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Yeah. I still have to watch the Pit. It's going to

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be, And I'm gonna definitely get it in before season

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two. But Yeah, I saw that and

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you know, it definitely seemed to be. That was going to be the, The.

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The favorite this year. I know Severance

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still. I mean, I know I haven't watched Severance season two.

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I did finally get around to watching most of season one

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whenever, Whenever we had the studio, When we were reviewing

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it earlier.

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>> Sarah : You didn't tell me that.

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>> Will: Yeah, I mean it was one of the. I didn't want. It was like.

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It. I mean I was. It was just one of those things

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I just. I caught up on. Caught up most. I didn't

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finish it because I had the free trial

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and, And I just. So I got in what I could.

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But But I do want to, you know, if I do turn it back on

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for, you know, for other shows, there are some things on

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Apple TV now that I'm kind of like. I do want to like. I think I

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might turn it back on.

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>> Sarah : Yeah.

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>> Will: Catch up on some stuff.

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>> Sarah : But I'm turning mine back on soon because Morning

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show is coming back.

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>> Will: Yeah. Yeah. Yeah. The only other

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other, thing that I wanted to just highlight from the From

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the Emmys also was just. And or Dan Gilroy,

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winning, for. For writing, for the episode welcome to

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the Rebellion, which Which I thought. And it also

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won overall, five Emmys, both

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not only for writing, but also it also won in

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the Creative Arts, section as well.

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So, you know, so that. That was another show,

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that, And you know, and I guess, you know, even though

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I know a lot of, you know, just not to get political or whatever.

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Oh, it. I'm gonna get political. It was, you

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know, there's a lot of, you know, a lot of folks. That show

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was res for the times right now.

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but it's very interesting. But. But at the same time,

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I mean, the stories that were being told in andor,

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were, you know, are timeless. I mean, so, yeah, I mean,

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I know present day people are really rocking with it

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because like it, you know, in many cases people feel

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like, oh, it resonates. But you know, they wrote that show like

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three years ago. and and it really. You.

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And, and you know, Tony Garoi had talked about how

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it was very, you know, you know, they're very

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moments in history that they, they used to like pattern

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how they were going to write the script. So, so

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I'm, I'm glad the show got his props because, it

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definitely, as far as in the drama categories, definitely,

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was probably one of the best written shows of the year

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for sure. And that episode in particular,

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welcome, to the Rebellion. I think, I think that speech that

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my moth gave, this I think was the thing that kind of put it over

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the top. So.

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>> Sarah : Nice. Nice.

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>> Will: Yeah.

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>> Sarah : well, that is it for our brief

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discussion about the Emmys 2025. And

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now we are. Well, this

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isn't a catch up movie for me because

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we're changing rules this week. I technically

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have seen it, but I will tell you this.

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When I, Yesterday when I

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put it on, I, I had, I had it in my

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mind because I'd already seen it.

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I was going to have it on the background and then I was

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going to be doing other things and everything. But

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quickly I forgot how much dialogue is spoken

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in a different language. So subtitles.

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>> Will: Yeah.

249
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>> Sarah : I also for some reason

250
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got sucked in. I.

251
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I don't know what it is. I do not know.

252
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And I, And I will tell you.

253
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And knowing now how you

254
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ended up watching it in three parts,

255
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the. The first hour and a half

256
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is. Is really just its

257
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own little mini movie

258
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and does all the exposition and.

259
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And I just. I had forgotten how much time we

260
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just spend with Will Polk learning

261
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things from, Chani and

262
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Oh, I'm forgetting Javier Bardem's

263
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character name, but with the Freeman and just

264
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learning from them and while

265
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simultaneously Jessica and the Benedict

266
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and becoming Reverend Mother and all of that.

267
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And, And I I think. I don't

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know. It, it just. I, I've said

269
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this before on the podcast. Often I

270
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have to watch the. When I,

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I, There's a time and a place for

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me to watch something and sometimes

273
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if I rush and I push it, things

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go over my head or I'm not into it and it just,

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it can be the most perfect thing in the world. And

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I'm just like, yeah, I watched it, and

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yesterday watching Dune Part 2. Now

278
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it wasn't. I. There are some boring

279
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parts and it is long, way too long

280
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and it's a lot of sand. But

281
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I, I did.

282
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Majority of the time I was clicked in. And I think some

283
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of that also had to do with like, my knowledge

284
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about Doom Prophecy. And, and

285
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when we were watching Doom Prophecy, some, some

286
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of the moments from Dune 2 because I had watched

287
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Dude 2 like a few months prior, I

288
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was like, oh, that's a ref m.

289
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I. That that's gonna hit differently.

290
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and so all of the stuff with the. The Water

291
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of Life, definitely does as well as

292
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everything going on with Jessica. But

293
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I, I just, I,

294
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I, I did. I did find

295
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way more appreciation watching it a second

296
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time than I ever did the first time. but

297
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now to let's hear your overall

298
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thoughts because this is your first time

299
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watching it.

300
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>> Will: My first time watching it. Yeah. So like, as a,

301
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as, as, as we, set this up. yeah, this is

302
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my first time watching it. Like, like last week,

303
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center. This was the first time for you. This is my first time watching

304
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June2. And I completely agree with you,

305
00:14:15,790 --> 00:14:17,630
watching Dune Prophecy,

306
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definitely helped this movie hit

307
00:14:21,830 --> 00:14:24,600
a lot harder, with those

308
00:14:24,600 --> 00:14:27,470
key, especially with some of those key moments, that,

309
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that you just described in particular. and

310
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I, I, so I, I will say it.

311
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It took me a while to

312
00:14:36,380 --> 00:14:39,260
get into it. Yeah, that first, that

313
00:14:39,260 --> 00:14:42,260
first 45 minutes. Because as I told you, I did break it

314
00:14:42,260 --> 00:14:44,790
up. and, and I, and I

315
00:14:44,790 --> 00:14:47,110
honestly, I mean from the scale,

316
00:14:48,070 --> 00:14:50,710
this, the exposition, everything

317
00:14:51,990 --> 00:14:54,750
there stuff was happening. Yeah, but

318
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it, but, but like you said, sometimes

319
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you just need to catch things when you're

320
00:15:00,510 --> 00:15:03,350
just mentally there and ready to like, watch it.

321
00:15:03,670 --> 00:15:04,110
>> Sarah : Yeah.

322
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>> Will: And, and, and so I will say

323
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maybe when I, when I, it

324
00:15:09,990 --> 00:15:12,790
took me a moment to get into it, but that last.

325
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The last hour and a half or

326
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so, I was like, locked in.

327
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>> Sarah : Yeah.

328
00:15:18,910 --> 00:15:21,560
>> Will: as far as just a story, you are right about the

329
00:15:21,560 --> 00:15:24,400
subtitles. I think that does require you to like,

330
00:15:24,480 --> 00:15:27,280
you know, focus and pay attention. And for a two hour and 45

331
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minute movie, where there's like subtitles like

332
00:15:30,020 --> 00:15:32,960
interspersed without Within. Without throughout

333
00:15:32,960 --> 00:15:35,890
it. It definitely You know, this is the type of

334
00:15:35,890 --> 00:15:38,170
movie you do. You do have to pay attention to.

335
00:15:39,180 --> 00:15:39,500
>> Sarah : Yeah.

336
00:15:40,100 --> 00:15:42,450
>> Will: yeah. But I will say I did enjoy it.

337
00:15:42,850 --> 00:15:45,770
Like you were right. I. I enjoyed

338
00:15:45,770 --> 00:15:47,810
it so much more than I did the first one.

339
00:15:48,290 --> 00:15:51,210
>> Sarah : Oh, it's so much more. And I think. And

340
00:15:51,210 --> 00:15:54,210
I'm just going to call Spade a spade. The first hour and a

341
00:15:54,210 --> 00:15:56,050
half is boring because Paul's boring.

342
00:15:57,490 --> 00:16:00,370
Sorry, Will Polk at the beginning

343
00:16:00,370 --> 00:16:02,050
of the movie. Very boring.

344
00:16:03,340 --> 00:16:05,900
By the end of the movie he does

345
00:16:06,060 --> 00:16:09,020
become something. Something else.

346
00:16:09,420 --> 00:16:12,220
But man, for the first hour and a half

347
00:16:12,220 --> 00:16:15,100
you're just like what's going on with Jessica? Can

348
00:16:15,100 --> 00:16:16,460
we just get back there?

349
00:16:17,180 --> 00:16:19,419
>> Will: Yeah, that was that whenever she. Whenever.

350
00:16:19,820 --> 00:16:22,380
Yeah. Whenever she was having that and like whenever.

351
00:16:22,700 --> 00:16:25,500
You know. And I. Yeah. And it was whenever she.

352
00:16:25,500 --> 00:16:26,620
When they gave her the

353
00:16:27,080 --> 00:16:28,950
>> Sarah : The water. The water of life.

354
00:16:29,340 --> 00:16:32,300
>> Will: Yeah. And the baby was impacted. Those.

355
00:16:32,460 --> 00:16:35,460
So that was to me where the payoff of watching Doom

356
00:16:35,460 --> 00:16:38,130
prophecy came. like

357
00:16:38,530 --> 00:16:41,410
where that series made. You know, it just

358
00:16:42,640 --> 00:16:44,799
it justified it definitely just

359
00:16:46,910 --> 00:16:49,870
What I'm trying to say here is existence is

360
00:16:50,350 --> 00:16:53,230
justified by adding

361
00:16:53,550 --> 00:16:55,880
greater depth to

362
00:16:56,280 --> 00:16:59,240
Doom Part two. So if you haven't, you know, if you

363
00:16:59,240 --> 00:17:02,160
haven't watched New Prophecy, I know it

364
00:17:02,160 --> 00:17:05,120
was a much more smaller scale because it really got it to the

365
00:17:05,120 --> 00:17:07,400
background of the Vinny Jesser

366
00:17:08,200 --> 00:17:09,800
and. And their. Their

367
00:17:10,120 --> 00:17:12,600
formulations and you know,

368
00:17:12,920 --> 00:17:14,120
it's also tv.

369
00:17:14,680 --> 00:17:17,440
>> Sarah : It's also TV and Denny's real new

370
00:17:17,440 --> 00:17:19,560
is not directing those episodes.

371
00:17:19,800 --> 00:17:22,790
>> Will: Yeah, but it really. But you know, but it definitely

372
00:17:22,790 --> 00:17:25,670
sets. But you know, but I think it definitely helps. You

373
00:17:25,670 --> 00:17:28,550
know, not only contextualizes the whole things of the

374
00:17:28,550 --> 00:17:31,510
Reverend Mother and. And the Benecesset, but also

375
00:17:31,910 --> 00:17:34,670
it definitely helps like. Helps you get

376
00:17:34,670 --> 00:17:37,630
a greater appreciation of the

377
00:17:37,630 --> 00:17:39,950
Harkov and the Tradies,

378
00:17:42,710 --> 00:17:44,710
their conflict. But also

379
00:17:45,840 --> 00:17:48,760
somewhat. But I think where. Where it hit. Both hit

380
00:17:48,760 --> 00:17:50,160
most for me was when Will Polk

381
00:17:51,520 --> 00:17:54,520
you know, whenever he calls to bear and you know, grandfather and

382
00:17:54,520 --> 00:17:57,440
I was just like oh yeah, now it's like, you know, with

383
00:17:57,440 --> 00:17:59,760
the whole prophecy and, and you know how.

384
00:17:59,760 --> 00:18:02,240
>> Sarah : Well that doesn't have to do with. With

385
00:18:03,040 --> 00:18:04,150
dude prophecy.

386
00:18:04,710 --> 00:18:07,670
>> Will: No, no, but I think it was just. I think this. The lore

387
00:18:07,830 --> 00:18:08,790
as far as like.

388
00:18:08,870 --> 00:18:11,750
>> Sarah : Yeah, yeah, yeah, I. I guess

389
00:18:12,150 --> 00:18:14,870
before we. So from what I understand,

390
00:18:16,850 --> 00:18:17,810
book readers,

391
00:18:20,310 --> 00:18:23,310
the. The. The. The doom prophecy is

392
00:18:23,310 --> 00:18:25,830
also not based on the original

393
00:18:26,550 --> 00:18:29,550
books. They. They are based on

394
00:18:29,550 --> 00:18:32,470
books that were written by the author's son.

395
00:18:32,710 --> 00:18:33,270
>> Will: Son.

396
00:18:33,350 --> 00:18:35,750
>> Sarah : And there's skepticism

397
00:18:36,070 --> 00:18:39,010
about what is lore because there

398
00:18:39,010 --> 00:18:41,570
are some changes made in those books,

399
00:18:43,540 --> 00:18:46,340
that, that don't add up for people who

400
00:18:46,340 --> 00:18:49,220
really understand the whole lore of Dune.

401
00:18:50,260 --> 00:18:51,240
So, but,

402
00:18:53,970 --> 00:18:56,610
I think you're right that yes,

403
00:18:59,490 --> 00:19:01,890
it does contextualize a lot.

404
00:19:02,630 --> 00:19:05,510
and, and I think the hardest thing for me to

405
00:19:05,510 --> 00:19:07,670
understand, well, two things,

406
00:19:08,400 --> 00:19:11,100
during the first movie was the politics

407
00:19:11,500 --> 00:19:13,820
as well as what the heck are these

408
00:19:14,140 --> 00:19:16,619
women doing? Like the Bene

409
00:19:16,619 --> 00:19:19,260
Gesseritz is. It just felt

410
00:19:19,340 --> 00:19:22,180
like there were moments from the first one, if I

411
00:19:22,180 --> 00:19:25,100
recall. It's been a while since I've seen it where

412
00:19:25,100 --> 00:19:28,060
I was like, well, that's different. What's going

413
00:19:28,060 --> 00:19:30,940
on there? But it was so focused on,

414
00:19:31,290 --> 00:19:33,210
the Atreides that

415
00:19:34,730 --> 00:19:37,370
it kind of was doing so much,

416
00:19:37,620 --> 00:19:40,440
that you didn't really get anywhere. And so then

417
00:19:40,440 --> 00:19:43,280
you have the Dune prophecy series that

418
00:19:43,280 --> 00:19:45,640
beefs things up and then Dune two.

419
00:19:46,920 --> 00:19:49,490
You kind of like, okay, House,

420
00:19:49,450 --> 00:19:52,020
Atreides, no more perfect

421
00:19:52,020 --> 00:19:53,660
setup for a revenge plot.

422
00:19:55,340 --> 00:19:57,820
But simultaneously

423
00:19:58,060 --> 00:20:00,780
you've also are in

424
00:20:00,860 --> 00:20:03,580
this, this 2 hour and 40 plus

425
00:20:03,580 --> 00:20:06,220
minute movie explaining

426
00:20:06,300 --> 00:20:08,860
the politics. Like, yeah, revenge.

427
00:20:09,660 --> 00:20:12,300
Revenge is simplified simplification.

428
00:20:12,460 --> 00:20:14,700
But you have a lot of other

429
00:20:14,860 --> 00:20:17,250
politics happening, between

430
00:20:17,810 --> 00:20:20,290
not only the Harkonnens and Atreides,

431
00:20:20,840 --> 00:20:23,640
but the, the bigger political move was

432
00:20:23,640 --> 00:20:26,520
the fact that the Emperor played by Christopher

433
00:20:26,520 --> 00:20:29,240
Walken. I didn't spoil that for you, did

434
00:20:29,240 --> 00:20:29,560
I?

435
00:20:33,400 --> 00:20:36,040
He, he's the one who really

436
00:20:36,920 --> 00:20:39,800
allowed and even helped,

437
00:20:40,290 --> 00:20:43,100
the Harkonnens wipe, out

438
00:20:43,500 --> 00:20:46,220
the Atreides, which, which is a war crime.

439
00:20:46,350 --> 00:20:49,210
And, which brings me to, one of the

440
00:20:49,210 --> 00:20:52,170
questions that I have for you coming, coming out

441
00:20:52,170 --> 00:20:55,030
of the movie, is

442
00:20:55,750 --> 00:20:58,150
at the end, after,

443
00:20:58,790 --> 00:21:01,629
after everything Will Polk has

444
00:21:01,629 --> 00:21:04,230
put into motion, or fate,

445
00:21:04,310 --> 00:21:06,070
depending on how you want to view it,

446
00:21:07,230 --> 00:21:09,990
has occurred. They, they hear

447
00:21:09,990 --> 00:21:12,590
from the Houses that they do not accept

448
00:21:12,750 --> 00:21:15,040
him ascending to the throne.

449
00:21:15,600 --> 00:21:15,960
>> Will: Right.

450
00:21:17,010 --> 00:21:19,410
>> Sarah : Did you see that coming? And also

451
00:21:19,810 --> 00:21:22,210
like, what was your reaction to that moment?

452
00:21:23,490 --> 00:21:23,890
>> Will: I.

453
00:21:26,450 --> 00:21:28,370
I did not see that coming.

454
00:21:29,190 --> 00:21:31,830
I'd be lying if I did say that.

455
00:21:33,170 --> 00:21:36,050
but what I, but given

456
00:21:36,050 --> 00:21:39,020
what I know and given what we know these

457
00:21:39,020 --> 00:21:41,700
stories, it makes

458
00:21:41,700 --> 00:21:42,580
sense that

459
00:21:45,460 --> 00:21:47,940
the other houses in the Gal in the galaxy

460
00:21:48,420 --> 00:21:49,620
did not accept it.

461
00:21:50,740 --> 00:21:53,579
>> Sarah : Yeah. And why did it

462
00:21:53,579 --> 00:21:54,180
make sense?

463
00:21:55,030 --> 00:21:57,970
>> Will: well, to your point that you were talking about how the Bene Gesserit

464
00:21:57,970 --> 00:21:59,210
were like, you know, really,

465
00:22:02,090 --> 00:22:03,910
you know, were, you know,

466
00:22:04,870 --> 00:22:05,670
part of their.

467
00:22:06,710 --> 00:22:09,350
>> Sarah : Oh, oh, I see what you're saying.

468
00:22:09,350 --> 00:22:12,070
>> Will: M. Yeah. Efforts to like, you know,

469
00:22:13,510 --> 00:22:16,270
keep, you know, keep these houses in

470
00:22:16,270 --> 00:22:18,790
order as far as trying to prevent this holy war.

471
00:22:19,830 --> 00:22:22,230
Well, you know, well, at least

472
00:22:22,790 --> 00:22:23,990
10,000 years ago.

473
00:22:25,990 --> 00:22:28,990
>> Sarah : Yeah, Yeah. I, I was just like, you're

474
00:22:28,990 --> 00:22:31,030
making the Bene Gesserits come out.

475
00:22:32,260 --> 00:22:34,900
like they're the heroes when, when they,

476
00:22:36,180 --> 00:22:39,140
and that's why I find them so interesting because

477
00:22:39,140 --> 00:22:42,020
they're not, they're not the villain, but they're not definitely

478
00:22:42,020 --> 00:22:44,420
not the hero of the story either. Because,

479
00:22:45,380 --> 00:22:48,180
I mean. But I think what you're getting at is,

480
00:22:48,180 --> 00:22:50,500
is arguably why people

481
00:22:51,060 --> 00:22:54,060
should be shocked by it. But it does make sense

482
00:22:54,060 --> 00:22:57,060
in this world because of the,

483
00:22:58,210 --> 00:23:00,970
the, the reaction that I don't know her

484
00:23:00,970 --> 00:23:03,690
name, but the, the Bene

485
00:23:03,690 --> 00:23:06,580
Gesseritz who, was training the

486
00:23:06,580 --> 00:23:09,260
princess. Like when she,

487
00:23:09,340 --> 00:23:12,020
when she sees, Jessica come in

488
00:23:12,500 --> 00:23:15,130
and, pregnant and everything, fully decked out as

489
00:23:15,450 --> 00:23:18,330
Reverend Mother, like, she says,

490
00:23:18,330 --> 00:23:21,050
abomination. And she's

491
00:23:21,050 --> 00:23:23,660
talking about the baby that's inside

492
00:23:23,660 --> 00:23:26,380
Jessica and she's talking about Will Polk

493
00:23:26,700 --> 00:23:29,300
because she's never, she's never

494
00:23:29,300 --> 00:23:32,220
agreed with Jessica and

495
00:23:32,380 --> 00:23:35,140
about how she went about this. And they've

496
00:23:35,140 --> 00:23:38,019
always wanted a female. Like, I

497
00:23:38,019 --> 00:23:40,220
thought that was very, very important.

498
00:23:41,340 --> 00:23:44,290
knowing what we know from Dune prophecy as

499
00:23:44,290 --> 00:23:47,230
well as that scene, with the, the

500
00:23:47,310 --> 00:23:50,190
Jesuit who seduces Fiat,

501
00:23:50,610 --> 00:23:53,260
because he secure. She secures the Harkonnen

502
00:23:53,580 --> 00:23:56,140
bloodline. But it's female,

503
00:23:58,220 --> 00:24:00,940
so it's. So yeah,

504
00:24:01,339 --> 00:24:02,180
yeah, yeah.

505
00:24:02,180 --> 00:24:04,980
>> Will: So especially with the whole abomination thing. That was, where it was just

506
00:24:04,980 --> 00:24:07,630
like, oh, yeah. Anyway, you, know the conversation about

507
00:24:07,630 --> 00:24:09,190
Jessica. That, that, that's,

508
00:24:10,390 --> 00:24:13,270
yeah. Like I said, knowing what. Knowing what I know

509
00:24:13,270 --> 00:24:16,080
now. See, if I had watched this before prophecy, I probably

510
00:24:16,080 --> 00:24:18,860
wouldn. Picked up that, that

511
00:24:19,260 --> 00:24:22,060
I may have. But, but it really became even more

512
00:24:22,060 --> 00:24:24,300
clear having the additional

513
00:24:25,100 --> 00:24:28,100
context of, of, of doom prophecy

514
00:24:28,100 --> 00:24:30,300
and watching this show now, watching this movie now.

515
00:24:30,540 --> 00:24:33,340
>> Sarah : Yeah, I would have. I, I, I

516
00:24:33,340 --> 00:24:36,060
did watch it before and that all of that

517
00:24:36,060 --> 00:24:38,820
stuff went over my head when I was half

518
00:24:38,820 --> 00:24:41,620
watching it. And, but also I

519
00:24:41,620 --> 00:24:44,460
think really what I was trying to say and trying to get

520
00:24:44,460 --> 00:24:46,550
at is your whole point like

521
00:24:48,230 --> 00:24:50,990
that that woman still

522
00:24:50,990 --> 00:24:53,950
had power over all of the other

523
00:24:53,950 --> 00:24:56,750
Truthsayers. So she's already told the other

524
00:24:56,750 --> 00:24:59,670
Truthsayers what to tell the Houses. And

525
00:24:59,670 --> 00:25:02,230
that's why they say no, that they can't accept it.

526
00:25:02,550 --> 00:25:05,490
Because that goes against as long as,

527
00:25:05,440 --> 00:25:08,300
from what we understand in this

528
00:25:08,300 --> 00:25:11,100
world, it's all about

529
00:25:11,500 --> 00:25:14,420
like the, the leaders are so reliant

530
00:25:14,420 --> 00:25:17,310
on, on the Bene Gesserits that

531
00:25:17,470 --> 00:25:19,790
they're just puppets. And so

532
00:25:20,350 --> 00:25:23,350
really. And like the start

533
00:25:23,350 --> 00:25:25,950
of the Holy War is this continuation

534
00:25:26,190 --> 00:25:29,070
of this battle between Jessica and

535
00:25:29,310 --> 00:25:32,300
the other Reverend Mother, who. I don't know her

536
00:25:32,300 --> 00:25:34,060
name off the top of my head, but,

537
00:25:35,300 --> 00:25:38,020
And, and I'm down for that. and also,

538
00:25:38,100 --> 00:25:40,910
just what the heck

539
00:25:40,910 --> 00:25:43,670
will will this baby be considering the

540
00:25:43,670 --> 00:25:46,540
baby was in utero when, when

541
00:25:46,540 --> 00:25:48,340
she took the. The water of life.

542
00:25:53,060 --> 00:25:55,950
Oh my God. the. So moving

543
00:25:55,950 --> 00:25:58,560
back to boring Will Polk, what did,

544
00:25:58,960 --> 00:26:01,560
what, what did you think about the romance

545
00:26:01,560 --> 00:26:04,000
slash chemistry between Will Polk and Johnny?

546
00:26:05,250 --> 00:26:08,250
>> Will: so see that. That was, that was so hard for me. That was

547
00:26:08,250 --> 00:26:11,090
a hard. I mean, I get. They did a

548
00:26:11,090 --> 00:26:14,050
good. I mean, nothing against the performances from,

549
00:26:14,690 --> 00:26:17,140
From Zendaya or, or. Or

550
00:26:17,140 --> 00:26:19,980
Timothy Chalamet. I thought their performances were great.

551
00:26:20,140 --> 00:26:20,630
it just,

552
00:26:23,030 --> 00:26:25,830
it just, it just, it just

553
00:26:25,830 --> 00:26:28,430
didn't work. I mean, it was just boring for me.

554
00:26:28,430 --> 00:26:28,750
>> Sarah : Yeah.

555
00:26:28,750 --> 00:26:31,630
>> Will: I mean. And you know, and I guess this is

556
00:26:31,630 --> 00:26:33,190
where, I mean, I get

557
00:26:35,270 --> 00:26:38,150
why it was, why they set it up

558
00:26:38,150 --> 00:26:41,110
and I know. I think this is a difference too, if I want to say from

559
00:26:41,110 --> 00:26:43,780
the book and the movie, whenever she,

560
00:26:43,780 --> 00:26:46,740
Whenever, you know, whenever he makes the choice at the end of the

561
00:26:46,740 --> 00:26:47,020
film.

562
00:26:48,040 --> 00:26:50,960
>> Will: Because I think in the, If I recall in the book, I think she was,

563
00:26:50,960 --> 00:26:53,880
she was aware of his plan to,

564
00:26:54,450 --> 00:26:57,170
you know, after, you know, to take the hand of the,

565
00:26:57,330 --> 00:26:58,940
of the. The emperor's,

566
00:27:01,040 --> 00:27:03,950
daughter. Yeah. whereas in the movie

567
00:27:03,950 --> 00:27:06,830
they, they twist, they. They spit, they change that. So

568
00:27:06,830 --> 00:27:09,550
I, I understand why they, they

569
00:27:09,550 --> 00:27:12,470
did all the, all the pieces of, of

570
00:27:12,630 --> 00:27:14,470
building that relationship. And, and

571
00:27:17,580 --> 00:27:20,140
And also just. And I guess also I think just really,

572
00:27:21,420 --> 00:27:23,900
you know, it was really important, I guess to really

573
00:27:23,980 --> 00:27:26,940
establish Will Polk as

574
00:27:27,440 --> 00:27:30,000
you know, to be able to be

575
00:27:30,000 --> 00:27:32,790
accepted by the Fremen, not only, you

576
00:27:32,790 --> 00:27:35,710
know, you know, for their relationship, but also I think

577
00:27:35,710 --> 00:27:38,620
just overall, they just couldn't rush

578
00:27:38,620 --> 00:27:41,580
through those scenes in order for us to legitimately believe

579
00:27:41,580 --> 00:27:44,520
that. That Will Polk, you know, rose to the level

580
00:27:45,080 --> 00:27:47,960
of leadership for the Freeman. So, so

581
00:27:47,960 --> 00:27:50,920
all of those things felt very necessary. But

582
00:27:50,920 --> 00:27:53,840
some. But sometimes I did feel like, man, could they tighten it up just

583
00:27:53,840 --> 00:27:54,360
a little bit.

584
00:27:54,760 --> 00:27:57,600
>> Sarah : Yeah, I think, that

585
00:27:58,400 --> 00:28:01,290
the The writing was more focused on

586
00:28:01,530 --> 00:28:03,850
their relationship, kind of

587
00:28:04,000 --> 00:28:06,900
exemplifying this whole conflict

588
00:28:06,900 --> 00:28:09,420
between Will Polk trying

589
00:28:09,660 --> 00:28:12,390
to, Trying

590
00:28:12,550 --> 00:28:15,430
to become a Freeman, but

591
00:28:15,670 --> 00:28:18,310
also like that whole,

592
00:28:18,630 --> 00:28:21,550
this whole conflict between him and Jessica

593
00:28:21,550 --> 00:28:24,350
of like, you want me to be the

594
00:28:24,350 --> 00:28:27,030
Messiah. I don't want to be the Messiah. And even,

595
00:28:27,220 --> 00:28:30,160
Still guard. Javier Bardem's character is like,

596
00:28:30,160 --> 00:28:32,880
no, you're the Messiah. But, but even,

597
00:28:32,960 --> 00:28:35,040
even Stilgaard had to be like

598
00:28:35,940 --> 00:28:38,740
you. You could Die while you're doing this. And then. Well,

599
00:28:38,900 --> 00:28:41,900
you weren't the Messiah. I don't

600
00:28:41,900 --> 00:28:44,660
really know what you want me to do here. And,

601
00:28:44,710 --> 00:28:47,650
And then he himself, who. Will Polk, who

602
00:28:47,650 --> 00:28:50,650
has seen visions, is also just like,

603
00:28:52,010 --> 00:28:54,930
I don't. Some of these things I don't want to

604
00:28:54,930 --> 00:28:57,450
happen. So I'm trying to also

605
00:28:57,450 --> 00:28:59,850
navigate my choices to prevent

606
00:29:00,320 --> 00:29:02,970
certain outcomes. and not just to

607
00:29:02,970 --> 00:29:05,690
achieve something. And then while

608
00:29:05,770 --> 00:29:08,570
Chani's whispering in his ear, also,

609
00:29:08,650 --> 00:29:11,650
the idea that if you become

610
00:29:11,650 --> 00:29:14,490
the Messiah, it's. It's just another form

611
00:29:14,490 --> 00:29:17,330
of control. like. Like

612
00:29:17,410 --> 00:29:20,330
religious. And our history is filled

613
00:29:20,330 --> 00:29:23,330
with them. Religious wars is, like, all over

614
00:29:23,330 --> 00:29:26,220
the place. It. It is. It's. It's. So one

615
00:29:26,220 --> 00:29:28,980
of the most biggest things that lead to

616
00:29:28,980 --> 00:29:31,100
war, lead to holy wars.

617
00:29:32,250 --> 00:29:35,050
is. Is your religion and your faith. And,

618
00:29:35,980 --> 00:29:38,860
So I think that they sp.

619
00:29:38,940 --> 00:29:40,700
They had to really,

620
00:29:42,990 --> 00:29:45,950
really harp on that point and make

621
00:29:45,950 --> 00:29:48,670
that very clear for the politics of the

622
00:29:48,670 --> 00:29:49,070
movie.

623
00:29:49,470 --> 00:29:49,950
>> Will: Yeah.

624
00:29:49,950 --> 00:29:52,600
>> Sarah : Therefore, the romantic

625
00:29:52,680 --> 00:29:55,640
aspect of watching two people fall in

626
00:29:55,640 --> 00:29:58,480
love fell to the wayside. There was

627
00:29:58,480 --> 00:30:01,360
no romance. I'm sorry. I've seen it twice now. I

628
00:30:01,360 --> 00:30:03,880
didn't feel it the first time. It just.

629
00:30:04,200 --> 00:30:07,000
I. I get it. But I also.

630
00:30:07,239 --> 00:30:10,120
I was like, I'm not watching two people fall in love.

631
00:30:10,200 --> 00:30:13,120
There. There wasn't a moment where I

632
00:30:13,120 --> 00:30:15,920
was very convinced that Johnny, like, saw

633
00:30:15,920 --> 00:30:18,720
something different. I. And so

634
00:30:18,720 --> 00:30:21,640
I think that. And I understand, like, what

635
00:30:21,640 --> 00:30:24,320
you were saying. Like, I get why.

636
00:30:24,960 --> 00:30:27,360
But it is kind of annoying

637
00:30:27,680 --> 00:30:29,440
because, like,

638
00:30:30,320 --> 00:30:33,120
either then it's just a

639
00:30:33,120 --> 00:30:36,120
matter. Well, then was it really necessary for them fall

640
00:30:36,120 --> 00:30:38,920
in love? But hey, there's going to be a third

641
00:30:38,920 --> 00:30:41,880
movie and they've clearly have a love triangle set up, so

642
00:30:41,880 --> 00:30:42,310
whatever.

643
00:30:43,500 --> 00:30:46,420
>> Will: Yeah, like, yeah, I mean, I'm glad you brought the religion, the.

644
00:30:46,420 --> 00:30:48,780
The religious aspects of it and the

645
00:30:48,780 --> 00:30:51,330
messianic, with. With Will Polk, because that. That.

646
00:30:51,570 --> 00:30:54,570
So you're right. I think when, though.

647
00:30:54,570 --> 00:30:56,609
Whenever was. With,

648
00:30:57,640 --> 00:31:00,640
Those scenes were happening. When those things were happening in the first part

649
00:31:00,640 --> 00:31:03,400
of the movie. And just, you know,

650
00:31:03,400 --> 00:31:06,400
the reluctant M. You know, with Will Polk, you know, when

651
00:31:06,400 --> 00:31:09,280
he's learning how to learn Drive the sand warm. I mean, just all

652
00:31:09,280 --> 00:31:12,140
those things. Those. That's when I think this

653
00:31:12,140 --> 00:31:15,020
movie excels. M. And, you

654
00:31:15,020 --> 00:31:16,180
know, and so

655
00:31:17,780 --> 00:31:20,540
that those narratives were, you know,

656
00:31:20,540 --> 00:31:23,380
really, really resonated. And. And you're right. I

657
00:31:23,380 --> 00:31:25,780
mean, they really were good explorations

658
00:31:26,020 --> 00:31:28,430
of. Of, the, you know, the dangers of religious

659
00:31:28,430 --> 00:31:31,060
fanaticism. you know, we see that with the

660
00:31:31,060 --> 00:31:33,980
Fremen, you know, because even within them. Even if within The

661
00:31:33,980 --> 00:31:36,950
Fremen you had, you know, you know, there was like the north action

662
00:31:36,950 --> 00:31:38,110
in the south, you know.

663
00:31:38,110 --> 00:31:38,510
>> Sarah : Yeah.

664
00:31:38,510 --> 00:31:41,390
>> Will: So, so, you know, so I,

665
00:31:41,630 --> 00:31:44,390
I, I, I really, that, that, that, that part of the

666
00:31:44,390 --> 00:31:47,110
world, exploring that world really was very

667
00:31:47,110 --> 00:31:49,790
fascinating just to sort of see those aspects were out

668
00:31:50,830 --> 00:31:53,630
get, get, get, debated about. and I think that's

669
00:31:53,630 --> 00:31:56,510
where, that's where this, I think this is where, where the second

670
00:31:56,510 --> 00:31:59,490
film definitely succeeds over the first film, by

671
00:31:59,490 --> 00:32:00,450
really exploring that,

672
00:32:01,170 --> 00:32:03,330
>> Sarah : Oh yeah, the, the politics

673
00:32:04,770 --> 00:32:07,770
and, and, and, and we have now because

674
00:32:07,770 --> 00:32:10,530
we watch doom prophecy, we, we know the

675
00:32:10,530 --> 00:32:13,370
houses. This wasn't about the houses at

676
00:32:13,370 --> 00:32:16,369
all. This was about, well, arguably it's

677
00:32:16,369 --> 00:32:18,850
a little bit about Harkonnen and the treaties, but

678
00:32:19,330 --> 00:32:22,250
overall the themes and the, and the

679
00:32:22,250 --> 00:32:25,170
real deep thought pieces

680
00:32:25,490 --> 00:32:28,450
that and themes that play out throughout this

681
00:32:28,450 --> 00:32:31,090
movie have to do with the

682
00:32:31,250 --> 00:32:34,210
politics of the, of, of

683
00:32:34,290 --> 00:32:36,920
Dune, Attra. Attrakus

684
00:32:36,920 --> 00:32:39,560
itself and, and

685
00:32:40,440 --> 00:32:43,130
everything that's there. the, the other nice

686
00:32:43,290 --> 00:32:46,180
bit of writing that I did not catch on, the

687
00:32:46,180 --> 00:32:49,160
first time around, was, M. Ma

688
00:32:49,160 --> 00:32:52,080
did. So that's,

689
00:32:52,080 --> 00:32:54,880
that's his chosen name. And

690
00:32:54,880 --> 00:32:57,640
it's based off of what they refer to as the desert

691
00:32:57,640 --> 00:33:00,240
mouse, who you do see in the

692
00:33:00,240 --> 00:33:03,160
movie. And, and it is a

693
00:33:03,160 --> 00:33:05,800
creature that is able to survive,

694
00:33:06,630 --> 00:33:09,220
in, in this pit, and

695
00:33:09,380 --> 00:33:12,340
rule. And, and the piece of writing that

696
00:33:12,340 --> 00:33:15,180
I thought was interesting and I did not catch the first

697
00:33:15,180 --> 00:33:17,580
time was the first time we see,

698
00:33:18,270 --> 00:33:20,940
Batista's character, Beast

699
00:33:21,020 --> 00:33:23,420
Robin. He comes in and,

700
00:33:23,980 --> 00:33:26,620
and he starts referring to the Freeman

701
00:33:26,780 --> 00:33:29,540
as rats. Like the rats are

702
00:33:29,540 --> 00:33:32,220
disrupted and this is like 20

703
00:33:32,300 --> 00:33:34,860
minutes before we, we.

704
00:33:35,260 --> 00:33:37,980
But there's, there's little beats

705
00:33:37,980 --> 00:33:40,220
like that that I think are really nice.

706
00:33:43,510 --> 00:33:46,430
I just to circle back to my favorite character and the

707
00:33:46,430 --> 00:33:49,340
favorite part of this movie. what,

708
00:33:49,420 --> 00:33:52,300
what were your thoughts throughout the

709
00:33:52,300 --> 00:33:54,620
movie with, ah, about,

710
00:33:55,420 --> 00:33:58,220
about the unborn child and. Because

711
00:33:58,220 --> 00:34:00,540
we see there's a lot of cuts

712
00:34:00,940 --> 00:34:03,420
to a baby, a fetus. Right.

713
00:34:03,820 --> 00:34:06,700
And then there are a lot of instances where

714
00:34:06,860 --> 00:34:09,660
Jessica is clear, clearly talking to her and she's

715
00:34:09,660 --> 00:34:12,380
talking back. But it isn't until

716
00:34:12,780 --> 00:34:15,740
way late when, when Will Polk sees her

717
00:34:16,540 --> 00:34:19,420
on a terra lar. Joy in the dream

718
00:34:19,420 --> 00:34:22,420
sequence that we actually start to hear her voice

719
00:34:22,420 --> 00:34:25,350
ourselves. so, so what did you think about

720
00:34:25,430 --> 00:34:28,310
this whole unborn child

721
00:34:28,550 --> 00:34:31,030
kind of being a major character in the movie?

722
00:34:31,750 --> 00:34:32,870
>> Will: Yeah, yeah.

723
00:34:33,680 --> 00:34:36,240
>> Sarah : it, did it work?

724
00:34:37,120 --> 00:34:40,040
>> Will: I think it, you know, I think it

725
00:34:40,040 --> 00:34:42,760
did. I probably need to like, watch it again to like really get

726
00:34:42,760 --> 00:34:45,440
a fuller sense of it.

727
00:34:46,900 --> 00:34:49,220
But it did work. I mean, I think

728
00:34:50,020 --> 00:34:51,700
especially, I especially.

729
00:34:53,060 --> 00:34:55,700
Well, a couple things. I think it works

730
00:34:57,700 --> 00:34:58,900
as far as,

731
00:35:02,450 --> 00:35:05,330
you know, whenever they do get the waters and you know, we see,

732
00:35:05,330 --> 00:35:08,290
you know, we see Jessica, you know, take it early on.

733
00:35:08,730 --> 00:35:11,620
>> Will: And, and then I guess, I mean, I know later in the

734
00:35:11,620 --> 00:35:14,220
film, I mean, I guess part of these. And the, the

735
00:35:14,379 --> 00:35:17,180
Benny, the, the, the other m. Reverend

736
00:35:17,180 --> 00:35:20,060
Mother was like calling Will Polk an abomination. Was, you know, I

737
00:35:20,060 --> 00:35:22,940
think. Didn't he also, if I recall, didn't he also drink the water?

738
00:35:23,340 --> 00:35:26,060
>> Sarah : Yeah, yeah, he had to. Like we,

739
00:35:26,620 --> 00:35:29,500
he, he had to. So what

740
00:35:29,500 --> 00:35:32,380
happens is FAID comes

741
00:35:32,860 --> 00:35:35,860
and then does an attack in the north and then

742
00:35:35,860 --> 00:35:38,300
that pushes them south and

743
00:35:38,540 --> 00:35:41,499
Paul's reluctant to go. And meanwhile

744
00:35:41,580 --> 00:35:44,380
we're seeing Jessica talk to this person

745
00:35:44,780 --> 00:35:47,700
who's. We. We get shown how they even

746
00:35:47,700 --> 00:35:49,940
acquire the Water of Life.

747
00:35:49,940 --> 00:35:50,520
>> Will: Yeah.

748
00:35:50,520 --> 00:35:53,290
>> Sarah : which is this whole ritual. And, and it's, and

749
00:35:53,290 --> 00:35:56,290
it's very clear throughout the movie as we're

750
00:35:56,290 --> 00:35:59,290
seeing this sermon ceremony from

751
00:35:59,290 --> 00:36:02,250
all of these different perspectives, men do not

752
00:36:02,250 --> 00:36:03,010
survive it.

753
00:36:03,490 --> 00:36:04,570
>> Will: Right. Yeah.

754
00:36:04,570 --> 00:36:07,440
>> Sarah : and so even Jessica herself, given the

755
00:36:07,440 --> 00:36:10,400
fact that she's pregnant, she doesn't realize. No. If she

756
00:36:10,400 --> 00:36:13,160
has a girl. Well, she might have, but

757
00:36:13,400 --> 00:36:16,240
she didn't realize, I don't think at that time, if

758
00:36:16,240 --> 00:36:18,820
she had a girl or boy. And,

759
00:36:18,980 --> 00:36:21,380
and then she gets forced into

760
00:36:21,620 --> 00:36:24,460
taking the Water of Life and then that allows

761
00:36:24,460 --> 00:36:27,220
her to ascend, to become the new Reverend Mother,

762
00:36:27,700 --> 00:36:30,680
Mother for the Freeman. and so she

763
00:36:30,680 --> 00:36:33,400
sets this all up because her and the

764
00:36:33,400 --> 00:36:36,200
baby realize Will Polk

765
00:36:36,200 --> 00:36:39,120
has to do that. That's the only way she

766
00:36:39,120 --> 00:36:41,920
says it. Like a good 20 minutes

767
00:36:41,920 --> 00:36:44,770
to half hour. I think she even says it

768
00:36:44,770 --> 00:36:46,990
before she goes. And, to,

769
00:36:47,640 --> 00:36:50,120
witness how they secure the water.

770
00:36:50,440 --> 00:36:53,160
Like. Yeah, I,

771
00:36:54,760 --> 00:36:57,600
and, and, and I think to go back to

772
00:36:57,600 --> 00:36:59,480
what you said very early on,

773
00:37:00,740 --> 00:37:03,460
why it was the last step is because of that,

774
00:37:03,620 --> 00:37:06,060
that revenge seeking up and being the

775
00:37:06,060 --> 00:37:09,000
realization that you are both

776
00:37:09,000 --> 00:37:10,560
Atreides and Harkonnen.

777
00:37:10,880 --> 00:37:11,360
>> Will: Yeah.

778
00:37:11,440 --> 00:37:13,960
>> Sarah : So, Yeah,

779
00:37:13,960 --> 00:37:16,400
yeah, Will Polk, Will Polk took it as well.

780
00:37:16,960 --> 00:37:19,840
>> Will: Yeah. Will Polk took it as well. Yeah. And then. Yeah.

781
00:37:20,000 --> 00:37:22,919
I don't know if that, you know, I don't know if that helped him, like, you

782
00:37:22,919 --> 00:37:25,680
know, have a. I mean, definitely.

783
00:37:25,680 --> 00:37:28,480
Obviously now it gives him the ability

784
00:37:28,560 --> 00:37:31,560
to like, you know, clearly, you know, have the

785
00:37:31,560 --> 00:37:34,520
same abilities as a Bene Gesserit, which, you know, able to tap

786
00:37:34,520 --> 00:37:37,400
into the, you know, the ancestral

787
00:37:37,880 --> 00:37:40,680
memories and, and, you know, and you

788
00:37:40,680 --> 00:37:43,560
know, be able to see all the futures. And maybe that's where,

789
00:37:43,560 --> 00:37:46,280
you know, to your point, about the conversation with, you know, with.

790
00:37:46,280 --> 00:37:49,160
With this. With a sister. I mean, maybe that was part.

791
00:37:49,640 --> 00:37:51,400
But I'm trying. But I guess that happened.

792
00:37:52,360 --> 00:37:55,160
>> Sarah : That happened during the

793
00:37:55,160 --> 00:37:57,720
Secret. It's just such a brief moment.

794
00:37:58,120 --> 00:38:00,760
Like, Anna Taylor Joy is in the movie for five

795
00:38:00,760 --> 00:38:03,720
seconds. She's literally the least in the movie.

796
00:38:04,200 --> 00:38:06,520
There's a lot of people who are hardly in the mov.

797
00:38:07,380 --> 00:38:09,540
Season the least. But,

798
00:38:10,150 --> 00:38:11,310
But yeah, he.

799
00:38:12,590 --> 00:38:15,470
>> Will: So, yeah, so maybe that. That

800
00:38:15,470 --> 00:38:18,390
tapped it. And it's like everything, you know, so I guess he's, you know, he

801
00:38:18,390 --> 00:38:21,150
is seeing the fe. You know, he's.

802
00:38:21,310 --> 00:38:24,240
I guess he's, becoming aware of everything at

803
00:38:24,240 --> 00:38:27,240
that moment. Yeah, that gives him that last little step to be able to,

804
00:38:27,240 --> 00:38:27,880
you know, really.

805
00:38:28,680 --> 00:38:29,960
>> Sarah : Sorcerer Supreme.

806
00:38:30,360 --> 00:38:30,880
>> Will: Yeah.

807
00:38:30,880 --> 00:38:33,480
>> Sarah : Yeah, because he's different. He's different

808
00:38:33,560 --> 00:38:36,440
after it. He and

809
00:38:36,440 --> 00:38:38,920
you. And you can see it. And I did, like,

810
00:38:39,550 --> 00:38:41,550
Zendaya's performance of

811
00:38:42,830 --> 00:38:45,790
her. Her. There was

812
00:38:45,790 --> 00:38:48,510
helplessness there where she just is

813
00:38:48,510 --> 00:38:51,430
like. But. But he. He's doing something

814
00:38:51,430 --> 00:38:54,330
else now. And I, I know people have done

815
00:38:54,330 --> 00:38:57,090
this comparison before, but it's like he took it

816
00:38:57,090 --> 00:38:59,680
and then, he becomes, the Sorcerer

817
00:38:59,680 --> 00:39:02,560
Supreme. Remember? Remember?

818
00:39:02,640 --> 00:39:05,510
And, yeah. Where you can see all of the

819
00:39:05,510 --> 00:39:08,310
different futures. And then it's like, no, this is the one that

820
00:39:08,310 --> 00:39:11,310
we're gonna do. Because, no, like. Like,

821
00:39:11,310 --> 00:39:13,310
there was no convincing. And

822
00:39:14,590 --> 00:39:17,550
so then that leads us to the other

823
00:39:17,710 --> 00:39:20,510
question I had. My last question was really,

824
00:39:21,550 --> 00:39:23,470
so after all that process,

825
00:39:25,170 --> 00:39:27,890
when he goes, goes. He's in the

826
00:39:27,890 --> 00:39:30,850
south. There's all of these tribes, and

827
00:39:30,850 --> 00:39:32,530
then they tell him he has to kill,

828
00:39:33,790 --> 00:39:36,350
Javier Bardem's character. And,

829
00:39:36,650 --> 00:39:39,500
And then he has a speech, and it's a

830
00:39:39,500 --> 00:39:40,580
rally cry.

831
00:39:42,180 --> 00:39:44,940
And even Jessica, like, is whispering,

832
00:39:44,940 --> 00:39:47,300
slow down, you're going too fast. Or everything.

833
00:39:48,500 --> 00:39:50,580
Did. Did you buy that performance,

834
00:39:51,300 --> 00:39:52,420
in that moment?

835
00:39:52,500 --> 00:39:54,180
>> Will: Yeah, yeah, yeah, I did.

836
00:39:55,300 --> 00:39:57,940
Yeah, I did. I did. I completely bought that performance.

837
00:39:58,100 --> 00:40:00,940
That. That, like, I said that that was when I was like,

838
00:40:00,940 --> 00:40:03,740
okay, I made it through. And. And.

839
00:40:03,740 --> 00:40:06,700
And. And it's,

840
00:40:06,700 --> 00:40:09,580
you know, that I was. I was locked. That. That was part

841
00:40:09,580 --> 00:40:11,140
that. And also, of course, when,

842
00:40:12,280 --> 00:40:15,010
yeah, Austin Butler's character shows up,

843
00:40:15,370 --> 00:40:18,210
because I was looking for, you know, looking for, feed

844
00:40:18,210 --> 00:40:21,090
for. For the longest time. But, yeah, those were. Those were

845
00:40:21,090 --> 00:40:23,810
the moments that. That I did buy it. I did buy it.

846
00:40:23,970 --> 00:40:26,720
it was just like, okay, I felt. I felt that that was an earned moment.

847
00:40:27,280 --> 00:40:30,160
>> Sarah : Yeah. Yeah, I. I felt like it

848
00:40:30,160 --> 00:40:32,780
was earned. but I will

849
00:40:32,940 --> 00:40:35,820
again. I don't. I don't know, because I Even

850
00:40:36,140 --> 00:40:38,700
after I watched the first time, I listened to,

851
00:40:39,500 --> 00:40:41,980
Kind of Funny has a great movie review because

852
00:40:42,780 --> 00:40:44,640
Nic, and Kevin have both read the books.

853
00:40:44,960 --> 00:40:45,520
>> Will: Okay.

854
00:40:45,600 --> 00:40:48,560
>> Sarah : so they're like, so. And like the

855
00:40:48,560 --> 00:40:49,120
books.

856
00:40:53,040 --> 00:40:55,920
Yeah. So like, I even listened to,

857
00:40:56,180 --> 00:40:58,970
their discussion about it. But then

858
00:40:59,530 --> 00:41:02,170
for whatever reason, when I watched it again yesterday,

859
00:41:02,730 --> 00:41:05,510
so minutes, so much more came to light. And then I

860
00:41:05,510 --> 00:41:08,110
even started re. Watching their review of it.

861
00:41:08,510 --> 00:41:11,150
And then. And so it is, it is.

862
00:41:12,510 --> 00:41:12,870
>> Will: The.

863
00:41:12,870 --> 00:41:15,590
>> Sarah : The lore is so big with this.

864
00:41:15,590 --> 00:41:16,670
>> Will: Yeah, yeah.

865
00:41:17,390 --> 00:41:20,270
>> Sarah : That I'm sure, I'm sure that there

866
00:41:20,270 --> 00:41:22,990
are, There are thesises out there

867
00:41:23,470 --> 00:41:26,310
that will nitpick and tell you every little

868
00:41:26,310 --> 00:41:29,230
thing. And we probably just did the surface level.

869
00:41:31,550 --> 00:41:34,470
Yeah. It's also. The movie's been out for a while and the

870
00:41:34,470 --> 00:41:35,550
book even longer.

871
00:41:38,830 --> 00:41:41,320
>> Will: Y'. All. But. Yeah, but. No, but, Yeah,

872
00:41:41,720 --> 00:41:44,520
I completely agree with you. I mean, yeah, I mean, you know

873
00:41:44,520 --> 00:41:47,440
how you feel like sometimes with Star Trek. That's

874
00:41:47,440 --> 00:41:48,520
how I feel with Dune.

875
00:41:50,520 --> 00:41:53,520
Because I know. I will freely admit I am

876
00:41:53,520 --> 00:41:55,790
not. I, you know, haven't.

877
00:41:56,670 --> 00:41:59,470
This is not a universe that I have, you know, in my

878
00:41:59,470 --> 00:42:02,370
Sci Fi journey.

879
00:42:03,400 --> 00:42:06,320
is. I'm not, you know, I'm not doing it. I'm not.

880
00:42:06,320 --> 00:42:09,079
And you know, it took me a while to get to the first

881
00:42:09,079 --> 00:42:11,930
film. I did watch the 84 David lynch

882
00:42:11,930 --> 00:42:14,700
version. I didn't. I don't think I

883
00:42:14,700 --> 00:42:17,550
watched the Sci Fi Channel version of it. and you know,

884
00:42:17,550 --> 00:42:20,390
obviously with Denny's movies, it's taken me a while to

885
00:42:20,390 --> 00:42:23,390
get, you know, it took me forever to get to the first one and now, you know,

886
00:42:23,390 --> 00:42:25,310
it took me almost a year to watch the second one.

887
00:42:26,430 --> 00:42:29,350
So I'm not a Dune head, but I

888
00:42:29,350 --> 00:42:32,350
will, you know, but I'm glad I did watch it because

889
00:42:33,150 --> 00:42:35,790
this film, and I, I know we ain't even, you know, we hadn't even talked about,

890
00:42:35,830 --> 00:42:38,820
Austin Butler and, and, and, and I mean, I know

891
00:42:38,820 --> 00:42:41,540
we did before recording, but, but I am

892
00:42:41,540 --> 00:42:44,460
glad I did because I feel like I, I would

893
00:42:44,460 --> 00:42:46,740
have missed out on it on an epic

894
00:42:48,100 --> 00:42:50,860
film that, that needs to be

895
00:42:50,860 --> 00:42:51,380
watched.

896
00:42:51,690 --> 00:42:54,530
>> Sarah : Are you a little mad that you didn't watch it in

897
00:42:54,530 --> 00:42:55,130
theaters?

898
00:42:55,530 --> 00:42:58,410
>> Will: I am, yeah. I am just like I was with the

899
00:42:58,410 --> 00:42:58,890
first one.

900
00:42:59,210 --> 00:42:59,610
>> Sarah : Yeah.

901
00:42:59,610 --> 00:43:02,490
>> Will: Because the, the scale and the scope and I am,

902
00:43:02,490 --> 00:43:05,130
you know, so when Doom Messiah comes out, I'm.

903
00:43:05,450 --> 00:43:08,300
My ass will be in. Well, my butt will be in the seat.

904
00:43:09,660 --> 00:43:10,780
>> Sarah : You heard it here.

905
00:43:13,420 --> 00:43:16,340
>> Will: Yeah. Because this is twice now where I'm just like, damn it, I should

906
00:43:16,340 --> 00:43:19,180
have watched this in the Theater. Because this, the size and this is

907
00:43:19,180 --> 00:43:21,260
scale and the scope and the

908
00:43:21,260 --> 00:43:24,060
cinematography and everything. I mean,

909
00:43:24,220 --> 00:43:27,140
you know, I'm glad Denny is doing the James Bond

910
00:43:27,140 --> 00:43:29,940
franchise moving forward because, you know,

911
00:43:29,940 --> 00:43:32,740
whatever you think about his storytelling abilities, the

912
00:43:32,740 --> 00:43:35,490
man can shoot. Shoot a movie. He can direct.

913
00:43:35,490 --> 00:43:38,170
>> Sarah : Oh, yeah, yeah, yeah. He,

914
00:43:38,570 --> 00:43:40,250
he knows scale.

915
00:43:40,650 --> 00:43:41,170
>> Will: Yeah.

916
00:43:41,170 --> 00:43:43,620
>> Sarah : So well. And I, I, think.

917
00:43:44,100 --> 00:43:46,550
I think with a lot of his, set

918
00:43:46,550 --> 00:43:49,270
pieces, he knows how to create

919
00:43:49,510 --> 00:43:52,360
space. because we talk about this a

920
00:43:52,360 --> 00:43:54,970
lot about, especially with

921
00:43:55,210 --> 00:43:57,520
the, the comic books stuff, and

922
00:43:57,920 --> 00:44:00,480
you have these large set pieces and

923
00:44:00,640 --> 00:44:03,560
there's so much going on and it becomes so chaotic and

924
00:44:03,560 --> 00:44:06,400
then it just, it just gets jumbled and it,

925
00:44:06,400 --> 00:44:09,280
it. You don't know where people are

926
00:44:10,000 --> 00:44:12,920
and you're just like, okay, Uh-huh. But

927
00:44:13,160 --> 00:44:16,120
with a lot of the execution of the

928
00:44:16,120 --> 00:44:19,000
big set pieces here, I don't think

929
00:44:19,000 --> 00:44:21,950
people got lost. I, I

930
00:44:21,950 --> 00:44:24,590
feel like there was a, there was a,

931
00:44:25,180 --> 00:44:28,060
almost a cleanness about

932
00:44:28,460 --> 00:44:31,080
how the, the, action

933
00:44:31,160 --> 00:44:34,000
sequences were framed and set up

934
00:44:34,000 --> 00:44:36,960
and designed, that in such a

935
00:44:36,960 --> 00:44:39,720
dirty place. It just felt very clear

936
00:44:40,039 --> 00:44:42,950
and centered. so I, I agree

937
00:44:43,270 --> 00:44:46,070
that him going over into the

938
00:44:46,070 --> 00:44:48,310
spy action thriller genre,

939
00:44:49,270 --> 00:44:52,110
very different, arguably different set pieces.

940
00:44:52,110 --> 00:44:54,950
You mean you're not building an entire world. That was

941
00:44:54,950 --> 00:44:56,750
the other thing that,

942
00:45:02,100 --> 00:45:03,460
It didn't feel fake.

943
00:45:04,100 --> 00:45:05,940
>> Will: No, it, no, that's the thing.

944
00:45:06,260 --> 00:45:08,180
>> Sarah : It felt like a lived in place.

945
00:45:08,580 --> 00:45:11,500
>> Will: Yeah. Yeah, that, that as I was

946
00:45:11,500 --> 00:45:14,420
watching especially, like, yeah, I was watching some of the scenes, I was

947
00:45:14,420 --> 00:45:17,340
thinking that very thing. It was like, you know, with the help, with

948
00:45:17,340 --> 00:45:20,260
the, with the, the, the aircraft and

949
00:45:20,260 --> 00:45:22,900
spaceship, I mean, you know,

950
00:45:23,220 --> 00:45:26,180
it did, it just felt real and

951
00:45:26,260 --> 00:45:29,220
it didn't feel like I was watching stuff on a blue screen or

952
00:45:29,220 --> 00:45:31,860
greens or in the, or in the volume. I mean,

953
00:45:32,340 --> 00:45:35,140
it just, just tactile. I mean, and

954
00:45:35,140 --> 00:45:38,020
even the TV show, I mean, was also that

955
00:45:38,020 --> 00:45:40,420
same way. But in the film, I mean,

956
00:45:41,300 --> 00:45:44,050
that was another thing that I really just, Again,

957
00:45:44,850 --> 00:45:47,770
my ass will be in the theater when the

958
00:45:47,770 --> 00:45:50,690
third movie comes out, because I have now watched it twice.

959
00:45:50,690 --> 00:45:53,410
I'm sitting here at home and I feel like.

960
00:45:54,370 --> 00:45:57,290
I feel. I feel like I robbed myself of

961
00:45:57,290 --> 00:45:59,010
a cinematic experience.

962
00:45:59,890 --> 00:46:00,370
>> Sarah : Yeah.

963
00:46:00,690 --> 00:46:01,170
>> Will: Yeah.

964
00:46:02,210 --> 00:46:05,010
>> Sarah : All right, well, that brings us to,

965
00:46:05,320 --> 00:46:08,021
Peacemaker, Season 2, Episode

966
00:46:08,112 --> 00:46:10,280
4. Need I say door?

967
00:46:11,030 --> 00:46:14,010
where. And I, I did not realize

968
00:46:14,010 --> 00:46:16,610
this. And I don't know if you've picked up on this. Every

969
00:46:16,610 --> 00:46:19,420
episode so far has, ah, began

970
00:46:19,420 --> 00:46:20,540
with a flashback.

971
00:46:22,700 --> 00:46:25,380
And, and this flashback is

972
00:46:25,380 --> 00:46:28,380
35 years ago. And immediately

973
00:46:28,380 --> 00:46:30,940
you're like, oh, there's Augie and His sons,

974
00:46:32,860 --> 00:46:35,630
they kill an alien. They, they miss m. They

975
00:46:35,630 --> 00:46:38,270
must. They mistook an

976
00:46:38,270 --> 00:46:41,150
alien for a deer or a deer for an alien.

977
00:46:41,390 --> 00:46:44,240
And, they didn't have any questions about where

978
00:46:44,240 --> 00:46:47,000
did it come from or anything. But the alien

979
00:46:47,000 --> 00:46:49,440
leads them to a door, and the door

980
00:46:49,440 --> 00:46:52,190
essentially is, what

981
00:46:52,190 --> 00:46:54,830
we learn in the future is

982
00:46:54,910 --> 00:46:57,730
the portal. so,

983
00:46:57,730 --> 00:46:59,810
so Auggie is not a super genius.

984
00:47:01,090 --> 00:47:03,570
He, he, he's just Auggie. And,

985
00:47:03,960 --> 00:47:06,760
yeah, that. So, so we get, we get,

986
00:47:06,760 --> 00:47:09,680
we get essentially this episode, because

987
00:47:09,680 --> 00:47:12,680
it's called, Need I say Door is about the door,

988
00:47:12,680 --> 00:47:15,680
the portal. And, and now the

989
00:47:15,680 --> 00:47:18,610
dilemmas. because with every episode, just like

990
00:47:18,610 --> 00:47:21,370
I said, every episode begins with Flashlight. And

991
00:47:21,450 --> 00:47:24,200
so far, every episode has begun with, well,

992
00:47:24,600 --> 00:47:27,320
things are about to hit each other, but we're

993
00:47:27,320 --> 00:47:29,960
gonna wait until next week to explain it.

994
00:47:30,520 --> 00:47:30,880
>> Will: Yeah.

995
00:47:30,880 --> 00:47:31,400
>> Sarah : Okay.

996
00:47:34,120 --> 00:47:37,080
>> Will: I will say with the flashback, I had a thought about the, you know,

997
00:47:37,080 --> 00:47:39,160
thought about this especially, that we learned,

998
00:47:40,710 --> 00:47:43,670
that Augie didn't make any

999
00:47:43,670 --> 00:47:46,670
of the helmets and stuff. I, I,

1000
00:47:46,670 --> 00:47:49,590
I, you know, how that alien, like, keeps popping up in the,

1001
00:47:49,990 --> 00:47:52,710
quantum chamber. I was, I was

1002
00:47:52,710 --> 00:47:55,350
like, I wonder if that's the person who makes all these,

1003
00:47:55,430 --> 00:47:58,430
makes all the, all the things for, for

1004
00:47:58,430 --> 00:48:01,270
Peacemaker. Because the guy, he just keeps showing up.

1005
00:48:02,070 --> 00:48:04,990
And even though Chris, like, you know, you know, tells him to

1006
00:48:04,990 --> 00:48:07,750
go, you know, calls him rude and all that other stuff, I mean,

1007
00:48:07,750 --> 00:48:10,470
there's, there's got to be something to this, there's got to be something

1008
00:48:10,470 --> 00:48:13,150
deeper to this gag for James to be, like,

1009
00:48:13,150 --> 00:48:16,030
continuing to, like, have it show up. And even the, even the

1010
00:48:16,030 --> 00:48:18,660
creature, even the alien shows up in the beginning, in the opening

1011
00:48:18,660 --> 00:48:21,620
credits too. So, yeah, I might

1012
00:48:21,620 --> 00:48:21,860
be.

1013
00:48:21,860 --> 00:48:24,620
>> Sarah : No, I'm right there with you. I'm right there with you about the

1014
00:48:24,620 --> 00:48:26,940
alien. I mean, for all we know

1015
00:48:27,580 --> 00:48:30,300
that the alien that they accidentally killed

1016
00:48:30,300 --> 00:48:33,020
is the brother of the alien that we

1017
00:48:33,020 --> 00:48:35,740
see go in and out of the portal all the time.

1018
00:48:36,220 --> 00:48:39,180
I don't think it's making the helmets, per se,

1019
00:48:39,580 --> 00:48:42,540
but I do think that it there, because

1020
00:48:42,620 --> 00:48:45,610
if you're in the opening dance sequence, you

1021
00:48:45,610 --> 00:48:48,450
are essential character in this show. So

1022
00:48:49,010 --> 00:48:51,890
there's, there's definitely. I thought,

1023
00:48:51,970 --> 00:48:54,900
I, I will be honest with you. I thought at the

1024
00:48:54,900 --> 00:48:57,900
beginning when we first see him, oh, that's

1025
00:48:57,900 --> 00:49:00,379
going to be the alien version of Peacemaker.

1026
00:49:03,100 --> 00:49:05,580
>> Will: I mean, it's possible. It is 99 doors.

1027
00:49:05,980 --> 00:49:08,780
>> Sarah : Totally possible. And I think it's just like

1028
00:49:09,180 --> 00:49:12,010
Peacemaker this and that, but

1029
00:49:12,250 --> 00:49:14,970
maybe that's a bit on the nose. I don't know.

1030
00:49:15,510 --> 00:49:18,470
but, but yeah, I I'm glad you brought that

1031
00:49:18,470 --> 00:49:21,030
up because the, the

1032
00:49:21,030 --> 00:49:23,910
alien definitely needs to get talked about

1033
00:49:23,910 --> 00:49:26,870
more and they, they are

1034
00:49:26,950 --> 00:49:29,750
saving that for, for some kind of,

1035
00:49:29,870 --> 00:49:32,750
tie into the hijinks

1036
00:49:32,750 --> 00:49:34,190
that have been brewing.

1037
00:49:35,860 --> 00:49:38,540
>> Will: Yeah, yeah. But you're all right. I mean,

1038
00:49:38,540 --> 00:49:41,500
every, every week we, we get like this build up because we

1039
00:49:41,500 --> 00:49:44,340
thought we were going to get this big set. You know,

1040
00:49:44,900 --> 00:49:47,140
the way things ended with episode three

1041
00:49:47,780 --> 00:49:50,659
and we get to this and you know, we,

1042
00:49:50,659 --> 00:49:53,540
what we do get is just sort of a, a

1043
00:49:53,780 --> 00:49:56,750
repeat of a sequence that we got, in, in,

1044
00:49:56,750 --> 00:49:59,470
in the first season. But instead of being the 11th street

1045
00:49:59,470 --> 00:50:02,050
kids, it's like with, with the Argus gang,

1046
00:50:02,180 --> 00:50:04,400
bickering over, over a wink.

1047
00:50:06,160 --> 00:50:09,120
>> Sarah : Oh yeah, the, the wink, which, which

1048
00:50:09,120 --> 00:50:11,440
I like the payoff later,

1049
00:50:11,730 --> 00:50:14,640
after, Economist has had enough of

1050
00:50:14,640 --> 00:50:17,400
being called. What is it? Cold Ginger.

1051
00:50:17,400 --> 00:50:17,840
Ginger.

1052
00:50:17,840 --> 00:50:19,720
>> Will: Cold Ginger cool.

1053
00:50:19,960 --> 00:50:22,170
>> Sarah : Ginger cool. he spits

1054
00:50:22,490 --> 00:50:25,290
onto, onto what,

1055
00:50:25,370 --> 00:50:26,330
what is his name?

1056
00:50:26,730 --> 00:50:27,450
>> Will: Flurry.

1057
00:50:27,770 --> 00:50:30,410
>> Sarah : Flurry. Flurry, yeah. Yeah, he spits on to

1058
00:50:30,410 --> 00:50:33,220
Flurry, and, and not I.

1059
00:50:33,300 --> 00:50:35,500
And it's also like the, the

1060
00:50:35,500 --> 00:50:38,420
decode him trying to delay,

1061
00:50:39,230 --> 00:50:41,550
hacking into the door while,

1062
00:50:41,840 --> 00:50:44,630
while Chris, is with

1063
00:50:44,630 --> 00:50:47,440
Abadayo who, who managed to pick

1064
00:50:47,440 --> 00:50:50,360
him up and, and they are trying

1065
00:50:50,360 --> 00:50:53,200
to move the door to his grandfather's cabin.

1066
00:50:53,780 --> 00:50:56,340
so because the door can be moved apparently.

1067
00:50:58,340 --> 00:51:01,180
That's very convenient. I,

1068
00:51:01,260 --> 00:51:04,180
I, I do think that, finally,

1069
00:51:04,740 --> 00:51:07,740
finally, ah, Harcourt is not my least

1070
00:51:07,740 --> 00:51:10,150
favorite part of an episode. She had

1071
00:51:10,150 --> 00:51:12,960
arguably the best scene in this movie, in this

1072
00:51:12,960 --> 00:51:15,810
episode, the scene between her and Rick Flag.

1073
00:51:16,210 --> 00:51:16,770
>> Will: Yeah.

1074
00:51:16,770 --> 00:51:19,570
>> Sarah : Because I brought this up last week. I was like, we need

1075
00:51:19,570 --> 00:51:22,050
to know if she knew. She's known.

1076
00:51:22,930 --> 00:51:24,450
She's known the whole time.

1077
00:51:24,850 --> 00:51:27,810
>> Will: Yep. I thought about you as soon as that scene went down. I was like, oh,

1078
00:51:27,810 --> 00:51:28,770
you got your answer, sir.

1079
00:51:29,170 --> 00:51:31,890
>> Sarah : Yeah. But I also, I have to give it

1080
00:51:31,890 --> 00:51:33,840
up, to Rick,

1081
00:51:34,060 --> 00:51:36,470
ah, Frank

1082
00:51:36,470 --> 00:51:39,470
Grillo. he, he does a really

1083
00:51:40,110 --> 00:51:42,110
good job in that whole scene.

1084
00:51:43,470 --> 00:51:44,190
just because

1085
00:51:47,310 --> 00:51:49,389
honestly, I thought it was gonna go one way,

1086
00:51:50,190 --> 00:51:52,270
but there was, it was so subdued

1087
00:51:53,390 --> 00:51:56,070
and, and I, I, I

1088
00:51:56,070 --> 00:51:58,350
liked that because it felt more

1089
00:51:58,350 --> 00:52:00,820
calculated, it felt, felt more

1090
00:52:01,680 --> 00:52:04,520
arguably menacing than if he

1091
00:52:04,520 --> 00:52:06,830
had come in, and been

1092
00:52:07,310 --> 00:52:09,820
more over the top. but,

1093
00:52:10,540 --> 00:52:13,020
but I, I also appreciate

1094
00:52:13,580 --> 00:52:15,740
how the scene was written because

1095
00:52:17,660 --> 00:52:19,900
there's, they clearly knew each other

1096
00:52:20,940 --> 00:52:23,660
have their, their, their relationship

1097
00:52:24,550 --> 00:52:27,460
throughout the death of, Rick Flag

1098
00:52:27,460 --> 00:52:30,140
Jr. Pre,

1099
00:52:30,780 --> 00:52:33,210
pre, Death. Now post death,

1100
00:52:34,000 --> 00:52:37,000
post Amanda Waller. Like all

1101
00:52:37,000 --> 00:52:39,920
of that is so interesting. And then

1102
00:52:40,240 --> 00:52:43,200
also the how their relationship,

1103
00:52:43,360 --> 00:52:45,200
even though they both,

1104
00:52:47,120 --> 00:52:49,440
because of their line of work.

1105
00:52:50,400 --> 00:52:52,880
There's so much familiarity and

1106
00:52:52,880 --> 00:52:55,760
similarities between these two characters, yet

1107
00:52:55,760 --> 00:52:57,280
how they perceive

1108
00:52:58,880 --> 00:53:00,720
that death and that kill,

1109
00:53:01,790 --> 00:53:03,010
is utterly different.

1110
00:53:04,690 --> 00:53:07,410
and, and it's not just because, well, that was the

1111
00:53:07,410 --> 00:53:10,210
father. She like she loved him too.

1112
00:53:10,910 --> 00:53:13,200
in her own, like that was a

1113
00:53:13,200 --> 00:53:15,760
relationship and, and there was,

1114
00:53:16,220 --> 00:53:19,100
but she's also the type who

1115
00:53:20,430 --> 00:53:23,150
and, and how she has been okay with it

1116
00:53:23,310 --> 00:53:26,110
is like she, she blames Waller,

1117
00:53:26,110 --> 00:53:27,390
she doesn't blame Chris.

1118
00:53:29,010 --> 00:53:31,890
but I also will, I, it just makes me

1119
00:53:31,890 --> 00:53:32,290
wonder

1120
00:53:35,010 --> 00:53:37,810
because she's got to know Chris over the

1121
00:53:37,810 --> 00:53:40,290
last season and a half. Right.

1122
00:53:40,730 --> 00:53:42,970
And they've had plenty of off screen

1123
00:53:42,970 --> 00:53:45,850
opportunities to have a conversation like

1124
00:53:46,330 --> 00:53:49,330
why I think she, I

1125
00:53:49,330 --> 00:53:51,770
think if he would know her

1126
00:53:51,770 --> 00:53:54,690
perspective on that, that would

1127
00:53:54,690 --> 00:53:57,130
relieve some guilt for him.

1128
00:53:57,610 --> 00:53:58,170
>> Will: Yeah.

1129
00:53:59,930 --> 00:54:02,220
>> Sarah : So, I just don't know why that hasn't happened.

1130
00:54:02,780 --> 00:54:04,300
>> Will: Maybe that's what they're building towards.

1131
00:54:05,420 --> 00:54:07,500
>> Sarah : Maybe. But then it makes me question

1132
00:54:09,190 --> 00:54:10,950
and, and, and I, I,

1133
00:54:12,070 --> 00:54:15,030
I appreciate we got an answer to that question,

1134
00:54:15,750 --> 00:54:18,590
but I think I said it last week too that

1135
00:54:18,590 --> 00:54:21,190
even if we get an answer, there's something still

1136
00:54:21,270 --> 00:54:24,220
off about this. Just because of how the first season

1137
00:54:24,220 --> 00:54:26,220
plays out. Like,

1138
00:54:27,100 --> 00:54:30,020
because I felt like that was a big, it wasn't

1139
00:54:30,020 --> 00:54:32,780
a big point, but it was something that was brought up

1140
00:54:32,780 --> 00:54:35,700
time and time again and

1141
00:54:35,700 --> 00:54:38,420
now we're, I don't know. But I also

1142
00:54:38,420 --> 00:54:41,260
understand why it's so important such

1143
00:54:41,260 --> 00:54:43,870
a key point this season because

1144
00:54:43,870 --> 00:54:46,870
it's like Waller's no longer in charge. It's Rick

1145
00:54:46,870 --> 00:54:49,550
Flag's junior and, or senior in charge.

1146
00:54:49,790 --> 00:54:52,130
So, but

1147
00:54:52,450 --> 00:54:55,330
yeah, I, I mean I,

1148
00:54:55,410 --> 00:54:58,170
I don't, I don't think I'll ever be satisfied with

1149
00:54:58,170 --> 00:55:00,890
that. And yes, they could build to that kind of

1150
00:55:00,890 --> 00:55:03,580
resolution, but then I will always, always think

1151
00:55:03,580 --> 00:55:06,460
what, why did it, why is this happening now and

1152
00:55:06,460 --> 00:55:07,060
not earlier?

1153
00:55:07,700 --> 00:55:10,620
>> Will: Yeah, yeah. Well, we're halfway through to, we're halfway through the

1154
00:55:10,620 --> 00:55:13,420
season and, and you

1155
00:55:13,420 --> 00:55:14,900
know, and so if

1156
00:55:16,580 --> 00:55:19,339
we, to your point, you know,

1157
00:55:19,339 --> 00:55:21,220
Chris, you know, of course

1158
00:55:22,340 --> 00:55:25,300
hardcore wants to get, get back

1159
00:55:25,300 --> 00:55:28,180
on the right side of the other book and

1160
00:55:28,260 --> 00:55:30,960
be able to work again. and you know, and,

1161
00:55:30,960 --> 00:55:33,800
and I, you know, she does call Chris,

1162
00:55:34,280 --> 00:55:37,120
I mean she does, you know, Chris calls her and

1163
00:55:37,120 --> 00:55:40,000
tells her, you know, where to meet and stuff and she does share it with

1164
00:55:40,000 --> 00:55:42,920
Rick. And, and so

1165
00:55:44,760 --> 00:55:47,560
do you think, do you think Chris like

1166
00:55:49,720 --> 00:55:52,600
bells on, on the meeting or something?

1167
00:55:52,680 --> 00:55:53,080
You.

1168
00:55:56,380 --> 00:55:58,460
>> Sarah : I, I, I know where you're going with this.

1169
00:55:58,780 --> 00:55:59,180
>> Will: Yeah.

1170
00:55:59,180 --> 00:56:01,180
>> Sarah : I can, I can see Chris

1171
00:56:01,500 --> 00:56:04,190
bailing, and not going to,

1172
00:56:04,270 --> 00:56:06,750
and going to. Well,

1173
00:56:07,230 --> 00:56:09,750
that wouldn't make sense because he's. He's

1174
00:56:09,750 --> 00:56:12,030
leaving where the door is.

1175
00:56:12,270 --> 00:56:12,830
>> Will: Exactly.

1176
00:56:12,830 --> 00:56:15,830
>> Sarah : Because he's not driving to go see

1177
00:56:15,830 --> 00:56:18,430
the other hardcourt. He is

1178
00:56:18,510 --> 00:56:21,000
going there. but

1179
00:56:21,480 --> 00:56:24,120
I don't know, with

1180
00:56:24,120 --> 00:56:27,000
how she's playing it, I

1181
00:56:27,000 --> 00:56:29,680
can't say for a hundred percent that

1182
00:56:29,680 --> 00:56:30,040
she,

1183
00:56:33,320 --> 00:56:36,120
that she's not going to do something

1184
00:56:36,920 --> 00:56:37,960
that like,

1185
00:56:41,080 --> 00:56:42,840
allows her to play both sides.

1186
00:56:43,240 --> 00:56:45,560
>> Will: Yeah. Yeah.

1187
00:56:45,970 --> 00:56:47,480
>> Sarah : So. So, I guess

1188
00:56:48,680 --> 00:56:51,360
it's. It's also. Well, again, we're

1189
00:56:51,360 --> 00:56:54,040
halfway through the season, so we got another

1190
00:56:54,040 --> 00:56:56,760
four episodes, so we know

1191
00:56:56,840 --> 00:56:59,680
that something happens where this

1192
00:56:59,680 --> 00:57:02,480
doesn't go necessarily all

1193
00:57:02,480 --> 00:57:04,840
according to Rick Flag Senior's plan.

1194
00:57:05,240 --> 00:57:07,400
>> Will: Yeah, exactly.

1195
00:57:07,960 --> 00:57:10,590
Yeah. because I'm like. I mean,

1196
00:57:12,160 --> 00:57:15,080
does she, like, tip Chris off or. I don't know.

1197
00:57:15,080 --> 00:57:18,080
I'm just like I said, I mean, how. How does she, how does she threaten? Because

1198
00:57:18,320 --> 00:57:20,880
we're. We're waiting,

1199
00:57:21,200 --> 00:57:23,890
you know, we're waiting to see

1200
00:57:23,890 --> 00:57:26,769
how they thread, you know, where. Where

1201
00:57:26,769 --> 00:57:29,570
the other street drops in, in both, in

1202
00:57:29,570 --> 00:57:32,410
both universes. And maybe, you know, because.

1203
00:57:32,570 --> 00:57:35,130
Because we know at some point we're gonna have to go back to

1204
00:57:35,450 --> 00:57:38,290
Earth 2 and. And

1205
00:57:38,290 --> 00:57:41,250
resolve those kind of things. So, you know, does

1206
00:57:41,250 --> 00:57:44,090
Chris turn around and like, you

1207
00:57:44,090 --> 00:57:46,930
know, go, like you said, go back to the, to the, to the

1208
00:57:46,930 --> 00:57:49,650
shed, to the cabin and, and, and. And go

1209
00:57:49,650 --> 00:57:52,610
see Hardcore two and Earth two? Or

1210
00:57:52,610 --> 00:57:55,250
maybe he. He does see, maybe

1211
00:57:56,450 --> 00:57:59,260
some, Because I, you know, because how I thought things were going on

1212
00:57:59,260 --> 00:58:02,100
sort of, you know, like. Like this week, for example, they set

1213
00:58:02,100 --> 00:58:04,580
things up like Chris has heading, you know, back.

1214
00:58:05,060 --> 00:58:07,780
You know, he came. He came back to the house and

1215
00:58:08,260 --> 00:58:11,180
they were doing, you know, it seemed like they were setting up this

1216
00:58:11,180 --> 00:58:14,020
whole thing where Argus was going to be able to,

1217
00:58:14,260 --> 00:58:16,820
you know, to get the door, but then they have, they have the

1218
00:58:16,820 --> 00:58:19,779
convenience of, you know,

1219
00:58:20,180 --> 00:58:23,140
that moving the door. Yeah, be. Be

1220
00:58:23,140 --> 00:58:26,060
able to move the door. So now I'm. Now, Now I'm to

1221
00:58:26,060 --> 00:58:28,980
the place where I'm like, okay, instead of.

1222
00:58:29,060 --> 00:58:32,060
I guess I'm trying to, Instead of just letting

1223
00:58:32,060 --> 00:58:34,860
things just roll and just watch it as it comes. I'm already.

1224
00:58:34,860 --> 00:58:37,460
I'm thinking like, ahead, like, okay, now how is.

1225
00:58:37,940 --> 00:58:40,900
Where is James going to go in this story to

1226
00:58:40,900 --> 00:58:42,340
like, prolong.

1227
00:58:43,540 --> 00:58:44,900
Prolong this

1228
00:58:46,340 --> 00:58:49,300
moment? You know, because when I

1229
00:58:49,300 --> 00:58:52,260
thought we were going to get, you know, last week, we. I thought,

1230
00:58:52,260 --> 00:58:54,820
you know, we're gonna. We're gonna have Argus like, Babe, you know,

1231
00:58:56,670 --> 00:58:59,350
get. Get to any. The trap door is. Be able to move the

1232
00:58:59,350 --> 00:59:02,230
door. So now, you know, it looks like Harcourt is going

1233
00:59:02,230 --> 00:59:05,110
to turn Chris Chris and over to Rick

1234
00:59:05,110 --> 00:59:07,750
Flag Senior. But something's going to happen in the

1235
00:59:07,750 --> 00:59:10,710
drive there that Chris is either not

1236
00:59:10,710 --> 00:59:13,260
going to make it to there or, or

1237
00:59:13,260 --> 00:59:16,100
hardcore. It's going to, like, have second thoughts

1238
00:59:16,100 --> 00:59:19,100
and. And, you know, actually tells Rick,

1239
00:59:19,100 --> 00:59:21,900
you know, actually he's going somewhere else. Then you can force. You got,

1240
00:59:22,210 --> 00:59:24,690
you know, you got captain Captain. You have captain cultural

1241
00:59:24,690 --> 00:59:27,600
appropriation. you know, fair, you know, has

1242
00:59:27,600 --> 00:59:30,560
sorted out where Eagly is. So. Well, you know, so is that

1243
00:59:30,560 --> 00:59:33,400
going to be the thing that, you know, that detours Chris from

1244
00:59:34,520 --> 00:59:37,519
actually meeting up a hardcore? Because there's. That. There's that aspect of the story

1245
00:59:37,519 --> 00:59:40,360
too, so. Or even Judah.

1246
00:59:40,360 --> 00:59:43,320
Yeah. So I'm just. I'm just trying to figure out, like, where. Where are they going to go with

1247
00:59:43,320 --> 00:59:45,960
this as far as, like. Because I know they're not going to, like, have.

1248
00:59:46,600 --> 00:59:49,490
They're not going to have Chris and. And Rick, like, Face

1249
00:59:49,490 --> 00:59:50,690
off in episode five.

1250
00:59:51,970 --> 00:59:52,610
>> Sarah : They could.

1251
00:59:53,330 --> 00:59:56,090
>> Will: They could. They could.

1252
00:59:56,090 --> 00:59:58,540
>> Sarah : Now, for all of our

1253
00:59:58,540 --> 01:00:01,500
listeners also, I love how Will is spinning his

1254
01:00:01,500 --> 01:00:04,500
wheels about this, knowing that we're headed into Gen

1255
01:00:04,500 --> 01:00:06,940
V week. So next week we aren't talking

1256
01:00:06,940 --> 01:00:09,820
Peacemaker, and we are both not

1257
01:00:09,820 --> 01:00:12,700
allowed to watch the next episode of Peacemaker

1258
01:00:12,700 --> 01:00:14,260
until after next.

1259
01:00:15,460 --> 01:00:17,700
>> Will: Exactly. So just like, dang, I got it.

1260
01:00:19,780 --> 01:00:20,740
>> Sarah : And meanwhile.

1261
01:00:21,840 --> 01:00:24,680
>> Will: Meanwhile, piece rules. Yeah, Piece

1262
01:00:24,680 --> 01:00:25,520
rules. Kick in.

1263
01:00:25,600 --> 01:00:28,600
>> Sarah : the one Piece rules that have kicked in. And. And

1264
01:00:28,600 --> 01:00:31,600
I'm just. Meanwhile, I'm just like, sitting back. Like,

1265
01:00:31,760 --> 01:00:34,720
I don't. I'm not thinking too far ahead on

1266
01:00:34,720 --> 01:00:37,360
this show because we. We're taking off a week

1267
01:00:39,520 --> 01:00:42,400
and this show, I. And I

1268
01:00:42,400 --> 01:00:45,400
don't. I. I hate to ve a broken record about it,

1269
01:00:45,400 --> 01:00:47,210
but this season,

1270
01:00:47,780 --> 01:00:50,250
there's. It's not that I'm not

1271
01:00:50,250 --> 01:00:52,900
enjoying it, and for its

1272
01:00:52,900 --> 01:00:55,140
strings, I just don't like

1273
01:00:55,780 --> 01:00:58,180
the continuation. Continual,

1274
01:00:59,830 --> 01:01:02,630
cliffhangers. Like. Like,

1275
01:01:02,710 --> 01:01:05,710
I. I feel like every episode has begun with the

1276
01:01:05,710 --> 01:01:08,150
flashback, and every episode has led to

1277
01:01:08,550 --> 01:01:10,710
a cliffhanger that you think

1278
01:01:11,370 --> 01:01:13,730
is going. There's going to be some big

1279
01:01:13,730 --> 01:01:16,690
resolution in the next episode, and

1280
01:01:16,690 --> 01:01:18,090
it's. There's not.

1281
01:01:20,890 --> 01:01:23,770
And. And that just. It just bothers

1282
01:01:23,850 --> 01:01:26,840
me because, Because that

1283
01:01:26,840 --> 01:01:29,520
just makes me want to binge. I. I do.

1284
01:01:29,600 --> 01:01:32,480
I. I'm. I'm gonna be very curious in two

1285
01:01:32,480 --> 01:01:35,320
weeks when we're able to watch both episodes

1286
01:01:35,320 --> 01:01:38,110
five and six back to back if I'm going to have a

1287
01:01:38,110 --> 01:01:41,030
very different experience. And my

1288
01:01:41,030 --> 01:01:43,950
money is I'm going to appreciate those episodes a

1289
01:01:43,950 --> 01:01:46,830
lot better because I don't have to

1290
01:01:46,830 --> 01:01:47,470
wait a week.

1291
01:01:47,470 --> 01:01:49,830
>> Will: In between well, see, I,

1292
01:01:50,550 --> 01:01:53,470
Yeah, I should have told you at

1293
01:01:53,470 --> 01:01:56,430
the, at the outset. Like, you can't, you can't use the binge.

1294
01:01:56,430 --> 01:01:58,280
You can't use the binge excuse this week. but,

1295
01:01:59,320 --> 01:02:02,120
but for me, I'll tell you where I'm enjoying

1296
01:02:02,120 --> 01:02:04,940
these episodes. But you know how I started off our

1297
01:02:04,940 --> 01:02:07,900
discussion about the, the bit with the,

1298
01:02:07,900 --> 01:02:10,670
with the van, different, different folks,

1299
01:02:11,230 --> 01:02:13,950
but basically just

1300
01:02:14,030 --> 01:02:16,670
switch out our kids with, with the ARGUS

1301
01:02:16,670 --> 01:02:19,470
crew. I'm starting to see the,

1302
01:02:19,630 --> 01:02:22,390
the repetitive pattern of. To your

1303
01:02:22,390 --> 01:02:25,390
point, and I think so. I'm enjoying the episode. I'm

1304
01:02:25,390 --> 01:02:27,840
enjoying the show. But, but,

1305
01:02:28,380 --> 01:02:30,300
it's not hitting me like season one did.

1306
01:02:30,620 --> 01:02:31,820
>> Sarah : Yeah, exactly.

1307
01:02:32,220 --> 01:02:35,000
>> Will: Yeah. and it's not saying it's bad because it's not,

1308
01:02:35,160 --> 01:02:38,160
it's not bad at all. It's just, it's just I'm seeing the patterns in

1309
01:02:38,160 --> 01:02:40,870
James Gunn's writing right now. So, so,

1310
01:02:42,070 --> 01:02:44,590
yeah, hopefully, you know, so hopefully, like, to your point,

1311
01:02:44,590 --> 01:02:47,510
episodes, you know, maybe episode five will finally,

1312
01:02:47,510 --> 01:02:50,150
like, we get. We, we don't spin our wheels so,

1313
01:02:50,390 --> 01:02:52,790
so much because I do feel like

1314
01:02:53,140 --> 01:02:56,060
sometimes, I mean, there were some nice things that we, you know, that

1315
01:02:56,060 --> 01:02:58,980
we, we do get in this episode. I mean, we learn more about,

1316
01:02:59,640 --> 01:03:02,550
about Economist's background as far as, like, you know,

1317
01:03:03,110 --> 01:03:05,910
how he got recruited into Argus, as far as, like, you know,

1318
01:03:05,910 --> 01:03:08,870
hacking into the CIA. So those are nice little character beats

1319
01:03:08,870 --> 01:03:11,450
that we're learning. I feel like, I feel like

1320
01:03:11,450 --> 01:03:14,290
Adrian, this season has been criminally, I mean,

1321
01:03:14,930 --> 01:03:17,790
underutilized. the moments I

1322
01:03:17,790 --> 01:03:20,390
did like the most really, with this episode with,

1323
01:03:20,470 --> 01:03:23,470
was Adebayo. And, you

1324
01:03:23,470 --> 01:03:26,350
know, the moments that I still like with

1325
01:03:26,350 --> 01:03:29,270
her and Chris when they have their, like this

1326
01:03:29,270 --> 01:03:32,029
week, whenever she was, you know, she

1327
01:03:32,029 --> 01:03:34,870
had placed the ad in a magazine and, and,

1328
01:03:35,750 --> 01:03:38,700
and Chris, like. Well, actually, ads, you know,

1329
01:03:38,700 --> 01:03:41,220
this is just. There's only like 12 people who subscribe to this thing,

1330
01:03:41,860 --> 01:03:44,720
but it just, Whenever they have their moments together,

1331
01:03:44,720 --> 01:03:47,280
it just, they, I mean, John

1332
01:03:47,280 --> 01:03:49,720
Scene N and Daniel Brooks's place

1333
01:03:50,200 --> 01:03:52,920
act so well off each other. I just love the

1334
01:03:52,920 --> 01:03:55,840
gin. There's this, I feel like a genuineness and,

1335
01:03:55,840 --> 01:03:58,280
and moments between those two,

1336
01:03:58,680 --> 01:03:59,960
between the two of them that.

1337
01:04:01,480 --> 01:04:04,120
Yeah. You know, so I, I look forward to their

1338
01:04:04,120 --> 01:04:06,960
scenes together because I just feel like some of the. Sometimes the other

1339
01:04:06,960 --> 01:04:09,440
one is just sort of like, don't hit

1340
01:04:09,680 --> 01:04:12,480
me as much as they should. They should.

1341
01:04:13,920 --> 01:04:16,400
>> Sarah : Yeah, I, I agree. That was. The other

1342
01:04:16,400 --> 01:04:18,560
standout moment was when Chris and

1343
01:04:18,560 --> 01:04:21,220
Abadayo got, had a

1344
01:04:21,220 --> 01:04:23,860
hard heart because I, I,

1345
01:04:24,020 --> 01:04:26,500
I like It. Because she's. That.

1346
01:04:27,300 --> 01:04:30,260
I don't want to say Devil, but I also don't want

1347
01:04:30,260 --> 01:04:33,060
to say angel on his shoulder of trying to be like.

1348
01:04:33,530 --> 01:04:36,450
She definitely was playing Devil's advocate when he

1349
01:04:36,450 --> 01:04:39,210
was explaining to her what he's experienced.

1350
01:04:39,690 --> 01:04:42,610
And I. All I could think was, though, I was

1351
01:04:42,610 --> 01:04:44,650
like, I wanted this

1352
01:04:44,730 --> 01:04:47,610
conversation in, like, episode two,

1353
01:04:48,730 --> 01:04:51,610
like. And I. Also with her.

1354
01:04:52,730 --> 01:04:55,690
I. I mean, I. I think. And I've said this before

1355
01:04:55,770 --> 01:04:58,750
about all of the supporting cast. I think in

1356
01:04:58,750 --> 01:05:00,790
a weird way, they're all being underused.

1357
01:05:01,910 --> 01:05:04,830
It's a very strange thing where, yes, we're

1358
01:05:04,830 --> 01:05:07,710
getting little things, but I. I just.

1359
01:05:07,710 --> 01:05:10,550
I. I still feel like we're standing in.

1360
01:05:10,790 --> 01:05:13,510
In place with a lot of the stuff. It

1361
01:05:13,510 --> 01:05:16,270
feels like things are happening to these

1362
01:05:16,270 --> 01:05:19,070
characters. The characters aren't

1363
01:05:19,070 --> 01:05:20,070
making things happen.

1364
01:05:20,550 --> 01:05:20,990
>> Will: Yes.

1365
01:05:20,990 --> 01:05:21,990
>> Sarah : Maybe that's the way.

1366
01:05:23,030 --> 01:05:25,990
>> Will: That's a good way. Yeah, I think that you. I

1367
01:05:25,990 --> 01:05:27,590
think that's. That's a good way to put it.

1368
01:05:28,550 --> 01:05:29,030
>> Sarah : Yeah.

1369
01:05:29,430 --> 01:05:30,310
>> Will: Yeah, yeah.

1370
01:05:30,710 --> 01:05:33,350
>> Sarah : So. So which. And that just

1371
01:05:33,590 --> 01:05:36,230
leads to momentum and pacing issues.

1372
01:05:36,550 --> 01:05:39,460
But, But like you said, it's not that it's

1373
01:05:39,460 --> 01:05:41,780
bad. It's just that

1374
01:05:43,220 --> 01:05:45,860
this is what happens when you do seasons too.

1375
01:05:46,100 --> 01:05:49,099
You're gonna get. Compared to the first season. I'm,

1376
01:05:49,049 --> 01:05:51,260
Sorry. And it's also.

1377
01:05:51,900 --> 01:05:54,780
You're. You're. You're also more accustomed to.

1378
01:05:55,180 --> 01:05:57,980
I mean, considering he released a movie that he

1379
01:05:57,980 --> 01:06:00,980
also wrote earlier this year. Like, we're very

1380
01:06:00,980 --> 01:06:03,900
accustomed to James Gunn's writing. So.

1381
01:06:04,220 --> 01:06:06,060
Yeah, you start to get experience.

1382
01:06:08,140 --> 01:06:10,980
You. You become a little desensitized to

1383
01:06:10,980 --> 01:06:13,550
things. so you start to see the

1384
01:06:13,550 --> 01:06:14,350
cracks. But.

1385
01:06:14,510 --> 01:06:17,270
>> Will: Yeah, Yeah, the

1386
01:06:17,270 --> 01:06:20,270
cracks, the patterns, the. Yeah. And. Ah. Yeah, because

1387
01:06:20,270 --> 01:06:23,270
I think to your point, like you said, we have the pattern now as

1388
01:06:23,270 --> 01:06:26,230
far as how these. The tempo of these episodes. And. And so

1389
01:06:26,230 --> 01:06:29,100
he needs to mix it up. and I know he comes back and direct.

1390
01:06:29,900 --> 01:06:32,900
Yeah. It's not even the direction. It's clearly the writing, because I think the

1391
01:06:32,900 --> 01:06:35,660
direction of these episodes has been. Has been great.

1392
01:06:36,240 --> 01:06:39,170
it's just, you know, I mean, but,

1393
01:06:39,170 --> 01:06:42,050
you know, but James stepped away and some other people have been directing,

1394
01:06:42,050 --> 01:06:44,770
but I think he does come back and directs episodes. I want to say

1395
01:06:44,770 --> 01:06:45,520
seven, eight.

1396
01:06:45,520 --> 01:06:48,320
>> Sarah : So that's good. That's good.

1397
01:06:48,320 --> 01:06:51,080
And. But. But you're right, it hasn't really been.

1398
01:06:51,240 --> 01:06:53,880
I haven't criticized the. The directing

1399
01:06:54,360 --> 01:06:56,970
of any of these episodes. I've just been

1400
01:06:57,290 --> 01:06:59,850
annoyed with character choices and plot,

1401
01:07:00,729 --> 01:07:02,970
you know, the little things.

1402
01:07:03,690 --> 01:07:04,730
The little things.

1403
01:07:04,890 --> 01:07:06,090
>> Will: The little things. Yeah.

1404
01:07:06,490 --> 01:07:08,730
>> Sarah : Very minor. Very minor.

1405
01:07:09,450 --> 01:07:12,340
All right. Well, on that note, Will, why don't you tell our

1406
01:07:12,340 --> 01:07:13,900
listeners where they can find you?

1407
01:07:14,600 --> 01:07:17,600
>> Will: Yes, you can find me on all the socials at. Ah, Will and

1408
01:07:17,600 --> 01:07:20,370
Polk. W I L L M M P O L K.

1409
01:07:20,850 --> 01:07:21,410
And you can.

1410
01:07:21,410 --> 01:07:24,330
>> Sarah : Find me there too at SJ Belmont. S J B E

1411
01:07:24,330 --> 01:07:27,050
L M O N T. Please follow our crew on Twitter at

1412
01:07:27,050 --> 01:07:30,020
Scene N Nerd. on bluesky. Friend us on Facebook, follow us

1413
01:07:30,020 --> 01:07:32,900
on Instagram and threads at Scene, Underscore

1414
01:07:32,900 --> 01:07:35,580
N, underscore Nerd and Visit our website,

1415
01:07:35,580 --> 01:07:38,460
www.scenanerdpodcast.com. but most

1416
01:07:38,460 --> 01:07:41,370
importantly, rate five follow and comment on Apple Podcasts, Spotify,

1417
01:07:41,370 --> 01:07:44,330
YouTube, or wherever you get podcasts. Good night. Geek out. You're welcome.