In this episode of Scene N Nerd, Sarah and Will dive deep into the complexities of episode three of the new DC series, Lanterns, titled "OutKast." The duo explores John Stewart's pivotal interview as he shares his parent's expectations and the weight of becoming a Green Lantern. With a keen focus on the themes of parental pressure and personal agency, they discuss how John's upbringing is portrayed with authenticity and depth, shedding light on the flawed system of the Guardians and their lack of understanding of Earth's unique cultural dynamics.
As they dissect the episode's flashbacks, Sarah and Will highlight the contrasting loneliness of John and Hal Jordan, revealing how their childhood experiences shape their identities and motivations. They delve into the intricacies of John's relationship with his parents, particularly the strong maternal figure of Bernadette, and how these dynamics affect his journey towards becoming a hero. The conversation also touches on the episode's broader implications regarding race, trauma, and the nuances of being a Green Lantern.
Listeners can expect a thought-provoking discussion that not only examines character development but also the universal themes that resonate across different backgrounds. With sharp insights and engaging commentary, Sarah and Will leave fans eager for what lies ahead in the series.
00:00 – Sarah Belmont: Looking forward to episode three of Lanterns
00:22 – John becomes the next choice for a Green Lantern after years of preparation
01:28 – John's father was chosen by the ring and he asked the question
08:36 – This episode is all about the family and the childhood and John Stewart
12:18 – Did John's mom make up the birds? I have a question for you
14:28 – There's a scene where the Guardian points out how lonely John Stewart is
18:04 – Jon Stewart wore a mask during his military career
18:55 – There's isolation and loneliness associated with being a Green Lantern
20:23 – Former Sergeant Major John Stewart was dishonorably discharged from the Marines
27:05 – This is John Stewart's first time being shown in live action
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>> Sarah : Foreign. Nerd. I'm your host, Sarah Belmont, and
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with me, as always, is our M. Mr. Producer, Will
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Paul. How are you doing tonight, Will?
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>> Will: Doing very well, Sarah. I hope you're doing well.
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Looking forward to talking about episode three of
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Lanterns. I know it's really the hot topic this
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week for sure.
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>> Sarah : Yeah. Yeah.
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So we are talking Lanterns. Season one, episode
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three, Outcast. When his father misinterprets the
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Guardians contact, John becomes the next choice
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for a Green Lantern. And after years of
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preparation, he finally gets the interview with
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the Guardians. Will, what did you think about this
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episode?
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>> Will: Well, I, I have to say I really enjoyed this
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episode. It was completely, unapologetically
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black, so I really enjoyed that, that aspect of
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it. But also, but I think there was also some
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universal themes as well that, you know, that
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people can, you know, definitely can resonate
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with, with viewers. You know, we've all seen like,
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the, you know, the parenteral expectations, the
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parental situations where you may have the chosen
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kid who may excel in athletics or, you know,
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academics or something like that. And you know, so
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we have the proverbial sports parent. In this
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case, it's the superhero parent. But also, I think
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there was, you know, some exploration of, of John
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and his agency and places where he, you know, he
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tried to have his own little quiet rebellions
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wherever. So like I said, I think there was a lot
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to unpack in this episode.
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>> Sarah : Yeah, let's go ahead and start with the parents.
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So we, we get the revelation that John's father
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was chosen by the ring and he asked the question.
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And of course, I mean, you're, you're taken from
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your sleep and risen out of bed. So you're like,
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yeah, I am afraid because I have no idea what's
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going on. Which kind of stems into this whole
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thing about how at the time when the ring was
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searching for it's the new Lantern, they, it, it
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was a flawed system. Appeared to more than even
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just John's father. There was a lot of people who
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are now distraught psychosis. And, and it all
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makes logical sense. I mean, I, I said this last
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week. Something that struck me even in the first
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episode is that they're doing aliens on Earth
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really well, because there's a subtleness, but
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there's also a balance to it where it doesn't feel
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hokey or anything, allows these things to exist in
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what feels like an authentic reality. So in the,
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in the first episode, we, we get a glimpse at,
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John's relationship with his father. And, and
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from, from no one who knows Jon Stewart, there's a
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sense of a very stern and tough father. But I like
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how much this is Bernie's plan. This is only. It
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was. It's her house, it's her rules. And John,
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John Sr. And John Jr. Just abide. Okay. I mean
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John, of course John Senior does have to agree to
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it, but he does ask the question or raises point.
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John will hate them for this and she's just like,
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so be. Whatever. This is the way through. But I, I
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really, that struck me and I really appreciated
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that.
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>> Will: Yeah. Yeah. I mean I think that was one of the
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things that really stuck out to me as well as far
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as the. You know, because we, and also the first
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week we, we were wondering about where, where was
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John's mother and all, all of this because, you
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know, whenever we were first introduced to John,
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you know, given the way they've done this show
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with the time jumps, our introduction to young
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John was the whole William Tell moment where he's
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with, you know, we see the bullet holes and stuff.
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And all that. And of course, you know, without
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that, you know, without the additional context,
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you're like, man, this is like kind of, you know,
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it's borderline or it is, you know, abusive. But,
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but yeah, but whenever we see it in the, in the
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larger context now with, with this origin story
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that, that we get presented in this third episode
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with John, then we understand like you truly is
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how Bernadette came up with this plan after the
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Garden Guardians came and Lynn, I think the
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character's name was. Yeah, yeah. Laura Linda.
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>> Sarah : Yeah.
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>> Will: It was just in the closed captions that, where I
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think they had, they saw the, we saw the
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character's name. It wasn't actually spoken on
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screen. But yeah, but you know, but we, you know,
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we, we, we see, we learn, you know, we, we learn
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from that conversation several things. You know,
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the trauma that the Guardians just didn't really
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understand that their, their, their prior met
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people was flawed. But also, you know, again gets
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into the. Some of the winner to ask the question.
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Well, are you afraid? You know, I know there's
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been, you know, clearly asking a black man that in
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America. Are you afraid? You know, there, there's,
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you know, they, they didn't phantom and they
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didn't understand, you know, asking that type of
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question what, what generational or you know,
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historical trauma that that entails.
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>> Sarah : Which like it's such a, such a good point. But at
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the same time, like the, to go back to what you
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just said about the flawed system. It's flawed
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because it's being enacted On Earth. So this,
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because Hal's the first Earth Guardian, it makes
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you think about the fact like, okay, so there's so
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many planets with guardians at this point, solar
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systems with guardians, and yet this is the first
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time they're coming here. And suddenly the flaws
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appeared. So. So you're telling me all the other
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alien species, they don't have this thing called
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race. They don't have this thing where people
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don't look like each other. And this is a global
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phenomenon and you don't have different color
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skins. So it's, It helps make the uniqueness of
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Earth in retrospect to like, why it worked on the
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other planets and why. I mean, they. They said
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we're a. But we also have diversity. So I think
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that's something.
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>> Will: Yeah. And there was also too, I think they were
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making some points about, I think, genetic makeup
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of people too, which, you know, which is also had
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multiple meanings as far as, like, you know, what
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is flawed, you know, or are they saying that a
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black man is flawed or humans flawed in itself,
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you know, or, you know, or. Yeah, you know.
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>> Sarah : Yeah, so. So she, Laura Linney's character admits
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that they didn't understand the ramifications of
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this. And then she also, I mean, it's more
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personal when talking with Bernie because we don't
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know how many black men or how many black white
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men were selected or Hispanic or Asian or any of
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that.
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>> Will: Yeah.
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>> Sarah : But she chose to reveal herself as a white woman.
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So, Do you think there is. There is a little bit
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of a raised eyebrow? Like, so you're telling me
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you know nothing about race and you're confronting
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me as my own gender, but the quote unquote white
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version. So what. What do the Guardians know and
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what don't they understand about Earth?
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>> Will: Yeah, I mean, there's just so many now that you
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bring that up because, you, know, I guess
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subconsciously, I, You know, I did like clock that
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while I was watching that scene. But now that
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you've like, verbalized it as you. And especially,
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you know, in the context that we're having this
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conversation, you know, it really just doubles
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down the point that you made earlier about how
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unique the Guardian, you know, even though the
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Guardian didn't out now, you know, the Guardian
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acknowledged that there. That Earth, even though
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it's a. Of a place, it has some. Some unique
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points. And one of the things, you know, and, and,
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but also, again, gets back to that fundamental
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lack of understanding and cultural competency that
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the Guardians had as far as just understanding the
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nuances. Of interpersonal dynamics and inter.
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Racial. You know, even though race is a, you know,
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is a construct basically that's been developed
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here on this. Here on Earth for over. Over time.
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And how. How. Yeah, yeah, go ahead.
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>> Sarah : Choice. I would make myself look like Laura. Lenny
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too. I mean, she looks great for her age.
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>> Will: Yes. To be fair.
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>> Sarah : And you know, her, her acting. So.
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>> Will: So look at the casting.
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But it really just doubles down the point. Like
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just how. How. How oblivious the Guardians are to
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like things on this world. And like, you know, and
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also, you know, the
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>> Sarah : oblivious, but not. I think. I think they do a
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good job about making us understand John also
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dropping seeds about the Guardians.
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>> Will: Yeah.
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>> Sarah : And the lantern way. Because how. How isn't how.
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For no reason. You know, so there. There are
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reasons why he makes the choices he made that
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leads him. Leads them to find a replacement. So.
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But to. To hold on to the parents. Bernie. I'm
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gonna call her Bernie because I. I like that
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nickname. I. I was thinking that nickname before
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he even said it. Like, I just want to call.
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Because she doesn't feel like a Bernadette, but
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she feels like a Bernie. She's a badass. But to go
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back to the parents and the quote, unquote, child
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abuse. So I. You. You brought up before the
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William Tell scene of it. I'll Apple on the head.
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and we see that a few different times in this
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episode. And it's. It's all about perspective.
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Because as you brought up in the first episode,
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the perspective of something ain't right in this
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family. Fast forward to this episode. All about
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the family and the childhood and Jon Stewart. And
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so the first time Jon himself places the apple on
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his head and he wants his father to shoot it. And
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the hesitancy that his father has and the lack of
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hesitancy from Bernie M. He ultimately doesn't
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shoot it right. Really? Am I getting that right?
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Yeah, he. He doesn't shoot it. And then later he
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does shoot it because I. I think we see him shoot
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it at least once.
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>> Will: Yeah. Yeah. Because then. Yeah, they do it. Yeah.
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Because then he. And that was the whole thing
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where the cheeseburger reward started.
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>> Sarah : Started. Yeah. But then later when. When Bernie is
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frustrated with. And losing faith almost, if you
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will, the Guardians. And in this whole plan,
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granted, at this point he's like 10 years old. So
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she then encourages John Jr. To his father. The
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apple off his head. And. And the. The same fear
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that. That fear is expressed in John Senior, like,
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both ways. It's all there. And. And then. But John
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Jr. Can and then you have, and then there's a part
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where Bernie comforts, quote, unquote, her son.
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And, and then he decides, okay, we're going to do
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this, but I'm not going to shoot off of your head.
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Her face when, when he is aiming. And, and then
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when it is shot. And like, you know, like, I was
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surprised the camera didn't pan back to where she
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was standing and there wasn't a puddle. I mean,
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let's go.
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>> Will: Oh, yeah. Well, especially, like, you know, given
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what we talked about before, like, mom wasn't
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present in that first episode, so I was like, oh,
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they won't she.
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>> Sarah : No, you went there.
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>> Will: Well, there, Well, a couple reasons why. One is,
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yeah, it's the superhero trope, you know, because
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every super, you know, even in this show, you
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know, Hal lost his parents when it, you know,
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whenever they were young, when he was young. So I
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was thinking maybe that was the way they were
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going.
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>> Sarah : Yeah, yeah. But no, it, it, they didn't go there.
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So. To stick on the childhood.
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>> Will: Yeah.
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>> Sarah : I want to talk about the birds. Not the birds and
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the bees, but the birds. Because I have a question
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for you, Will. Yeah. Did John's mom make up the
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birds?
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>> Will: I think it was, it was the sort of, it's the
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Scene N Claus phenomenon, you know, or, or elf or,
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or the elf on the shelf, you know, as far as,
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like, you know, you, you, we got, you know, you
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got to do these things, kid, to, like, in order to
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get your reward.
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>> Sarah : And I, I, I love that there was a pause because I
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love the idea that throughout this whole episode,
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every time you think you understand what's going
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on with the birds, there is an interaction or a
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scene that leaves you to doubt it. The fact that
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she says it, but she says it after we, like, fast
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forward a few years and he's blowing out his
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candles on his fifth birthday and there's a bird
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on the cake. So he had, and they did that
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purposely because he already had a fascination
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with birds before she saw anything. And then she
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takes it, but simultaneously, because we're coming
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in from last week's episode, and he creates the
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bird and we know. And, and then the way the birds
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are seen out the rest of this episode, they, they
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did such a good job of making you question if
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Scene N Claus exists to take your metaphor. And,
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and I could go either way. I, I think that she did
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manipulate it and use it as a point of making sure
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he understood the st. Mistakes and that there are
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others watching him because he wanted her to
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believe in the Guardians as much as she did. But
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she could not bring the Guardians to have that
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conversation the way she did because she knows
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what it feels like to hear John Senior tell her
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what happened and not believe it. So she. She has
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to convince him or else there will be a fear if
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and when he ever does meet the Guardians. So. But
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I. But I. I mean that I was A question I have.
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But I have another thing, and this isn't a
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question, but a point I want to bring up because
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something that struck me in terms of the childhood
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and the upbringing of Jon Stewart in this episode
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was I kept circling back to a point that was made
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about Hal Jordan in either the first or second
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episodes. There's that scene where. Share. Where
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Carrie points out how lonely. How. I mean, we see
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his house, we. We see bits and pieces of him, but
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we don't see any family. We don't see any,
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friends. We. We see a guy obsessed, but also mad
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at his job at the same time. Like, it's all very
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confusing. And he. He just battled his mentor and
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sent him to prison and all of this stuff. Stuff.
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So he. But that loneliness. And I bring that up
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because there's a lot of conversation during the
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job interview, but it flashes. It's all informed
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by the flashbacks that we're seeing throughout
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this episode about how isolating Jon Stewart's
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childhood and adulthood has been just through
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these series of events. And I thought that was so
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good because simultaneously we understand the. The
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odd couple of it all, but. But this hones in on
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the sameness. They are both very lonely for very
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different reasons.
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>> Will: Yeah, I. I picked up on that. That as well. And
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also just the. The lonely loneliness, as far as,
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you know, whenever you're having a conversation in
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your interview, but also just in the household
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dynamics with like, for ex. Yeah. Yeah. You know,
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obviously, you know, there's. There's a scene, of
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course, in the car and every day was when he was
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rap Atlanteans, the Outcast song, there. And they,
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you know, how he recited it back to them and you
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know, they were like, stunned. It's like. And
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even. It's something that John even said himself.
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It's like, you know, we were all, you know, for 18
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years, we all were under the same roof. But to
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your point, you know, he was alone. It's like, you
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know, is this, you know, because of, you know, the
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thing I thought about the siblings is like, you
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know, also just, you know, with a lot of times,
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you'll see where you know, the gift. Again, I'm an
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only child. So I can't speak to this, but, but I
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have seen it with friends, you know, with folks
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who have the gifted kid, whether it's the gifted
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football player or the gifted whatever, you know,
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all the attention and everything goes to. To that
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gifted child. And then the others are. Yeah.
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>> Sarah : I just want to bring up a point because I've heard
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that point raised. But. And, And I, I totally
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agree with it. But it's interesting that we go to
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that point and not, The last child syndrome is
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sick. All the attention is on them.
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>> Will: Yeah, well, that's another.
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>> Sarah : Yeah, but it's the inverse of it. Like you, You.
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It goes both ways, whether they are. They are on
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one end of where they are unfortunately, very ill,
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very, very talented and gifted. And I mean, God,
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there's probably so many examples of it, but.
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Yeah. The loneliness of being a son with two
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brothers and yet having very different childhood
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experiences.
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>> Will: Yeah. You know, another show I thought about too,
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when we watched earlier this year with, you know,
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with the similar dynamic with gifted brothers and,
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And. And other. And. And. And loneliness is
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assignment.
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You know, I was just thinking about that is as we
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were getting ready for tonight's recording, and I
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was like, you know, you know, we all, you know,
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we've seen these type of characters who, who
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grapple, who. Who deal with loneliness and you
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know, people, you know, and, you know, and really
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putting up a, you know, putting up a mask. You
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know, given that we're already a superhero.
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Superhero world here. You know, I think John, you
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know, you know, had a mass that he had built up
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over years. you know, as far as we see it, how it,
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you know, how it influenced his military career.
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>> Sarah : Yeah.
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>> Will: And, you know, and of course, you know, to your
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point about how, you know, we do see, you know,
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when the vision of him, early days of his. His 10
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years, Green Lantern, you know, wearing a mask,
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whereas now, you know, now Hal is out and, you
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know, doesn't wear the uniform and doesn't wear
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the mask. And historically too, Jon Stewart in the
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comics did not wear a mask.
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Something I brought up, you know, when we talked
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about, you know, the episodes last week, you know,
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he didn't feel the need to hide anything, which is
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very interesting, you know, with this show where
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he was, you know, very open about his. At least
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with his family, you know, they were very open
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about trying to like, become a Green Lantern. So
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it's just very interesting how all these, you
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know, how these lonely individuals both how, like
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you said, how. How their loneliness manifested
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itself as far as being a green. You know, being a
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Green Lantern or want to be Green Lantern.
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>> Sarah : Yeah. And then it's pointed out by Laura Linney
383
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that, Guardians themselves, Lanterns themselves
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have. There's isolation and loneliness and there's
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a fear that Guardians who are selected, that
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attribute would be in direct opposition with that
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idea of family and friends.
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>> Will: Yeah.
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>> Sarah : And then, But we've already seen like John. John's
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inadvertently. That loneliness that came with his
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childhood has now just been like, yeah, I'm. I'm
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already a loner. I'm good.
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>> Will: I'm already a loner.
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>> Sarah : Yeah, I'm already.
395
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>> Will: And I don't need. We don't need to have a dead.
396
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The dead parent trauma to like, you know, drive me
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to become a superhero. Oh, well, this is all the
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plan.
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>> Sarah : Yeah. End of the season, there's still time for
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parents to die.
401
00:20:04,570 --> 00:20:06,890
>> Will: True, true. But by that point, he. Yeah, well, I
402
00:20:06,890 --> 00:20:08,410
guess, yeah, we're just. We're stuck. You know,
403
00:20:08,410 --> 00:20:10,470
we're pret much spent a lot of time in 2016 when
404
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he was being interviewed. Not, We haven't gone to
405
00:20:11,960 --> 00:20:14,600
2026 since we saw how on the bleachers they're
406
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dead.
407
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>> Sarah : So we'll put a pin on that for a moment.
408
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Let's talk about formerly Sergeant Major John
409
00:20:20,800 --> 00:20:24,320
Stewart. So during the interview, we don't just
410
00:20:24,320 --> 00:20:28,240
cut back to the childhood, but we cut back to how
411
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he is now. He was dishonorably discharged. What
412
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did. What did you think about the inclusion of
413
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this series of events or this chapter of Jon
414
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Stewart's life?
415
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>> Will: Yeah, I. It had a couple. I had a couple thoughts
416
00:20:42,070 --> 00:20:44,000
about it. one, it just, you know, again, it just
417
00:20:44,000 --> 00:20:46,240
reinforces his military career as far, you know,
418
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because even. Even the Guardian asked, you know,
419
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the query why he. Why did he become a Marine. But
420
00:20:50,720 --> 00:20:53,440
I think it really gets into a cup. I think it gets
421
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into his couple. His. One of thought. One thing.
422
00:20:58,160 --> 00:21:00,400
One thought I had was like whatever she pressed
423
00:21:00,400 --> 00:21:03,120
him on why he. Why he was disarming discharge is
424
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getting through the truth. I tell him the truth.
425
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In the situation with his father, when he told the
426
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truth about being afraid, he. He lost out on being
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00:21:10,440 --> 00:21:15,260
a Lantern. And whenever John Jr shares the truth
428
00:21:15,260 --> 00:21:18,420
about, you know, failing the mission due to. And
429
00:21:18,420 --> 00:21:20,780
not taking the shot is, you know, Cause he didn't
430
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try to concoct some story about. He was just very
431
00:21:23,100 --> 00:21:24,820
honest. Like, yeah, Leonard came and before I
432
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could take the shot, you know, Hal Jordan saved
433
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the day. So. But, you know, but both of them had
434
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consequence for being. Being, you know, honest.
435
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About the situations.
436
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>> Sarah : What do you think, John?
437
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>> Will: But also, but also. Yeah, well, before that too,
438
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other thought too is. But also because of his
439
00:21:41,450 --> 00:21:45,290
honesty with the Guardian and tell him what truly
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did happen. John Jr. Was being. It was. Was
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selected because like if he had gone some other
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way, he probably, they probably would have passed
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on him.
444
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>> Sarah : Yeah. Yeah.
445
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What do you think Jon Stewart really thinks about
446
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Hal Jordan? And, and I'm not the current Jon
447
00:22:01,220 --> 00:22:05,210
Stewart and not the 2026, but the, the when he's
448
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asked that question in what was the true answer?
449
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>> Will: He hates this guy. Oh yeah. But, but, well, maybe,
450
00:22:10,890 --> 00:22:13,530
maybe hates. But also I think there's a. I think
451
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there is a. There's a sort of like a thing where
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you respect the office, but maybe not the person.
453
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Yeah. So he respects the fact that yes, he is a
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Green Lantern, but I, I just don't respect this,
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this man at all. Especially whenever. I mean that
456
00:22:30,330 --> 00:22:34,560
moment when he's in the house there and you know,
457
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break. You know, he's already like told the news
458
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to the parents that he's going to be training
459
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John. And you know, the whole huxtable cup, the
460
00:22:42,720 --> 00:22:44,440
whole huxtable of it all which, you know, which
461
00:22:44,440 --> 00:22:47,040
is, which is its own, like has so many meanings to
462
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it because this episode has so many places where
463
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he can go. But, but I think it really reinforced
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like, like I said what I said earlier, that yeah,
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he respects the office that this guy has, but he
466
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doesn't respect the man at all.
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>> Sarah : Yeah. I think the discharge aside.
468
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>> Will: Yeah.
469
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>> Sarah : Hal Jordan is the villain of, of his childhood
470
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because he, he's already made peace that his
471
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father chose the wrong answer in that moment
472
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because if his father had chosen the right answer,
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his childhood would be very different. He would
474
00:23:16,100 --> 00:23:18,100
have been very. He would have been an art school
475
00:23:18,100 --> 00:23:22,460
by the age of six. Okay. It would have been a very
476
00:23:22,460 --> 00:23:25,210
different childhood. And so I think, any
477
00:23:25,210 --> 00:23:28,690
resentment, because it's also brought up like if
478
00:23:28,690 --> 00:23:31,970
he resents his parents, if he. Does he love his
479
00:23:31,970 --> 00:23:35,090
parents because of everything that they've put him
480
00:23:35,090 --> 00:23:39,290
through. And, and I think he's put all of that on
481
00:23:39,369 --> 00:23:44,090
because he also, up until 2016, has never really
482
00:23:44,170 --> 00:23:49,770
met how he just. So, so you, you're kind of basing
483
00:23:49,770 --> 00:23:54,150
your opinion about someone and their actions over
484
00:23:54,630 --> 00:23:57,670
how they have affected your life without even
485
00:23:57,750 --> 00:24:00,990
knowing them and how. Doesn't understand. He has
486
00:24:00,990 --> 00:24:04,990
no idea who Jon Stewart is. He has no idea the
487
00:24:04,990 --> 00:24:08,790
impact. He doesn't know that. That who John, John
488
00:24:08,790 --> 00:24:13,910
Senior is. So there, there's so much ignorance
489
00:24:14,070 --> 00:24:18,390
with how that it's just like. Because, because
490
00:24:18,390 --> 00:24:22,120
now. And that's why you get how being how where
491
00:24:22,200 --> 00:24:25,640
pal. Pals. Like you're now becoming the villain of
492
00:24:25,640 --> 00:24:28,440
my story. And I don't appreciate that and I'm not
493
00:24:28,440 --> 00:24:30,920
a 10 year old child and I can tell it to your
494
00:24:30,920 --> 00:24:35,890
face. Okay, but, but I really, I like that idea
495
00:24:35,890 --> 00:24:39,250
that even in that interview and when asked a
496
00:24:39,250 --> 00:24:44,090
question, he answered it like you said. But I
497
00:24:44,090 --> 00:24:48,560
think a 10 year old version would, would give a.
498
00:24:48,640 --> 00:24:52,790
Albeit a more truthful answer. And he's. He's the
499
00:24:52,790 --> 00:24:56,150
devil. He's the person who stole my childhood. He
500
00:24:56,150 --> 00:25:01,430
ruined Christmas. So he. Because it, it reshaped
501
00:25:01,590 --> 00:25:05,670
everything about John's family and his entire life
502
00:25:05,750 --> 00:25:09,470
journey. So it is, it's really interesting. And,
503
00:25:09,470 --> 00:25:12,910
and I like how we see both sides of it, as we now
504
00:25:13,070 --> 00:25:17,030
see John's side and we see Hal's side of it and,
505
00:25:17,030 --> 00:25:21,810
and the full circle moment. The way this was all
506
00:25:21,810 --> 00:25:27,650
edited was beautiful. I am not mad that we got in
507
00:25:27,650 --> 00:25:31,090
episode three, a flashback episode because there's
508
00:25:31,090 --> 00:25:34,610
been a lot of talk about that. And to, to me I'm
509
00:25:34,610 --> 00:25:38,210
just like, okay, y' all need to understand that
510
00:25:38,210 --> 00:25:41,450
there's a part of this audience, myself included,
511
00:25:41,770 --> 00:25:45,410
who have not read the comics who do not know Jon
512
00:25:45,410 --> 00:25:48,110
Stewart who are ah, albeit don't even know Hal
513
00:25:48,110 --> 00:25:51,670
Jordan. Yeah, we need a backstory. You may not,
514
00:25:51,910 --> 00:25:55,510
but there is a part of the audience and there's
515
00:25:55,510 --> 00:25:59,510
also a bigger net that the show is trying to get
516
00:25:59,750 --> 00:26:01,630
grasped and it's just called character
517
00:26:01,630 --> 00:26:01,910
development.
518
00:26:02,710 --> 00:26:03,790
>> Will: Okay, exactly.
519
00:26:03,790 --> 00:26:07,550
>> Sarah : So. So I just get angry when I hear this. Oh my
520
00:26:07,550 --> 00:26:10,590
God, we have flashbacks. Are flashbacks episodes
521
00:26:10,590 --> 00:26:13,270
always my cup of tea? Hell no. We all know that.
522
00:26:13,270 --> 00:26:16,310
But, but when they are done right, they are done
523
00:26:16,310 --> 00:26:16,670
right.
524
00:26:16,670 --> 00:26:19,650
>> Will: Yeah. You're so up. Yeah, I mean, I 100% agree
525
00:26:19,650 --> 00:26:21,330
with you. Plus, I m mean especially in the comic
526
00:26:21,330 --> 00:26:23,570
book continuity, I mean there were like, I think
527
00:26:23,570 --> 00:26:25,810
multiple, you know, multiple versions of John's
528
00:26:25,810 --> 00:26:27,370
story. Because at first I think, you know, we got
529
00:26:27,370 --> 00:26:29,530
into this a little bit last week. One, ah, we.
530
00:26:29,530 --> 00:26:32,880
Whenever he was first introduced, you know, he,
531
00:26:33,360 --> 00:26:36,400
you know, his family had a certain background. You
532
00:26:36,400 --> 00:26:38,760
know, his parents, he lost his parents along the
533
00:26:38,760 --> 00:26:41,370
way to various reasons. you know, one, you know,
534
00:26:41,370 --> 00:26:43,530
one point he was an architect, but then they
535
00:26:43,530 --> 00:26:46,530
retconned the marine piece to it. So, you know, so
536
00:26:46,530 --> 00:26:49,690
to your point, you know, for this character has
537
00:26:49,690 --> 00:26:53,490
needed a more developed, you know, backstory that,
538
00:26:53,730 --> 00:26:55,890
you know, that, you know, for once and for all,
539
00:26:56,370 --> 00:26:56,850
here's.
540
00:26:56,850 --> 00:26:59,090
Here is the, you know, and in particular, this
541
00:26:59,090 --> 00:27:02,290
adapt. It's an adaptation. So, you know, so people
542
00:27:02,290 --> 00:27:05,370
need to also, we've talked about this before. Back
543
00:27:05,370 --> 00:27:07,290
down a little bit, take it, you know, take a
544
00:27:07,290 --> 00:27:10,930
breath. It's an adaptation, you know, so in this
545
00:27:11,010 --> 00:27:15,260
live action version, this is the, origin story for
546
00:27:15,340 --> 00:27:18,790
Jon Stewart and be happy, you know. You know, and
547
00:27:18,790 --> 00:27:22,390
this is his first time being shown in live action.
548
00:27:22,390 --> 00:27:24,390
Yeah. You know, he was in a Justice League show
549
00:27:24,390 --> 00:27:26,430
for years and you know, and you know, animation,
550
00:27:26,510 --> 00:27:28,510
that's great, but this is the first time. So I'm
551
00:27:28,510 --> 00:27:30,790
glad they did this. And like you said, it was a
552
00:27:30,790 --> 00:27:34,790
well executed origin story that now as. That, you
553
00:27:34,790 --> 00:27:39,510
know, now as we continue in the series, well, you
554
00:27:39,510 --> 00:27:42,660
know, we, we have a better understanding for what
555
00:27:42,660 --> 00:27:45,900
yet is to come, what is driving those motivations.
556
00:27:46,060 --> 00:27:50,780
>> Sarah : And it also just. The way. The reason why I think
557
00:27:50,780 --> 00:27:54,140
this flashback episode works so well is because we
558
00:27:54,140 --> 00:27:56,940
just spent two episodes jumping timelines.
559
00:27:57,020 --> 00:27:57,500
>> Will: Yeah.
560
00:27:57,660 --> 00:28:00,820
>> Sarah : And that is exactly what we did here. It just was
561
00:28:00,820 --> 00:28:04,020
fully centered about him. And it's not like we
562
00:28:04,020 --> 00:28:07,460
haven't visited this timeline before. I mean.
563
00:28:07,460 --> 00:28:08,050
>> Will: Exactly.
564
00:28:08,680 --> 00:28:12,520
>> Sarah : So. So it is just, it is adding more context.
565
00:28:12,760 --> 00:28:14,040
>> Will: Yeah. It makes total.
566
00:28:14,200 --> 00:28:18,520
>> Sarah : And even when we go into the future to 2026, it's
567
00:28:18,520 --> 00:28:21,320
still hinted at with the line that you will never.
568
00:28:21,560 --> 00:28:23,360
The only way you're gonna get this ring is if you
569
00:28:23,360 --> 00:28:25,080
pry it out of my cold, dead hand.
570
00:28:25,640 --> 00:28:30,090
>> Will: Yep, exactly. wink, wink. Yep. Yeah, there you go.
571
00:28:30,090 --> 00:28:32,930
Yeah, exactly. Exactly. And yeah, but also too
572
00:28:32,930 --> 00:28:35,290
like, you know, it could really. This frames
573
00:28:35,370 --> 00:28:38,890
whenever we first while, you know, whenever, when,
574
00:28:39,050 --> 00:28:42,650
when Hal picks up John and you know, and, and the
575
00:28:42,650 --> 00:28:45,330
whole, the, the dynamics there in the, in the car,
576
00:28:45,330 --> 00:28:48,050
I mean, it just like adds a whole nother, whole
577
00:28:48,050 --> 00:28:50,010
nother level to it. And John's like, yeah, you
578
00:28:50,010 --> 00:28:52,690
know, I think he likes me. And you know, I think
579
00:28:52,690 --> 00:28:54,610
as far as looking at the bird, you know, and it
580
00:28:54,610 --> 00:28:57,450
deepens the bird, you know, part too, because,
581
00:28:57,530 --> 00:28:59,650
because, you know, like I said, and to your point,
582
00:28:59,650 --> 00:29:01,890
you know, a lot of people did not know, you know,
583
00:29:01,890 --> 00:29:03,490
that, you know, at least in the comics, that
584
00:29:03,490 --> 00:29:05,410
John's an architect. Here they just tweak it, make
585
00:29:05,410 --> 00:29:07,800
him an art school student. But, you know, but what
586
00:29:07,800 --> 00:29:09,600
I talked about last week, as far as him
587
00:29:09,840 --> 00:29:12,400
understanding the, you know, the deepness and the
588
00:29:12,400 --> 00:29:14,800
taking things apart and rebuilding it, like when
589
00:29:14,800 --> 00:29:16,720
the guardian asked him to, like, you know, sketch
590
00:29:16,720 --> 00:29:19,800
the school, you know, it just added such depth to
591
00:29:19,800 --> 00:29:21,160
it. And then of course, when they built the
592
00:29:21,160 --> 00:29:23,360
construct with the watch, you know, again, it just
593
00:29:23,360 --> 00:29:26,880
really gets you into, you know, just that simple
594
00:29:27,280 --> 00:29:30,240
visual there with the, you know, in the 45 seconds
595
00:29:30,240 --> 00:29:33,380
or so of that, it just helps, again, help visually
596
00:29:33,380 --> 00:29:37,900
show and also tell how John's mind works. And it
597
00:29:37,900 --> 00:29:40,900
adds to the point that Sinestro was making about
598
00:29:40,980 --> 00:29:44,060
why, you know, people, you know, why this
599
00:29:44,060 --> 00:29:46,740
character is so special and also why, you know,
600
00:29:46,820 --> 00:29:49,980
Anton was also really trying to, you know, get
601
00:29:49,980 --> 00:29:52,660
John on his side. So it's just so many things that
602
00:29:52,660 --> 00:29:56,100
this episode, those first two were sort of laying
603
00:29:56,100 --> 00:29:59,460
the table now, you know, now we fully understand
604
00:29:59,540 --> 00:30:02,180
who this character is. So now we can now move.
605
00:30:02,260 --> 00:30:05,520
Move forward in the story as far like, you really
606
00:30:05,840 --> 00:30:08,840
exploring what else is to come. And. And then
607
00:30:08,840 --> 00:30:11,040
also, you know, we do have the Guy Gardner of it
608
00:30:11,040 --> 00:30:12,080
all, who's still out there.
609
00:30:12,240 --> 00:30:12,840
>> Sarah : Yeah, yeah.
610
00:30:12,840 --> 00:30:14,760
>> Will: And how he, you know, how he ended up being the
611
00:30:14,760 --> 00:30:17,240
Lantern. And then, you know, and also one of the
612
00:30:17,240 --> 00:30:19,440
things too, just quickly going back to the Great
613
00:30:19,440 --> 00:30:22,280
Wolf and the assassination attempt and how jumping
614
00:30:22,280 --> 00:30:24,680
in something that, you know, we. We. That, you
615
00:30:24,680 --> 00:30:27,280
know, was explored in Superman but also explored
616
00:30:27,280 --> 00:30:29,440
in this episode too, is, you know, the Guardians
617
00:30:29,440 --> 00:30:31,400
were not happy with how. Interfering with Earth,
618
00:30:31,400 --> 00:30:33,590
you know, with Earth affairs as far as political,
619
00:30:33,760 --> 00:30:36,280
political things. So will that come up in, in, in
620
00:30:36,280 --> 00:30:36,800
this season?
621
00:30:36,880 --> 00:30:41,360
>> Sarah : Yeah, yeah, I just. I'm glad you mentioned, like,
622
00:30:41,360 --> 00:30:43,880
listen, that's Jostine because, like, we should
623
00:30:43,880 --> 00:30:46,240
have known we were going to get a John centric
624
00:30:46,320 --> 00:30:49,840
episode when in episode two ends with the last
625
00:30:49,840 --> 00:30:52,560
words being like, who is Jon Stewart? And then
626
00:30:52,560 --> 00:30:55,240
we're explained. I still have plenty of questions
627
00:30:55,240 --> 00:30:57,160
about Jon Stewart. I still have plenty of
628
00:30:57,160 --> 00:31:01,020
questions, but I also. I think it's done well
629
00:31:01,180 --> 00:31:04,580
because of not only the exploration of Jon
630
00:31:04,580 --> 00:31:07,740
Stewart, but we're starting to gather more
631
00:31:07,740 --> 00:31:11,340
information about the Guardians. Starting to
632
00:31:11,340 --> 00:31:13,860
gather more information about how. And because
633
00:31:13,860 --> 00:31:17,260
it's all perspective and so it's shaping the.
634
00:31:17,820 --> 00:31:22,380
It's. It informed so much about 2016, which is
635
00:31:22,380 --> 00:31:25,790
our, primary timeline or our primarily primary
636
00:31:25,790 --> 00:31:28,590
point in time, I should say that. That this series
637
00:31:28,590 --> 00:31:33,310
is focused on. So, so, yeah, I, I really enjoyed
638
00:31:33,310 --> 00:31:35,750
it. I think this was just. Shout out to the
639
00:31:35,750 --> 00:31:38,940
editors. I think they did a fabulous job of, Ernie
640
00:31:38,940 --> 00:31:40,659
is a powerhouse. I mean, I know she was in
641
00:31:40,659 --> 00:31:42,540
Hamilton, so like, come on.
642
00:31:42,540 --> 00:31:44,460
>> Will: Yeah, just shout out to. Yeah, shout out her.
643
00:31:44,460 --> 00:31:46,180
Yeah, the scene where she looks at the Guardian,
644
00:31:46,180 --> 00:31:48,420
whatever, they're blue and stuff. I mean, you
645
00:31:48,420 --> 00:31:50,780
know, get to see, you know, everything, you know,
646
00:31:50,780 --> 00:31:52,500
shout out to that. Shout out to Stephen Williams
647
00:31:52,500 --> 00:31:55,420
and, And. And who directed this episode. I know
648
00:31:55,420 --> 00:31:58,120
he' and should have led with this, but
649
00:31:58,120 --> 00:32:00,440
representation matters because, you know, there
650
00:32:00,440 --> 00:32:03,940
was such an authenticity to this story, as an. As
651
00:32:03,940 --> 00:32:06,820
an African American. And. But like I said, also
652
00:32:07,380 --> 00:32:10,580
there were some universal themes, too, so that I
653
00:32:10,580 --> 00:32:13,260
think no matter what your ethnic or racial
654
00:32:13,260 --> 00:32:15,460
background is, there's things in there that you
655
00:32:15,460 --> 00:32:17,500
can identify with. And I think that's the. That
656
00:32:17,500 --> 00:32:20,140
was the genius of this episode. As. Yes, as we
657
00:32:20,140 --> 00:32:21,990
have an, interracial podcast discussion here.
658
00:32:21,990 --> 00:32:23,550
You're a white female, I'm a black male. And
659
00:32:23,550 --> 00:32:25,910
we're. You know, there's so many. You know, we. We
660
00:32:25,910 --> 00:32:27,750
touched on it earlier. I mean, we. We identified,
661
00:32:27,830 --> 00:32:30,430
like, some universal themes that regardless of
662
00:32:30,430 --> 00:32:32,430
your background and stuff, there's something there
663
00:32:32,430 --> 00:32:33,030
for everybody.
664
00:32:35,670 --> 00:32:38,310
>> Sarah : All right, well, on that note, Will, why don't you
665
00:32:38,310 --> 00:32:40,070
tell our listeners where they can find you?
666
00:32:40,070 --> 00:32:42,870
>> Will: Yes, you can find me wherever you get your social
667
00:32:42,870 --> 00:32:47,280
media at Will and Polk. W I, L L, M M P O L K And
668
00:32:47,280 --> 00:32:47,520
you can
669
00:32:47,520 --> 00:32:50,560
>> Sarah : find me there, too. J, B E L M M O N T. Please
670
00:32:50,560 --> 00:32:52,960
follow crew on X, formerly known as Twitter. At
671
00:32:52,960 --> 00:32:55,540
Scene N Nerd on bluesky. Friend us on Facebook,
672
00:32:55,540 --> 00:32:57,540
follow us on Instagram and threads, at Scene
673
00:32:57,540 --> 00:32:59,140
Unnerd and Visit our website,
674
00:32:59,220 --> 00:33:02,980
www.scenenerdpodcast.com. but most importantly,
675
00:33:02,980 --> 00:33:05,140
rate, follow and comment on Apple Podcast,
676
00:33:05,140 --> 00:33:07,420
Spotify, YouTube, or wherever your podcast. Good
677
00:33:07,420 --> 00:33:29,370
night, geek out. You're welcome. Sam m.
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